Huge affection for this Chalet, the first I ever read. They're all abroad! There are mountains and blizzards and magazines in French! And it was quite clear, on my first reading, that there were more stories about all these interesting people and places - I just needed to find them.
Of course, I had no idea what I had just got into. It was 25 years before I was able to read the whole lot in the correct order and even now I don't have a full hardback/GGBP collection.
Reading Barbara now, in its proper place in the series, it's still one of the strongest stories - the combination of new start, back in the Alps, and established characters, is a good one. Even Barbara isn't really a new character - she's changed a great deal from the whining toddler with the claw-like hands we met in the La Rochelle books (since then she has just been mentioned in passing as 'poor little Barbara') but she's one of the Ozanne/Chester/Lucy clan and they are all very old friends indeed. It would have been nice to have had more of 'Bill' - living just a little way down the mountain, and always one of EBD's strongest characters - but we get just the right amount of Joey, ie hardly any, as she's in quarantine for German measles for the first half of the book. And about half the scenes of what promised to be a particularly tedious Christmas play have been cut by the time it's performed - result!
Even the strongest Chalet school books aren't without their shortcomings, however, and there are several in Barbara (although to be fair, they aren't obvious to the casual reader, are really ones for die-hard Chalet fans, and in some cases may arise from the cuts made for paperback). Firstly, the new maths mistress. None of the oldest girls in the school was a pupil in Tirol - Julie Lucy has the longest pedigree here and she joined the Kindergarten in Guernsey at the very earliest, by which time Nancy Wilmot had moved on. So I can't see why anybody on the staff would think her arrival as Maths mistress would cause any sensation whatsoever with the girls. I'm not sure even loyal readers would have been that impressed - I was hugely disappointed when I subsequently read the later Tirol books and found that Nancy wasn't a particularly important character anyway.
Secondly, prep. We are told that all the forms below Upper IVB (which by my reckoning amounts to just the two Lower fourths at this point) will take folding desks into the hall, to be supervised by the duty prefect, and all the other forms will work unsupervised in their formrooms. Clearly at some point this is found to be unworkable because later in the term Julie Lucy turns up to supervise prep for Upper IVB (although, to be fair, it is at least her evening on prep duty) and nobody finds this very surprising.
Thirdly, languages. Why on earth is everybody so surprised about having different 'language' days, when they've been back in place for at least two years?
The trip to the Rosleinalp seems a bit pointless - a train journey, a brief peep at a village that consists of a hotel, six chalets and no shops, and then a walk down the mountain. But we get Basle (meeting up with Frieda again), Interlaken (with its expensive coffee) and Unterseen, and Berne (clock and bear-pit), so there's a reasonable quantity of tourism by proxy.
And is there no end to Rosalie Dene's talents? She's now playing the piano when the girls leave hall after the read-through of the play.
But it's a good one, all told. Lots of detail about what they wear, what they learn, what they do, and the reader really does share Barbara's experience of being plunged into a whole new world.
Updated May 2016: I've passed on my beloved (and battered) maroon paperback to the next generation (sniff) and upgraded to the GGBP edition. The only extra bit I noticed was the description of Frieda's new baby daughter - I know she's dark, and I know it was a long time ago, but using the n-word?!
I'm sure there are other bits that were cut for the Armada edition but none leapt out at me (although I have to confess I skipped the entire Christmas play). Worth the investment for the excellent introduction, and of course a copy that's not falling apart.