No one supports violence but more people read about it than me. I do understand that when you're into a compassionate, well-written story, you wince past awful elements and are invested in a happy outcome. I already loved one of Kay Hooper's solo novels featuring a spirit, “The Haunting Of Josie”; spirit mysteries being my top favourite kind. Thus the completionist in me sifted out the rest of her work, including the unclearly-identified introduction to her long series: “Stealing Shadows”, 2000. As a fan of one novel, I am reading something I would not have selected.
It was more violent and disturbing than I want to see. The ability to appreciate the story she has written and its redeeming, relieving conclusion, is another exception of mine, like Patricia Cornwell. Cassie is an unusual clairvoyant and telepath in a lineage of psychics. I know all three of these words belong to real abilities but even though this novel's presentation of them is not how I think they work; letting Kay weave her tale gives us interesting workings. One frustrating thing is that most of Cassie's connections tap into insufficient information to let police stop murderers and mainly led to corpse locations. It was emotionally, spiritually, mentally, and physically hard on her to connect with depraved minds and not glean enough from the experience, early enough to prevent crimes.
What earned this novel four stars is that we acquaint Cassie's new townsfolk, new love, and even a new dog, enough to root desperately for her to succeed on their behalves. I doubt I'd read just a crime thriller but the unusual abilities of this character's mind, lent that unusual interest that Phyllis A. Whitney described, in her fiction-writing tutorials. I dislike the famous Noah Bishop and liked relegating him to the background.