You file a complaint. You answer a letter. You post a tweet. And suddenly you are inside a system that does not quite behave the way it promised.
STRICT MACHINE is a survival manual for life inside modern institutions. Drawing on Kafka, Lacan, political scandal, courtroom drama, and the author's own arrest under counter-terrorism law, it exposes the "gothic system": bureaucracies that appear rational and neutral while quietly distributing punishment through delay, opacity, and procedural fog.
These systems do not crush you. They activate you. They invite explanation. They absorb exposure. They endure.
With fourteen rules for survival - from "Beware Mission Impossible" to "Stop Explaining Yourself" - STRICT MACHINE maps the hidden architecture of contemporary power and shows how to emerge intact.
Dylan Evans is the founder of Projection Point, the global leader in risk intelligence solutions. He has written several popular science books, including Risk Intelligence: How to Live with Uncertainty (2012), Emotion: The Science of Sentiment (2001) and Placebo: The Belief Effect (2003), and in 2001 he was voted one of the twenty best young writers in Britain by the Independent on Sunday. He received a PhD in Philosophy from the London School of Economics in 2000, and has held academic appointments at King's College London, the University of Bath, the University of the West of England, and University College Cork, and the American University of Beirut.
Thoroughly enjoyed this as an exposition on the difficulty of contemporary (and historical) systems which exhibit maddening and impenetrable outcomes. Evans' central premise is to disabuse the reader of any lingering notions of benefaction within certain systems, which he describes as 'gothic'. That is to say, where it is seductive to regard (eg) legal systems as principally capable of rationalisation, being reasoned with etc, Evans asserts that gothic systems are in fact operating precisely as designed when they obfuscate and mislead; there is no central authority or understanding or law to which the systems' antagonist may appeal.
Evans draws on a range of cultural references to assert his position - Kafka inevitably appears but so too do the likes of Lacan, Weber (ie, 20th century theorists) as well as references to contemporary TV / film / music. It gives the impression that the gothic system is very much a feature of contemporary life, and recognisable in many places.
The book is perhaps something of a counterpart to the sort of self-help books that proliferate in airports. And to be clear, this book contains nothing in the way of asinine platitudes aimed to mollify the reader - if anything Evans is seeking to share his dissatisfaction. Rather than eking out ways to negotiate gothic systems, Evans spends a lot of time advocating a kind of quietism - do not engage in a system which will drain you based on your own misapprehensions of how that system operates.
In a sense then it's a pretty bleak book - by way of critique of large and complex systems Evans is less offering concrete means of navigation and more offering a reason for abjection. Though that is perhaps over-stating the case somewhat - there is plenty of succour to be retrieved from his careful and astute observations on the operation of gothic systems.
Evans is also very capable of explaining tricky subjects while neither condescending nor baffling the reader; his rendering of Lacan is particularly effective.
Definitely one for your systems theory library, though it sits distinctly to one (profoundly critical) side of typical systems theory.