This book accompanied an exhibition at the Imperial War Museum that I intended to go and see but unfortunately never did. The austere simplicity of utility fashion makes it one of my favourite eras of style (along with the mid-18th century and the 1870s because I also love extravagantly wide-skirted silk gowns). It’s a brief, entertaining account of men’s and women’s fashion from 1939 to 1945. Although as social history it lacks rather in depth, there were enough charming anecdotes and new bits of information that I enjoyed it very much. For example, I hadn’t realised the difficulties engendered by rationing corsets and the intense dislike women had for the available substitutes. Not surprisingly, it is difficult to make a decent foundation garment with limited-to-no elastic, rubber, and steel boning. On the other hand, most other utility garments were very successful. Interesting issues discussed include the ways in which clothes rationing narrowed the class divide and the sudden social acceptability of trousers-wearing by British women.
Summers covers both the institutional context of fashion on the ration and some first-hand responses to it. I would have liked a wider range of the latter, however the length of the book somewhat constrains this. Pictures are deployed judiciously in the narrative and definitely enhance it. Memorably, there’s an image of an absolutely exquisite underwear set one woman had made from an RAF pilot’s silk map of Northern Italy. As a fashion history of WWII, ‘Fashion on the Ration’ is well worth a read. It made me regret anew not seeing the exhibition.