I raced through this book in a flash, and I already want to read it again. (Something I almost never do). I've totally fallen in love with young protagonist Mickey Donnelly. I was fortunate enough to be in London for the book's launch last week and to hear the author read the first chapter aloud. It was funny, heartwarming, a little scary, uplifting, intriguing, and quite a set up... and beautifully delivered, I might add. Paul McVeigh is a story-teller of the highest order, on the page and in person. My friend had read an advance copy of 'The Good Son' and blurbed it. I turned to her after the reading, stunned by its fabulous beginning, and asked, is the rest of this thing that good? She said, "better." And my God, is it ever.
I'm a lover of all things literary, but what impresses me more than anything is when a novel reads easily, yet delivers a big impact. 'The Good Son' is accessible and a joy to read, truly a page turner, and at the same time, its structure is masterful, and its nuanced use of language, dialogue and narrative create a remarkable journey of discovery. I'm American first, where Catholics and Protestants are often camped out together, so I have never fully understood "the troubles." Gaining perspective through Mickey Donnelly's experience adds a new depth of understanding. That story is very much at the heart of this novel, but so is the universal coming-of-age story... all the more interesting as it both matched and diverged from my own stories from the 1970s. (Mickey's ranking of favorite numbers from the 'Grease' movie, i.e. "filim," was a sparkling example of a perfect match). There isn't a single moment, objective correlative, or line of dialogue that doesn't play a role in the full unfolding of this story. This makes sense when you consider Paul McVeigh's also a short story writer. The precision required in that genre is exactly what he pulls off in this, a full length novel. From a writer's viewpoint, this work is a true thing of beauty. From a more casual reader's viewpoint too, it's plain brilliant.
At risk of sounding like I'm going over-board here, let me add one last comment. The last book I felt this strongly about, in terms of its completeness, its build, its pacing and punch, its lyrical perfection, its use of a young protagonist to reveal exceedingly adult issues, and its voice was 'All the Light We Cannot See' by Anthony Doerr. Quite different novels, but I bring it up in terms of my own tastes and just to mention that yesterday that one won the Pulitzer. Just sayin'.