To me, “The Apple Tree” has everything that makes an exceptionally good contemporary romance.
The characters are real and believable. They’re not perfect; they have flaws, but they’re so well drawn that you understand them and sympathize with them. The central character, Julie, has some learning to do and some growth to achieve, and at some point in this book I realized that she might not get that done, or at least not get it done completely. A great romance novel, to me, doesn’t guarantee a happily-ever-after ending. With characters who are really human, there’s never that guarantee.
A great 21st-century romance novel acknowledges that people who are romantically involved with each other are involved in all ways, including sexually. That doesn’t mean that their physical involvement is described graphically, but neither does it mean that the reader is supposed to pretend there’s no physical romance between them, to the point where you wonder what planet they’re from. To me, graphic descriptions of sex are either so clinical (and often unintentionally silly) that I’m embarrassed – and turned off – or they’re so deliberately sexy that I know the writer wants to sexually excite the reader, which makes the book erotica or even pornography. Very few romance writers are able to write well about sex; Lynette Sofras writes very well about it here.
Finally, the central concern in a great romance novel is – a romance. But it’s not the only concern, and importantly it’s inseparable from other issues. Every human relationship is unique because every human being is unique, and any human relationship is entangled with everything else that’s going on in the people’s lives. In “The Apple Tree,” the author reflects this adroitly and artfully.
“The Apple Tree” is a prize-winner, and it’s easy to see why!