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The Renegades recruit their newest member-- Torque! In a shed in the backwoods of Northern Georgia lives a meek, sequestered teen named John Torkelson. Raised just this side of feral, and on a steady diet of MMA and reality TV, fried catfish and Cheeto pie, he's a firm believer that women should be seen and not heard (though he really hasn't met many). But when four strange, super-powered outlaw teenagers suddenly appear in the woods outside his shed, Torkelson's life takes a turn he could've never imagined. Now the boy his poppa called "Stump" is about to become more man than he could've ever imagined. But then... what exactly is a "real man?" For that matter, what's a real hero? Only one thing's certain, the Renegades are about to get a hell of a lot stronger.

35 pages, Comic

First published January 23, 2013

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About the author

Joshua Dysart

387 books97 followers
I write comic books, graphic novels and novels. I'm a three time Eisner nominee, two time Glyph award winner, New York Times bestseller, a recipient of The Dick Giordano Humanitarian of the Year award, and have been in competition twice at Angoulême.

I've worked on Hellboy, Swamp Thing, & Conan the Barbarian; I co-wrote a graphic novel with Neil Young; I helped restart Valiant Entertainment; and I've done on-the-ground research in Uganda (2007), Iraq (2014), & South Sudan (2016), writting graphic novels about war and famine in those regions.

Goodnight Paradise came out in 2018 with long time co-creator Alberto Ponticelli and is a murder mystery set in the houseless population of Venice Beach, Ca.

My first novel (novella - it's only 100 pages) has dropped. It combines my love of slasher horror, Agatha Christie fair-play mysteries, construction sites, and bugs. It's called BROOD X. Buy it wherever trash genre books are sold!

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Profile Image for Vyshakh Aravindan.
1,394 reviews14 followers
April 15, 2026
Training continues, but cracks begin to show. The Foundation starts feeling less like a school and more like a system of control.

Peter’s paranoia might actually be justified - and that ambiguity keeps things engaging.
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