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Queen of Shadows
She should have stayed in the shadows—but Leonor de Guzmán yearned for the sun
Castile in the 1330s is a place of constant turmoil. King Alfonso must contend with the incursions from the Muslim Marinids eager to reclaim Al-Andalus while struggling with repeated rebellions against his firm rule.
When Alfonso needs respite, he finds it in the arms of his Leonor—the most beautiful woman in the realm. But while he may love Leonor over all others, his lawful wife, Maria of Portugal, is tired of being constantly displaced by the fair Leonor.
Leonor loves her man. She gives him healthy sons, a place to be himself. But she is only a mistress, even if Alfonso treats her like a queen. Leonor’s enemies watch and hate.
Flying too close to the sun comes at a high price. How much will Leonor’s love cost her?
Castile in the 1330s is a place of constant turmoil. King Alfonso must contend with the incursions from the Muslim Marinids eager to reclaim Al-Andalus while struggling with repeated rebellions against his firm rule.
When Alfonso needs respite, he finds it in the arms of his Leonor—the most beautiful woman in the realm. But while he may love Leonor over all others, his lawful wife, Maria of Portugal, is tired of being constantly displaced by the fair Leonor.
Leonor loves her man. She gives him healthy sons, a place to be himself. But she is only a mistress, even if Alfonso treats her like a queen. Leonor’s enemies watch and hate.
Flying too close to the sun comes at a high price. How much will Leonor’s love cost her?
408 pages, Kindle Edition
Published May 21, 2026
About the author
Anna Belfrage
44 books295 followersAnna was raised abroad, on a pungent mix of Latin American culture, English history and Swedish traditions. As a result she's multilingual and most of her reading is historical- both non-fiction and fiction. Possessed of a lively imagination, she has drawers full of potential stories, all of them set in the past. She was always going to be a writer - or a historian, preferably both. Ideally, Anna aspired to becoming a pioneer time traveller, but science has as yet not advanced to the point of making that possible. Instead she ended up with a degree in Business and Finance, with very little time to spare for her most favourite pursuit. Still, one does as one must, and in between juggling a challenging career Anna raised her four children on a potent combination of invented stories, historical debates and masses of good food and homemade cakes. They seem to thrive…
For years she combined a challenging career with four children and the odd snatched moment of writing. Nowadays Anna spends most of her spare time at her writing desk. The children are half grown, the house is at times eerily silent and she slips away into her imaginary world, with her imaginary characters. Every now and then the one and only man in her life pops his head in to ensure she's still there.
For additional information regarding Anna, her characters, extra scenes, and teasers for her next books, have a look at Anna's website at: www.annabelfrage.com
For years she combined a challenging career with four children and the odd snatched moment of writing. Nowadays Anna spends most of her spare time at her writing desk. The children are half grown, the house is at times eerily silent and she slips away into her imaginary world, with her imaginary characters. Every now and then the one and only man in her life pops his head in to ensure she's still there.
For additional information regarding Anna, her characters, extra scenes, and teasers for her next books, have a look at Anna's website at: www.annabelfrage.com
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Displaying 1 - 6 of 6 reviews
May 21, 2026
Some stories are remembered for their rulers; others endure because of those who lived in their shadow. Anna Belfrage’s “Queen of Shadows” presents a richly layered work of historical fiction that moves beyond the familiar narrative of royal power to explore the lives, choices, and consequences that unfold within its orbit. At its heart, this is a story about love, legitimacy, and the enduring question of who—and what—history chooses to remember.
Set against the turbulent backdrop of fourteenth-century Castile, the novel centres on the relationship between Alfonso XI of Castile and his long-time mistress, Doña Leonor de Guzmán. Their bond is passionate and deeply felt, yet it exists within a rigid political structure that cannot accommodate it. Belfrage captures this tension with remarkable clarity, presenting a world in which personal affection and political necessity are in constant conflict, and where even the most powerful individuals find themselves constrained by the expectations of lineage and succession.
Through Alfonso himself, Belfrage offers a nuanced portrayal of kingship under pressure. He is a ruler of strength and capability, yet also a man divided between duty and desire. His inability—or unwillingness—to fully reconcile these competing demands lies at the heart of the novel’s central tension. In Alfonso, we see not only the authority of the crown, but the personal cost of wielding it, as his choices ripple outward, shaping the lives of those closest to him in ways he cannot ultimately control.
Doña Leonor de Guzmán emerges as one of the novel’s most compelling and complex figures. Belfrage presents her not merely as a royal mistress, but as a woman of intelligence, resilience, and quiet determination, fully aware of both the privileges and the dangers of her position. Leonor’s strength lies not only in the king’s affection, but in her ability to navigate a world that offers her influence without security. She understands, perhaps more clearly than those around her, the precarious nature of her standing, and it is this awareness that lends her character both dignity and depth. In Leonor, Belfrage captures the delicate balance between vulnerability and power, portraying a woman whose presence shapes the course of events even as she remains subject to forces beyond her control.
It is through Leonor’s children that this conflict takes on its most profound significance. They are at once symbols of love and instruments of power—cherished by their father, yet perceived as threats by the established order. Belfrage uses their presence to explore how deeply the question of legitimacy shapes both private lives and public decisions. In doing so, she reveals a central truth of the period: that children are not merely heirs to the future, but catalysts for the present, driving alliances, rivalries, and decisions whose consequences reach far beyond the immediate moment.
In contrast to Leonor stands Maria of Portugal, the king’s wife and the embodiment of lawful authority. María’s position is secure in title yet fragile in emotional terms, and Belfrage portrays her not as a simple antagonist but as a woman shaped by humiliation, duty, and the need to protect her own child’s claim. Her actions emerge from a context that is carefully and convincingly established, allowing the reader to understand the forces that shape her choices without diminishing their impact.
Providing a more grounded perspective is Alma, whose journey offers a compelling counterpoint to the lives of the court. Through her, Belfrage explores the realities of everyday existence—its dangers, its resilience, and its quiet moments of endurance. Alma’s experiences, including hardship, loss, and eventual stability, serve to remind the reader that history is not lived solely in halls of power, but in homes, fields, and private griefs that seldom find their way into official record. Her story anchors the novel, offering a human dimension that balances the larger political narrative.
Rodrigo Alonso de Altamar adds further depth to this more personal strand of the narrative. Through him, Belfrage explores the expectations placed upon men of his rank—duty, honour, and service—while also allowing space for a quieter, more reflective form of strength. His experiences, including the harsh realities of conflict and captivity, temper youthful ambition with a growing awareness of responsibility. In his relationship with Alma, the novel offers a portrayal of partnership grounded not in power, but in mutual respect, love, and shared endurance, providing a subtle but important counterpoint to the more volatile relationships at court.
Belfrage’s portrayal of Pedro I of Castile adds further depth to the exploration of legacy. As he approaches adulthood and ultimately assumes the crown, Pedro emerges as a figure shaped as much by his upbringing as by his position. His volatile temperament becomes increasingly apparent, revealing itself in moments of anger, defiance, and a growing disregard even for his mother’s authority. His resentment is further fuelled by the visible favour shown to his half-brothers, who are permitted to accompany their father on campaign, reinforcing his sense of exclusion and rivalry. At times, Belfrage introduces a note of physical vulnerability in Pedro, using episodes of illness to underscore his growing sense of instability and isolation. In Pedro, Belfrage illustrates how the tensions of one generation do not end, but instead take root in the next, where they resurface with greater intensity and consequence.
Throughout the novel, Belfrage demonstrates a keen awareness of how power operates—not only through laws and titles, but through relationships, perceptions, and the fragile balance between influence and legitimacy. Her prose is measured and evocative, allowing the emotional weight of events to unfold naturally without diminishing their impact. The historical setting is rendered with careful attention to detail, creating a world that feels both authentic and immediate.
Seen as a whole, the novel is a meditation on legacy: on the ways in which lives intersect, choices reverberate, and histories are shaped by forces both personal and political. Belfrage reminds us that while individuals may be silenced, the consequences of their lives cannot so easily be erased. In doing so, she suggests that if rulers shape history, it is those in their shadow who ensure it is remembered.
Review by Mary Anne Yarde
Yarde Book Promotions
Set against the turbulent backdrop of fourteenth-century Castile, the novel centres on the relationship between Alfonso XI of Castile and his long-time mistress, Doña Leonor de Guzmán. Their bond is passionate and deeply felt, yet it exists within a rigid political structure that cannot accommodate it. Belfrage captures this tension with remarkable clarity, presenting a world in which personal affection and political necessity are in constant conflict, and where even the most powerful individuals find themselves constrained by the expectations of lineage and succession.
Through Alfonso himself, Belfrage offers a nuanced portrayal of kingship under pressure. He is a ruler of strength and capability, yet also a man divided between duty and desire. His inability—or unwillingness—to fully reconcile these competing demands lies at the heart of the novel’s central tension. In Alfonso, we see not only the authority of the crown, but the personal cost of wielding it, as his choices ripple outward, shaping the lives of those closest to him in ways he cannot ultimately control.
Doña Leonor de Guzmán emerges as one of the novel’s most compelling and complex figures. Belfrage presents her not merely as a royal mistress, but as a woman of intelligence, resilience, and quiet determination, fully aware of both the privileges and the dangers of her position. Leonor’s strength lies not only in the king’s affection, but in her ability to navigate a world that offers her influence without security. She understands, perhaps more clearly than those around her, the precarious nature of her standing, and it is this awareness that lends her character both dignity and depth. In Leonor, Belfrage captures the delicate balance between vulnerability and power, portraying a woman whose presence shapes the course of events even as she remains subject to forces beyond her control.
It is through Leonor’s children that this conflict takes on its most profound significance. They are at once symbols of love and instruments of power—cherished by their father, yet perceived as threats by the established order. Belfrage uses their presence to explore how deeply the question of legitimacy shapes both private lives and public decisions. In doing so, she reveals a central truth of the period: that children are not merely heirs to the future, but catalysts for the present, driving alliances, rivalries, and decisions whose consequences reach far beyond the immediate moment.
In contrast to Leonor stands Maria of Portugal, the king’s wife and the embodiment of lawful authority. María’s position is secure in title yet fragile in emotional terms, and Belfrage portrays her not as a simple antagonist but as a woman shaped by humiliation, duty, and the need to protect her own child’s claim. Her actions emerge from a context that is carefully and convincingly established, allowing the reader to understand the forces that shape her choices without diminishing their impact.
Providing a more grounded perspective is Alma, whose journey offers a compelling counterpoint to the lives of the court. Through her, Belfrage explores the realities of everyday existence—its dangers, its resilience, and its quiet moments of endurance. Alma’s experiences, including hardship, loss, and eventual stability, serve to remind the reader that history is not lived solely in halls of power, but in homes, fields, and private griefs that seldom find their way into official record. Her story anchors the novel, offering a human dimension that balances the larger political narrative.
Rodrigo Alonso de Altamar adds further depth to this more personal strand of the narrative. Through him, Belfrage explores the expectations placed upon men of his rank—duty, honour, and service—while also allowing space for a quieter, more reflective form of strength. His experiences, including the harsh realities of conflict and captivity, temper youthful ambition with a growing awareness of responsibility. In his relationship with Alma, the novel offers a portrayal of partnership grounded not in power, but in mutual respect, love, and shared endurance, providing a subtle but important counterpoint to the more volatile relationships at court.
Belfrage’s portrayal of Pedro I of Castile adds further depth to the exploration of legacy. As he approaches adulthood and ultimately assumes the crown, Pedro emerges as a figure shaped as much by his upbringing as by his position. His volatile temperament becomes increasingly apparent, revealing itself in moments of anger, defiance, and a growing disregard even for his mother’s authority. His resentment is further fuelled by the visible favour shown to his half-brothers, who are permitted to accompany their father on campaign, reinforcing his sense of exclusion and rivalry. At times, Belfrage introduces a note of physical vulnerability in Pedro, using episodes of illness to underscore his growing sense of instability and isolation. In Pedro, Belfrage illustrates how the tensions of one generation do not end, but instead take root in the next, where they resurface with greater intensity and consequence.
Throughout the novel, Belfrage demonstrates a keen awareness of how power operates—not only through laws and titles, but through relationships, perceptions, and the fragile balance between influence and legitimacy. Her prose is measured and evocative, allowing the emotional weight of events to unfold naturally without diminishing their impact. The historical setting is rendered with careful attention to detail, creating a world that feels both authentic and immediate.
Seen as a whole, the novel is a meditation on legacy: on the ways in which lives intersect, choices reverberate, and histories are shaped by forces both personal and political. Belfrage reminds us that while individuals may be silenced, the consequences of their lives cannot so easily be erased. In doing so, she suggests that if rulers shape history, it is those in their shadow who ensure it is remembered.
Review by Mary Anne Yarde
Yarde Book Promotions
Review of advance copy received from Author
Anna Belfrage has lived with the ghosts of fourteenth-century Castile for years, and it shows on every glorious, enthralling page of Queen of Shadows. At the heart of the novel is Leonor de Guzmán, beloved mistress of King Alfonso XI of Castile. Leonor gave the king love, loyalty, sons, and perhaps the only place where he could truly be himself. All the while, his neglected wife, Maria of Portugal, watched from the shadows—and waited.
Based on the true history of Alfonso XI and the two women whose lives became fatally entwined with his, the novel is steeped in the vanished world of medieval Castile. Belfrage’s research is extraordinary, but what impresses most is how lightly it is worn. The details breathe life into her exploration of these lost times, bringing them sharply into focus. The scent of fragrant orange blossom drifts through palace courtyards; Moorish influences shape the clothing, the baths, the food, the very texture of daily life. A king rides out against Marinid invaders while, elsewhere, the inventory of Leonor’s linen chemises quietly reveals the wealth, confidence, and domestic authority she has built beside him.
Belfrage is far too wise a storyteller to show us this world only through the eyes of kings and queens. Introducing Alma, a young woman of Moorish blood serving Leonor while carefully concealing her heritage, from whom we glimpse the quieter tensions of Castile: the uneasy coexistence of faiths and cultures, and the hypocrisies of a court eager to erase the very influences that shape its daily life. Alma becomes the novel’s perfect peephole into this world: sharp-eyed, vulnerable, and observant enough to let us feel both its splendour and its danger.
What makes the novel so compelling is Belfrage’s refusal to simplify any of these people. Alfonso is capable of ruthlessness and tenderness in equal measure. Leonor is intelligent, warm, ambitious, and occasionally infuriating. Maria’s suffering is real, as is the cold fury it breeds. Nobody here is wholly innocent, and nobody is entirely monstrous. Belfrage excels at precisely this kind of emotional complexity: where love, power, loyalty, resentment, and desire become impossible to untangle. The prose itself is luminous: vivid without excess, sensual without indulgence, moving us through the combined arc of these people's lives.
Beneath it all lies the unsettling truth that this is not invention, but history. These people and these betrayals were real. The terrible price Leonor paid for loving too greatly and standing too close to power is recognisable.
Queen of Shadows is not a comfortable novel, nor should it be. It is tragic, contradictory, intimate, political, and utterly absorbing. It is historical fiction at its finest, written by an author so deeply immersed in her world that not a single stone, or soul, is left unexamined.
Based on the true history of Alfonso XI and the two women whose lives became fatally entwined with his, the novel is steeped in the vanished world of medieval Castile. Belfrage’s research is extraordinary, but what impresses most is how lightly it is worn. The details breathe life into her exploration of these lost times, bringing them sharply into focus. The scent of fragrant orange blossom drifts through palace courtyards; Moorish influences shape the clothing, the baths, the food, the very texture of daily life. A king rides out against Marinid invaders while, elsewhere, the inventory of Leonor’s linen chemises quietly reveals the wealth, confidence, and domestic authority she has built beside him.
Belfrage is far too wise a storyteller to show us this world only through the eyes of kings and queens. Introducing Alma, a young woman of Moorish blood serving Leonor while carefully concealing her heritage, from whom we glimpse the quieter tensions of Castile: the uneasy coexistence of faiths and cultures, and the hypocrisies of a court eager to erase the very influences that shape its daily life. Alma becomes the novel’s perfect peephole into this world: sharp-eyed, vulnerable, and observant enough to let us feel both its splendour and its danger.
What makes the novel so compelling is Belfrage’s refusal to simplify any of these people. Alfonso is capable of ruthlessness and tenderness in equal measure. Leonor is intelligent, warm, ambitious, and occasionally infuriating. Maria’s suffering is real, as is the cold fury it breeds. Nobody here is wholly innocent, and nobody is entirely monstrous. Belfrage excels at precisely this kind of emotional complexity: where love, power, loyalty, resentment, and desire become impossible to untangle. The prose itself is luminous: vivid without excess, sensual without indulgence, moving us through the combined arc of these people's lives.
Beneath it all lies the unsettling truth that this is not invention, but history. These people and these betrayals were real. The terrible price Leonor paid for loving too greatly and standing too close to power is recognisable.
Queen of Shadows is not a comfortable novel, nor should it be. It is tragic, contradictory, intimate, political, and utterly absorbing. It is historical fiction at its finest, written by an author so deeply immersed in her world that not a single stone, or soul, is left unexamined.
Review of advance copy received from Author
QUEEN OF SHADOWS is an epic historical novel based on real-life events from 14th century Spain. The story features the love triangle between two star-crossed lovers – Alfonso, the king of Spain, and his mistress Leonor – and Alfonso’s legal wife, Queen Maria. Marriages in those days were usually for political or social gain, and the king has married Maria because she is the Portuguese king’s daughter. However, the woman he loves with a passion as hot as the blazing Spanish sun is Leonor and he can’t keep away from her. Poor Maria is left in solitude, losing one baby early on and with only one son to console her, while Leonor gets all the attention and gives birth to no less than ten children for her lover, most of them healthy sons. It is no wonder Maria grows bitter and resentful, and you can’t but feel for her. Yet it’s also heart-breaking and at times impossible for Leonor and Alfonso – the whole situation is truly tragic for everyone concerned.
The story is also told through the point of view of a fictional couple – Alma, a delightfully serious and resourceful heroine, and Rodrigo, a dashing and courageous hero – who the readers hope will have a happier ending. They too undergo plenty of trials and tribulations, but theirs is not a forbidden love and although life back then was precarious, there is more hope for their future happiness.
An incredible amount of research must have gone into this book and the author has an amazing grasp of Spanish 14th century politics. She doesn’t shy away from the harsh realities of life back then, which is vividly portrayed throughout. The reader is right there with the characters as events unfold, experiencing everything they do in an almost visceral way – their triumphs and tragedies, their emotions and constantly tested loyalties, the perils of trying to survive in a time fraught with danger as the country was under threat both from outside forces and disgruntled noblemen within. There is a deep sense of menace throughout, keeping the reader on tenterhooks.
The settings are vivid, vibrant and detailed – like the sultry heat of the Spanish summers, the beautiful Moorish-influenced buildings, and all the places the characters visit – all beautifully depicted. This book is reminiscent of Elizabeth Chadwick’s historical novels – gritty, real and gripping – and I highly recommend it to all history buffs!
The story is also told through the point of view of a fictional couple – Alma, a delightfully serious and resourceful heroine, and Rodrigo, a dashing and courageous hero – who the readers hope will have a happier ending. They too undergo plenty of trials and tribulations, but theirs is not a forbidden love and although life back then was precarious, there is more hope for their future happiness.
An incredible amount of research must have gone into this book and the author has an amazing grasp of Spanish 14th century politics. She doesn’t shy away from the harsh realities of life back then, which is vividly portrayed throughout. The reader is right there with the characters as events unfold, experiencing everything they do in an almost visceral way – their triumphs and tragedies, their emotions and constantly tested loyalties, the perils of trying to survive in a time fraught with danger as the country was under threat both from outside forces and disgruntled noblemen within. There is a deep sense of menace throughout, keeping the reader on tenterhooks.
The settings are vivid, vibrant and detailed – like the sultry heat of the Spanish summers, the beautiful Moorish-influenced buildings, and all the places the characters visit – all beautifully depicted. This book is reminiscent of Elizabeth Chadwick’s historical novels – gritty, real and gripping – and I highly recommend it to all history buffs!
May 21, 2026
Leonor de Guzmán is the epitome of a powerful medieval woman. Beloved of King Alfonso XI of Castile in 14th century Castile and treated like his queen, she is the mother of his ten children including many sons. However, Alfonso had made a political marriage with Maria, the daughter of the King of Portugal. And here is the crux of the story – legal queen and shadow queen.
Passions spill out over this classical triangle, something Ms Belfrage is expert at depicting. But she is too good a writer to keep it that simple. She deftly portrays the conflicts at the heart of the three characters’ thoughts, emotions and actions all played out under searing heat of the sun and within the deep undercurrents of political intrigue and jealousy.
Medieval Spain in the 1330s was in the throes of identity conflict, illustrated very well by Alma, a young woman of mixed Castilian and Moorish blood serving Leonor. Her story illustrates the subterranean tensions of Castile: the uneasy coexistence of faiths, cultures and heritage. Alma is steadfast and loyal but must navigate the brooding hypocrisies of many around her.
Ms Belfrage also excels drawing the contrasting faces of Castile, the more northern high plateau and the sun-drenched south. As well as revelling in magnificent architecture, we experience day to day aspects such as food, herbal medicine and travel so vividly we can almost smell, taste and feel them.
This is a poignant story of love and power, of fear and joy, of jealousy and generosity. Sometimes it’s a difficult read, but a rewarding one. The past is not a romantic place of silk dresses and noble knights. These were people in some ways like us with their fears and cares, their loves and compassions, but in other ways, alien to our modern values and attitudes. And Ms Belfrage ensures we feel and see everything. Highly recommended.
Passions spill out over this classical triangle, something Ms Belfrage is expert at depicting. But she is too good a writer to keep it that simple. She deftly portrays the conflicts at the heart of the three characters’ thoughts, emotions and actions all played out under searing heat of the sun and within the deep undercurrents of political intrigue and jealousy.
Medieval Spain in the 1330s was in the throes of identity conflict, illustrated very well by Alma, a young woman of mixed Castilian and Moorish blood serving Leonor. Her story illustrates the subterranean tensions of Castile: the uneasy coexistence of faiths, cultures and heritage. Alma is steadfast and loyal but must navigate the brooding hypocrisies of many around her.
Ms Belfrage also excels drawing the contrasting faces of Castile, the more northern high plateau and the sun-drenched south. As well as revelling in magnificent architecture, we experience day to day aspects such as food, herbal medicine and travel so vividly we can almost smell, taste and feel them.
This is a poignant story of love and power, of fear and joy, of jealousy and generosity. Sometimes it’s a difficult read, but a rewarding one. The past is not a romantic place of silk dresses and noble knights. These were people in some ways like us with their fears and cares, their loves and compassions, but in other ways, alien to our modern values and attitudes. And Ms Belfrage ensures we feel and see everything. Highly recommended.
May 21, 2026
The moment you step into one of Anna Belfrage’s historical novels, she draws you in. Based on a true story, Queen of Shadows shines with Anna’s knowledge of the history, people, customs, and places of 14th century Castile. It’s a time and period I knew nothing about, knew little about Castile, nothing about Alfonso XI or his wife Maria of Portugal, or the love affair of Leonor and Alfonso. But Anna immerses you in time and place, and you’re wrapped in the story.
Like me, you’ll feel the joys and pains of fictional characters like Alma and Rodrigo and come to admire them for their courage and loyalty. Very strong female characters dominate the book and though many are of noble blood, life was not easy. Leonor’s and Queen Maria’s points of view feel very authentic and truly drive the tension in the story.
The history doesn’t overpower the reader – though the names, so many similar, can be confusing at times. Don't let that hold you back. Storytelling is this author’s forte!
This tale gets better, more tension-filled, with every turn of the page. If you love reading about court intrigue, rivalry, and politics, then this book is for you. I didn’t want it to end. (And it’s a good thing Anna is writing a sequel!)
Like me, you’ll feel the joys and pains of fictional characters like Alma and Rodrigo and come to admire them for their courage and loyalty. Very strong female characters dominate the book and though many are of noble blood, life was not easy. Leonor’s and Queen Maria’s points of view feel very authentic and truly drive the tension in the story.
The history doesn’t overpower the reader – though the names, so many similar, can be confusing at times. Don't let that hold you back. Storytelling is this author’s forte!
This tale gets better, more tension-filled, with every turn of the page. If you love reading about court intrigue, rivalry, and politics, then this book is for you. I didn’t want it to end. (And it’s a good thing Anna is writing a sequel!)
May 30, 2026
Stayed up last night because I wanted to reach the end - and could not put this book down. Queen of Shadows is Anna Belfrage’s latest entry in dramatic stories set in medieval Spain. Rather than focus on the queen, Anna cleverly brings to life a much-maligned royal mistress, Leonor de Guzmán with Queen Maria as a foil. Leonor was the deeply loved woman Castile’s Alfonso IV chose to live with while sidelining his appropriate wife, Queen Maria. Adding richness are Alma, who serves Leonor, and Rodrigo, who serves King Alfonso. Multiple viewpoints add depth. Settings are evocative. The mutual jealousy of Maria and Leonor is vivid. Brava Anna Belfrage! Highly recommended.
Displaying 1 - 6 of 6 reviews