This is the first book I have read by Madison Jones, whom I understand is a lesser-known author from the US South. A Cry of Absence transports us back to 1957, three years after the landmark Brown v. Board court ruling, as the old Southern racial order in a Tennessee town is challenged and becomes gripped by disorder and violence as the status quo is unravelled.
The story explores the reaction of white southerners to the civil rights movement and the prospect of racial integration. It centres on Hester, a member of the Southern gentry who struggles to cope as her town - and by extension the South and nation as a whole - is changing around her and leaving her behind. Her identity and self-perception, and her hopes for the future of her two sons, revolve around her commitment to a romanticised vision of the South, its past, and what it represents.
Hester has a sense of righteousness, believing herself to be a defender of all that is good and right in the South. She feels displaced and fearful as things begin to change around her - new industry is coming to town, people from outside the South are moving in, and racial tensions begin to bubble to the surface. Hester epitomises the Southern gentry, couching her views in a romanticised vision of the Old South - farmhouses, white columns, chivalry and honour provide a veneer for what is, at heart, her commitment to white supremacy. Aghast that much of the town's elite seem willing to make accommodations to a changing world for the sake of peace and economic prosperity, Hester enters the fray, believing that her romanticised vision of the Old South must be saved. Echoing the arguments that were used by many segregationist propagandists, she believes that the racial strife in the town is the product of outsiders - the non-Southerners who do not 'understand' moving the town, stirring up the local black population. Such thinking permits her to avoid grappling with the uncomfortable fact that the black population of the town are dissatisfied with the status quo.
Meanwhile, as tensions rise, white segregationist Southerners take action to push back against against civil rights, and are portrayed as carrying out the underlying message of Hester's prettified words. 'They do what you mean', one character observes. Hester's sons are also caught in her orbit. One of them struggles as he is caught between the way of thinking instilled in him since birth, and his growing belief that civil rights is a justified cause and that the South must change. Hester's other, younger, son exists in her shadow, seeking to please and impress her in all things.
The writing itself is thoughtful, at times beautiful, powerful, and often rich in metaphor; at other times it is self-indulgent and slow. The novel therefore feels, at times, longer than it needed to be. The main characters are deliberately complex and contradictory, and although few are likeable, it is testament to Jones' writing that each is, at various points, frustrating, empathetic, and utterly pathetic. This is far from a light and easy read - it begins with tragedy and this sets the tone for the entire novel. This is a book that has left me thinking after finishing, and it will do so for some time.