Michi Ichiho’s Tsumidemic, which won the prestigious Naoki Prize for popular fiction in 2024, collects six disturbing stories about the atmospheric strangeness of the Coronavirus pandemic.
The opening story, Chigau hane no tori, has all the grim fascination of a viral urban legend. A directionless young man moved to Tokyo only to drop out of college. During an eerily quiet night on the town, he randomly meets someone he knew back from middle school. This is a shock, as this woman is supposed to have died years ago. If she didn’t die, then who did…?
The collection takes a more wholesome turn in the fourth story, Tokubetsu enkosha, in which a househusband attempts to weasel himself into the good graces of an elderly man whom he suspects is a money hoarder. The househusband is an affable himbo who has no business scamming anyone, and he ends up becoming a lifesaving connection for the lonely old man.
As indicated by the book’s title, the two themes guiding this collection are “crime” and “the pandemic.” Each of the characters is hiding something, and the reader never knows where anyone’s true intentions lie. The twist at the end of each story is a lot of fun, and the fantastic elements of Ichiho's fiction accurately convey the feeling of just how weird and unreal everything got during the pandemic.