Here are logos and advertising pieces for performers and "hippie capitalists," posters for nonprofit organizations, the wryly humorous "invaders" posters series, and works on wildlife, on magic, and more.Much of Dolack's art reflects the American West (in reality as well as in legend) and his home state of Montana. His distinctive style and universal messages long have attracted collectors (and imitators) around the United States and abroad.Filmmaker/editor Annick Smith contributes a personal essay on Dolack's life and career from her dual perspectives as friend and fan.Margaret C. Kingsland, former director of Montana Committee for the Humanities, analyzes Dolack's images, subjects, and approaches.