Two sisters look for independence and love in late nineteenth century Denmark
Emilie Hansen, called Nik by her family, is a fourteen-year-old tomboy who spends her time dreaming and fossilizing on the nearby island of Fur, a geologic marvel. Her older sister, Maj, is studying to be a teacher and starting to entertain ideas of women’s rights introduced by her Swedish friend, Eva Sandström. Both girls know they must marry eventually—just not yet.
The summer of 1887 begins with a visit from the girls’ aunt, who brings with her from Copenhagen a young man she calls her foster son. Carl Nielsen, from a poor family, has just finished at the Royal Conservatory of Music and plans to become a composer. Flirtation turns to a secret romance between Nik and Carl, as Maj weighs an engagement to Lieutenant Frederik Brandt against her intense friendship with Eva. The following summer brings the sisters’ intertwining stories to a head during a month in Copenhagen with their aunt, where they juggle passion, jealousy, and violent events with their search for independent lives of their own.
Fossil Island and its sequel, The Former World, are inspired by the true story of Denmark’s greatest composer, Carl Nielsen, and on the life of Emilie Demant Hatt, who later became an artist and ethnographer in Lapland.
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“Barbara Sjoholm transports us to Denmark in the 1880s, a time when traditional customs and ideas were giving way to new technology and modern thinking, and enchants us with the story of a girl’s first love. Fossil Island captures beautifully the conflicting worlds the young lovers Carl and Nik move between: the harmony and lazy rhythms of village life on Jutland’s Limfjord, the dissonance and hectic tempos of Copenhagen. Nik experiences these disparate worlds with the apprehension and excitement of adolescence. In the city and the countryside she listens to young men and women debate the new ideas, but it is in the city that Nik meets women who, by living life on their own terms, will make history and guide her on her own path: artists, writers, musicians, even her older sister’s feminist classmate who sails to America in search of work and adventure.
“Fossil Island is a book to savor—you won’t want to put it down, you won’t want it to end.”
—Katherine Hanson, PhD, editor of An Everyday Story: Norwegian Women’s Fiction
I’m a writer of nonfiction, including memoirs (Blue Windows) and travel books (The Pirate Queen). As Barbara Sjoholm I have published essays and travel articles in The New York Times, Smithsonian, Slate, and American Scholar, as well as many other publications. My focus as a nonfiction writer has been on Scandinavia and the Indigenous Sami people of the Nordic countries (Black Fox, Palace of the Snow Queen). I also translate from Danish (By the Fire: Sami Folktales) and Norwegian (Clearing Out by Helene Uri).
As Barbara Wilson I have a long career as a mystery writer, with two series featuring lesbian sleuths, Pam Nilsen, a printer in Seattle, and the globe-trotting translator Cassandra Reilly. Gaudi Afternoon, with Cassandra, and set in Barcelona, was awarded a Lambda and a British Crime Writers Award and made into a film with Judy Davis and Marcia Gay Harden. After a bit of a hiatus, I've resumed writing mysteries with Cassandra Reilly. The latest is Not the Real Jupiter, with more to follow.
Not for me. I struggled through the first 30 pages, trying to get interested. Sadly, in the style of Jane Austin (endless description - and an author of whom I'm not fond, unlike the rest of the world). So, I'm moving on.