Featuring interviews with Amy Taylor of Amyl and the Sniffers, Angie McMahon, Anna Laverty, Anna Lunoe, BARKAA, Camp Cope, Courtney Barnett, Elly-May Barnes, Fanny Lumsden, Julia Jacklin, Kira Puru, Marcia Hines, RIAH, Romy Vager, Sampa the Great, Sarah Blasko, Sosefina Fuamoli and Vika and Linda Bull.
From our very first show in Brisbane in 2016, when we stopped mid-set to call out a guy who was pushing to the front and shoving women aside, we knew exactly what kind of space we wanted to build. One where women and queer people didn’t have to shrink themselves or brace for impact if they didn’t. And if you had a problem with that, it was not for you.
Trailblazing female punk band Camp Cope changed the Australian music scene forever, from their It Takes One campaign to end sexual harassment at gigs to their track ‘The Opener’, which became an anthem for fearlessly calling out the sexism that permeates the industry. Here, Kelly-Dawn Hellmrich, Camp Cope’s bass player, brings that same passion to conversations with fellow artists who represent the firsts and the future of Australian music.
It's Not For You goes beyond the music, offering a peek behind the curtain, generous personal reflection, catharsis, camaraderie and inspiration for anyone who’s ever been told they were too much or not enough.
So proud of Kelly for making her mark and sharing these stories. I haven’t read anything like it and I imagine it will be such a resource for young musicians trying to find their rhythm. “Show em Kelly!” gives me chills every time. Thank you Camp Cope!! 🙏
From the first 50 pages I knew this was going to be my favourite read of the year. As I read on it brought me in deeper than I honestly thought it was going to. I as someone who works in the Australian music industry felt so seen by this book and the experiences these women have had. Mentioning of places I’ve personally been and continue to go, to the exact festival where I had an incident happen. Perhaps it spoke very clearly to me than it will others but I implore every single person, to read this book.
I think this has been my favourite book to read this year
This book wasn’t what I was expecting, but in quite a lovely way. A lot more memoir than essay, it was a great insight into Kelly’s life and core memories that have shaped her career and life so far. Her conversations were built in way I’ve never read before, with reflections throughout. It felt like they must’ve been so much more of each conversation that wasn’t included, and it felt like just the start of the story. I did feel like I understood the book better in the angie McMahon chapter, understanding the calmness, beauty and love that is the heart of the book, rather thang the anger and frustration
This book was so special. Being a Camp Cope fan, I knew I’d enjoy it. But I did not expect such a gentle and moving series of essays/interviews that spanned art, family, friendship, and belonging in Australia’s music industry.
I thought I’d speed through this, but I unexpectedly found myself really sitting with each chapter, listening to the music of the artist, and finding a better understanding of their work.
Five stars - the Goodreads equivalent of shouting “Show ‘em Kelly” at a sold out show.
Very occassionally I read something and it feels like I've read it at the perfect time. Something about the context or headspace im reading it in. This is one of those!!! Great stories, great messages.
I teared up multiple times reading this, and then again watching the final Camp Cope show at the opera house immediately after I finished. Thank Dolly for the matriarchy. Thank Dolly for Camp Cope. Thank you, Kelly x