An unforgettable novel of love and belonging, set in the indie music world of the early 2000s.
The only thing Susan loves more than music is Eliza, and both keep breaking her heart.
The first time Susan and Eliza meet, it's 2005, and Susan is barreling down the Long Island Expressway driving a group of friends to an indie rock show. Eliza is a surprise addition to the backseat, and she doesn't quite fit in; she's a little too pretty, and she doesn't know anything about music, but Susan is drawn to her anyway. Their flying sparks lead to combustion when Susan recognizes Eliza as the girl from a nude photo boys have been sending around. They part ways, and Susan assumes that’s the end of it. Susan goes off to college and onto a career in Brooklyn's indie music scene, where she navigates a toxic job at a small record label and learns hard lessons about who exactly has the privilege of making art under late-stage capitalism.
In 2015, in her twenties, Susan has a chance run-in with Eliza on a dating app, and they finally embark on a relationship. But Eliza is plagued by her traumatic past, which involves people Susan is still involved with, and that's where it all falls apart again. Over the next few years, Susan's career takes off, she helps dismantle a predatory work environment, and meets someone new who might actually be good for her. Yet she can't stop thinking about Eliza. What might have been, if things had gone differently? And who might Susan become if she could only let Eliza go?
At once a hilarious-yet-tender coming of age story, a steamy, complicated romance, and an authentic celebration of queer joy, Long Island Girls is for anyone who has ever struggled to stop getting caught up in "what-ifs" and start appreciating what is.
What a way to end 2025(I'm writing this on the 31st)!
I got this ARC on a whim, I don't know the author and it sounded intriguing but I didn't even check if it was romance of litfic or what, I just read “indie music world” and requested it. I'm so glad I did. This is a fantastic book, an easy 5 star read. It was so beautifully written, I could see everything described and felt like I was there. It helps that I grew up partially in the era described here, so it was really nostalgic. But when we're moving through the years I was surprised to see how a movie was going in my mind of what happened during those years and it made the experience of reading this book just absolutely perfect. This was a hard read at times, definitely check trigger warnings, but it was so beautiful and a little cathartic. From growing up queer in a time where it wasn't as nice out there, to having anxiety and not knowing what is the right decision, navigating adult life when you have no clue what you are doing and feeling like you were supposed to still be a kid. There's a line about chance that really stuck with me, I'm very set in my own ways and I just don't know how to handle things changing. I'm much like the main character in that way, it freaks me out and I just can't function. During that ending I had chills all over my body, that was POWERFUL. I wasn't really sure where we were going with this, the beginning led me to think this was one thing but it was a completely different story, and I loved that. I felt seen in many ways, and in different parts of the book. It was just a great time and I couldn't ask for a better way to end the year.
Thank you Netgalley and St. Martins Press for the ARC!
Here I go again... on the outlier train. Choo!Choo!
Long Island Girls was angsty. The protagonist is Susan, whom we first meet as a teen living in Long Island and follow into adulthood as she struggles to become comfortable with her identity. It is in that high school life that she meets Eliza, fiery, spirited, and different than anyone Susan has ever met. Years later, when Susan is working in the indie music scene in New York City, the two women meet again and begin a passionate relationship. But does Eliza belong in her past or her present? Do they have a future?
So.... Susan is an overthinker. I am an overthinker. One would think that I would be able to ride the wave of anxiety with her. Because I DO remember that my 20's were filled with angst and uncertainty, but I think I became a little judgmental of poor Susan. Not sure she deserved it. But I wanted her to get a backbone a little sooner in this story. On the other hand, perhaps Eliza deserved my judgement more than Susan. That whole trip to L.A? Shaking with wrath, I am, my fellow readers. However, by that point, Susan had started making some good decisions, so she did show me she had grown up. I loved the 2000s nostalgia and found myself playing some Death Cab for Cutie in the background as I read.
But I wouldn't feel genuine if I held back in my review, as it just didn't click with me. While I appreciate that Gabrielle Korn realistically portrays how two people can fall in and out of love, it prompted so much personal introspection that I found it difficult, and I couldn't lose myself in Susan's story.
Overall, there were lots of good qualities about this novel, but I must be the anti-hero in this review.
Publication Date 23/06/26 Goodreads Review 24/06/26 Thanks to NetGalley and St. Martin's Press for access to this title. All opinions expressed are my own.
Long Island, 2005: Susan feels awkward and out of place in her teenageness. A chance encounter with Eliza leaves her reeling—both because of her own inadequate reaction to revelations about Eliza's experiences and because Eliza awakens something in Susan that she hadn't really been aware of. It goes nowhere. And for years after, Susan wonders: Was she the one?
It's so odd to be old enough that formative periods of my childhood are now historical fiction. Long Island Girls doesn't stay in 2005—every so often it jumps forward, and Susan ages, and the historical context changes. Susan is involved in the music scene, parts of which go a bit over my head (I skipped the whole pop culture thing when I was a teenager), but her understanding of what is normal and what is okay in the music scene changes as she ages and as cultural understandings change.
Susan thinks: I'm just learning a lot about who gets to make art in this city. (loc. 930*)
A number of themes run through the book, but one of the ones with the most sticking power is Susan's nonrelationship with Eliza. Their first interaction is something fleeting, but over the years they run into each other again, and again, and each interaction rewrites what Susan knows about Eliza, and sometimes what she knows about herself.
"You're not going to want to hear this," he says, "But I don't think we ever really get over the things that end before they begin." (loc. 2647)
At times I wished Long Island Girls had stayed in the 2000s, just because it felt so strange and specific to read about my own teenaged years—I turned 17 and graduated from high school in 2005—through the lens of historical fiction. The book wouldn't be able to do a lot of the things it is doing without spanning decades, though. I'm so curious to see how this will land for people from different generations—from we millennials (nary a mention of avocado toast, I should note) who remember a time when landlines were the norm to those who have grown up with and on social media.
*Quotes are from an ARC and may not be final.
Thanks to the author and publisher for inviting me to read a review copy through NetGalley.
This was mid but sweet! The story is a nice tangle of coincidences, self-second-chances and flashes of nostalgia (that I wish lasted longer); but for some reason I can't pinpoint, the book and I never launched. I didn't love it past its first chapter. I kept waiting for it to take me somewhere — not sure exactly where; I think I wanted to feel the intensity and passion that Susan, the main character, feels about everything about her life but that I never felt translated back to me — and I just stood in place. I didn't dislike it either, though, and I think this will be a nice, inevitable film or tv adaptation someday. I can see this book resonating with a lot of (probably younger) people, both for its underlining debate about technology as well as for its depictions of queerness, gender, the constant back and forth of it. This is a solid story but I wish had more magic to it. ♡₊˚ 🦢・₊✧
Long Island Girls begins in 2005–which is apparently long enough ago that the book can qualify as (gags) historical fiction. “2005 wasn’t even that long ago”, I scream from my wheelchair as the orderlies gently escort me back to the nursing home.
Gabrielle Korn's latest follows Susan, a moody, music-obsessed teenager who definitely shopped at Hot Topic before heading into the city for local shows. On her way to see her favorite band, ?? (pronounced What What), she meets Eliza, and the two have the kind of instant connection that feels destined to change your life… until a misunderstanding sends them off in opposite directions. Over the next 2 decades, chance encounters keep pulling them back together, each reunion arriving after they’ve had time to grow, backslide, reinvent themselves, and pick up right where they left off. Long Island Girls is the older, gayer sibling of Nick and Norah’s Infinite Playlist with the same reflective, emotionally-grounded tone of Deep Cuts.
The atmosphere. Oh my god, the atmosphere. Dive bars. Grimey local music scene guys. Cheap beer. The internet before it became five sites all owned by the same fucking guy. Korn perfectly captures that specific mid-2000’s feeling without turning it into a nostalgia parade. As the years move forward, so does the music scene, the internet, and the cultural conversations happening around Susan. I felt like I was watching her grow up in real time.
I loved the push and pull between Susan and Eliza, but what surprised me most was where the novel finds its emotional center. Eliza isn’t ONLY Susan’s love interest, she's the yardstick that Susan measures her whole life against. I found myself way more interested in who Susan was when Eliza wasn’t around. Watching her slowly grow into herself from the off-beat teen music nerd ended up being more satisfying than the novel's biggest romantic beats.
A time capsule and a love letter to the early 2000s indie sleaze. Now, if you’ll excuse me, this book made me crave 3 barely cold PBRs and a drunk ciggie.
Thank you to Dutton for sending an advance copy <3
“Everything is changing all the time, regardless of our feelings about it.”
One of my favorite quotes from the book is also exactly a perfect reflection of its best themes. The book follows Susan and has a few snapshots from her life. Sort of like how the memories on your phone hit you hard sometimes… it’s incredible how not much seems to change day to day but a snapshot from 2019 can really knock you off your stool.
Starting in 2005, Susan doesn’t know who she is and has typical self-centered teen relationships. She comes across Eliza briefly but immediately loses track of her and sees her as the one that got away.
The first chapter is rife with early 00s nostalgia, you’ll be surprised at things that have since faded away that were so entrenched in the every day. The Lancôme juicy tubes and downloaded punk rock.
The subsequent chapters jump and while you miss Susan’s coming out, her career start, I love the way this book skips the “big event” scenes and just cuts to a sort of a normal day. Just as in real life, people who are main characters in one phase of your life become a forethought in the next.
All throughout, Susan sort of romanticizes Eliza although she truly doesn’t really know her. It’s less of a Romance than a coming of age LitFic character study. It is solidly Susan’s POV and shows a jump in her maturity and a loss of innocence and a growth with each passing year.
“Maybe love is trusting how someone feels about you.”
You’ll highlight several sentences.
Thanks to NetGalley and st martins press for the ARC. Book to be published June 22, 2026.
Long Island Girls by Gabrielle Korn. Thanks to @stmartinspress for the gifted Arc ⭐️⭐️⭐️⭐️⭐️
Susan met Eliza one night in 2005’s and hasn’t stopped thinking about her since. As Susan comes into her identity, dates, starts a career, she’s always thought of Eliza. Now their lives are about to come back together.
A great coming of age story that shows what it was like growing up in the early-mid aughts. I was in college by then and reading the book I could see how dangerous of a time it was to be a teen. Not only does the book show the perils of the time period, but it’s a terrific coming into gay story as Susan grows into her identity as a lesbian. I also loved how the story shows the strong connections we make with certain people, and how we become infauted, not necessarily because of that person but because of circumstances around the relationship.
“We had the entire world at our fingertips. Something no generation had before ours. And what did we use it for? We used it to torture each other.”
Read this book if you like: -NYC settings -Coming of age stories -Queer identity treks -Sexual assault recovery tropes -New adult timelines
Im finally at that age where I can truly appreciate a story where characters come in and out of each others lives years apart as different versions of themselves. It was fun to go along this journey w Susan. Definitely loved how nostalgic this book was, unlocking memories I completely forgot I had.
Thank you to St. Martin’s Press and NetGalley for this e-book ARC.
I am DNFing this book due to centrist and neutral conversations around the state of Israel. to be clear this scene takes place in 2017 before this has become a strongly felt public opinion
This book is supposed to be aimed at a millenial nostalgia lesbian coming of age story and i had a very difficult time relating to any of these aspects. I understood the references when they were pointed out but I was far too poor to ever be in these circles as a teenager in 2005 or 2010
in the chapter for 2010 Susan is living rent free with her parents because she can't afford to live in the city with the money she makes working as an assistant. her parents clean out the garage because they're going to turn it into a studio apartment to rent. Susan asks if theyre poor and her parents say no but she disbelieves them. considering this is 2010 and its 2 years after the housing crisis and they not ONLY have a house, they have a house big enough to have a studio apartment they rent out. Susan: learn what being poor ACTUALLY means. christ.
I was annoyed with the treatment of butch and femme as aesthetics in this book when they very much are NOT aesthetics and serve a socio-political AND relationship role within a lesbian relationship, as well as being lesbian gender identities
While the character is a lesbian, and one of her best friends is a gay man, its pretty clear this is not a lesbian who is *in* the queer community. There's a blink and you miss it conversation between Susan and Angie who says she thinks she's nonbinary and doesn't feel like a woman the older she gets but she doesn't have different pronouns or anything. I was really hoping to see what the queer community looked like for a lesbian in New York but we don't really get that beyond "there's 10 lesbians in New York and they've all dated each other"
Susan's character is fairly mild despite having her whole slight alternative aesthetic and a mullet in the Indie music scene
I get to the scene that made me DNF where Susan goes to visit her parents who are apparently getting new appliances because "trump is good for the economy". Her parents say that they don't "agree with his policies" but that he is ALSO good for Israel
Susan points out the Nazi rallies and that he only supports Israel because of his hatred for Muslims. As this takes place in 2017, the strike from Hamas has not happened yet as that happens October 7th 2023, but Israel has been an oppressive force against the Palestinians since the 40s. The author takes a neutral stance here despite being vocally anti trump and reads as liberal, centrist zionism apologism to me
earlier in the book the main character says shes jewish but that organized religion is "a cult". I do not think this is an endorsement or a condemnation of the state of israel either way, but i don't particularly like it either and do not wish to continue this book
This entire review has been hidden because of spoilers.
This was an absolutely beautiful book and probably my favorite read of the year so far. I loved how distinctly millennial it felt, from the early days of social media and pop culture to the music and world events that shaped this generation.
What I loved most was watching these deeply layered characters evolve over time in their relationships, identities, politics, and perceptions of themselves and others. The book really captures the experience of getting older and realizing that parents, friends, and partners are flawed, complicated people. Sometimes growing up means letting go, forgiving, and extending grace without pretending the hurt never happened.
I also appreciated how the book addressed the Me Too movement, misogyny, and women reaching the point where they are simply tired of accepting crappy behavior and ready to reclaim their power.
This was a thoughtful, compassionate, and deeply millennial story about growing older, changing, and learning to see people and yourself more clearly. ⭐️⭐️⭐️⭐️⭐️ Loved it!
I couldn't put this down. I read it every chance I got - even if it was just a few pages. It made me feel nostalgic in the best ways possible and was written BEAUTIFULLY. I'll never stop raving about this book. EVER.
‘Long Island Girls’ is a your typical LGBT+, coming of age novel. Very easy to read, and in most parts, droll from recycling the same cliche LGBT+ tropes in most other queer fiction. From obsessions with ex’s, heavy hand social-political convos with parents, and general queer issues, the writing and plot really doesn’t add anything to the literally landscape that didn’t already exist. I will say, I have read this authors ghostwritten work, and it was the same struggle then, the lesbian girl crush obsessions, miscommunication, and explanations about queer culture that are too heavy handed. She also tends to do a lot of describing with little showing which can lead to things dragging out- I’ve learned my lesson that these books are just not for me. But if you’d like a Renee Rapp style fever dream, this is the perfect book for you.
The nostalgia. The self discovery. The millennial girlhood. 🥹♥️
As a girl who grew up in the 90s/2000s, I loved Long Island Girls! It is such a unique yet relatable story. Gabrielle delivered lovable complex characters, real life trauma and struggles, and a deep dive into relationships, both intimate and platonic.
thank you smp for the arc and libro.fm for the alc!!!
2.5 rounded up
this was good!! honestly it was just your standard book. i didn't feel any particular way about anything or anybody tbh. the characters were okay, and i never really bought into susan and eliza's relationship. it felt extremely forced. i also feel like most of the topics the novel introduced glazed right over them... idk it just didn't really go into depth about anything. the more i think about it the more i realize this book is a whole lotta nothing... a complete nothing burger if you will. very surface leve lon everything, typical, basic, and distant dialogue.
Thank you, St. Martins Press and Netgalley for giving me access to this eARC!
I ate this book up! As a millennial only 2 years younger than the main character of the book, I felt so much nostalgia while reading Long Island Girls. I loved how raw the emotions and limerence projection came across on the pages, especially from a sapphic lense.
We follow Susan from the age of 17 to 37 as she lives her life with an invisible string tying her to Eliza. Upon first meeting while attending an indie rock show, there’s an instantaneous pull between them both, sparking a gay awakening in Susan, who comes out as a lesbian three days later. But it isn’t until Susan moves to Brooklyn after college that she is reminded of Eliza, when she happens to see her on the subway.. leading to a sporadic entanglement between the two, constantly craving one another without really knowing why.
As a former music snob who grew up going to shows at clubhouses, churches and random scenester’s houses, the timeline for the millennial liberal hipster was spot on. I also really appreciated the development of Susan, especially in the last third. It was a very realistic and refreshing take on the invisible string trope.
I got the perfect Pride Month read for you filled with sapphic longing, lust and love. Also-Holy nostalgia! This book takes place from 2005-2025 and had so much of my past included. I mean Hard Candy nail polish?! Only the real know that lol The indie music scene was my JAM back in 2005. My bestie, sister and I were the ultimate groupies, so this one really hit me in the feels.
This book covers a lot. The huge timespan really encompasses coming of age at the beginning of social media, finding oneself, queerness when it was very difficult and loving oneself and striving for what’s right, standing up for yourself all while dealing with anxiety. Told ya- a lot. BUT Korn does such an exceptional job.
The book flows seamlessly and I was so anxious to watch the progression of Susan/Eliza’s relationship. There are heavy themes throughout (so check triggers my friends) and they are all handled with care. I was pleasantly surprised by this one. I read it in one sitting and look forward to more of Korn’s work. Thank you @stmartinspress for my copy!
I received an arc from goodreads and read it over the course of a week! I loved it! Susan definitely had to grow on me but I loved watching her (as well as everyone else in the story) grow over the course of twenty years and honestly, as someone who's terrified of getting older, it made me a little less scared. Life is beautiful, growing old is a privilege and you never know what life will hand you. We are an amalgamation of our experiences and the circumstances we are dealt and who truly knows why we are the way we are. Reading this has shown me a new way of thinking about my own life -- I need to work on how I see myself and my life. I shouldn't be so negative and I should also appreciate my time in the present instead of being scared of growing older and dying.
I genuinely enjoyed this and recommend it for anyone and everyone.
Gabrielle Korn always manages to write beautiful queer stories.
In 2005, Susan meets Eliza on a trip to a concert and realizes she likes women, and this one specific one a lot. When Susan recognizes Eliza from a picture the boys, they go to school with have been passing around, Eliza gets uncomfortable and the two lose touch. In 2015, Susan is working in the music industry and has embraced her sexuality when she and Eliza match on a dating app. However, the past may come to haunt them again. Told in four periods of time, this story follows Susan throughout her life, with Eliza making her appearances. A meditation on self and the different kinds of love.
Not only did I really enjoy this book, but I really related to it. As a lesbian that grew up in Staten Island during the 2000s/2010s, this book felt like a time-capsule filled with moments and memories that I felt so near and dear to my heart.
Thank you to NetGalley & the publishers for the ARC!
This book felt like something a friend wrote. Although I grew up a few years earlier than when this took place, it was pretty much the same. The beginning of the digital age. How important music was to all of us as teens. How self serving we were but also how important friends were and placement within our social scenes. There was so much nostalgia in this book and I felt like I didn't need to read it fast because I kind of just wanted it to drag out so it wouldn't be over. Haley Jacobson said it best when she described it as "a dizzying triumph of queer millennial nostalgia." Perfection. I can see myself reading this again or passing it onto my daughter when she is older.
What a beautiful love letter to queer girlhood into womanhood, joy and mess included. This book truly did feel so raw in pretty much every aspect of the highs and lows in different stages of queerness and life in general. I really felt connected to Susan and related to her in different ways regarding holding onto people from the past, conflicting feelings about still living in your hometown area, and dreaming of bigger things but feeling stuck. The millennial nostalgia was on point as well!
I loved this book. Partially because it’s queer and about my era of indie hipster urban sleaze, but mostly because it’s very well written with great ideas and characters. It’s the book Deep Cuts tried to be.
it feels monumental to finish this book on the first day of pride month. this love letter to sexuality, indie rock, and AIM had me in my feels, wanting more, and around the 75-80% mark, my jaw was on the fucking floor. it was slow in all the right ways and fast when it needed to be. it was raw and real and i’ve heard this story from so many people, yet never before all at once. this is a hard rec from me. oh, and happy pride 👩❤️💋👩
Dare I say that most people can probably relate to romantizing something, and building it up in their head to be quite different from what it actually is. The human nature of wonder, yearning for things we don’t have, and believing that life would perfect if we could grab hold of that thing that is just ever so out of our reach.
That is essentially what this book is. Susan is endlessly chasing that high of one that got away, no matter how many times it ends in heartbreak.
I feel like I have really just gone on a journey with this book, and with Susan. From early 2000s teen girlhood, to the life of a struggling recent-college graduate, to still trying to figure out life in her late 20s, all the way to new feelings, maturity and new beginnings in her 30s. Theres a lot of ground getting covered here.
I think that’s pretty fun, with quite a bit of depth, naturally. Also, slightly unnerving! But thats probably just me. There is something scary about watching all of that time pass by in a short 300 pages.
I didn’t really connect with Susan as much as I would have liked to, and I’m not really sure why. Not that she was unlikable, it’s just one of those stories where I feel like there is some distance between the reader and character. Though, I liked reading her story and watching her grow into herself.
I think women’s fiction can be a little bit difficult to review sometimes, because I think that everyone will probably have a unique experience with it. What things you relate to, what characters you can see yourself in, what exactly the story means to you (if anything), and if the messages are something that you have already come to learn-or if you’re still working on it. But, I can say that I thought this was nice, enjoyable, and probably contains something that a lot of people have felt in some way, at some point in their life.
Thank you to Netgalley, St. Martins Press and author Gabrielle Korn, for providing me with the eARC of “Long Island Girls”, in exchange for my honest review! Publication date: June 23, 2026
Thank you to NetGalley & St. Martin’s Press for an ARC in exchange for an honest review.
Maybe there’s irony in the fact that I felt so seen as a Gen Z reading a coming of age experience of Millennials, but how could I not when LONG ISLAND GIRLS perfectly enraptures the queer experience in all ages of life. (Also, I’m an early 2000s Gen Z, sooo maybe I have some credibility here. No? Okay…onward)
I know a book is going to be a 5 star read when I make a playlist for it. When I finished this book, I immediately turned on Around U by MUNA and felt the same intense overwhelming sensation you feel when exiting a theater after convincing yourself you’re larger than life.
Is that dramatic? Perhaps. But it’s exactly true to my feelings toward this book. First, the cover lured me in, but the story devoured me. I laughed, I cried, and suddenly growing older doesn’t seem so scary to me.
Partial SPOILER??!
My favorite line: “All this time she thought she was obsessing over Eliza, but really she was just infatuated with her own desire.”
It’s so often that we find ourselves infatuated with a person or place, and convince ourselves we need them/to live there to be happy. When really that intense need just tells more about us than it does them. A friendly reminder to look inward. This book was also a free therapy session for me, and alas I enjoyed every second of it.
This book had a lot of promise examining the toxic music industry in New York City and a sapphic obsession spanning a decade but it didn’t quite work for me. The writing style is very simplistic and there was a lot of cheap feeling nostalgia bait, especially with the chapters set in the early 2000s.
I felt a lot of distance from Susan, the main character. Things just work out for her like the lead singer of a band immediately clocking she’s queer and kickstarting her career at an indie record label. Even the central conflict around men in positions of power taking advantage of young women feels really distant from the main character, never really impacting her.
She’s got that ‘not like other girls’ thing going on, we’re often told she’s conventionally attractive but she doesn’t feel that way because her childhood friend is prettier than her. She’s selfish and self-absorbed while also having low self esteem which makes for a protagonist I’m not super compelled by.
I did like how this explores her fixation on Eliza, a girl she met as a teen and met again as a young adult, and how both women have idealised each other in a dehumanising way. There’s also some interesting commentary on how the culture of the early 2000s impacted young girls, but again this felt a bit too surface level for me.
Thank you to NetGalley and the publisher for the eARC.