This eloquent and evocative novel celebrates the English landscape and the spirit of place is tangible on almost every page. Its premise is intriguing – a journey taken by an antiquarian’s widow in the 1920's across England and France ‘retracing his steps in search of healing and independence.’ The land itself is integral in the narrative, places and ancient memories recaptured by the author’s own love of language as well as the landscape. There are snatches of poetry throughout and each chapter starts with a well chosen verse.
The epistolary format is particularly well used. Maud is reading the journal written by her husband. His character comes across from these extracts, his single-minded obsessive nature and how she let him indulge his passions, but she also reads that he loved her and needed her as much as she needed him. The sense of place adds its own rhythm and this becomes a character in its own right. Everywhere Maud Kerne goes reminds her of a lost husband and his obsessions. This is effective, allowing the author to demonstrate his own connection with the sacred landscapes of the past. Maud is a very weak character at first but develops into a stronger woman who knows her own mind for the first time in her life.
The first two-thirds of this book easily deserved five stars but, towards the end, the brief but intense sexual encounter was jarring, as if it had been added for shock value. It shattered the sense of reverie that had been building for the last two hundred pages but perhaps this is just my opinion. In summary, this was still a very enjoyable read that rekindled my own interest in earth magic