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Excepcionais X-Men (2025) Brazilian Series #5
Excepcionais X-Men, Vol. 5
Kitty carrega o peso de suas escolhas. Violência, vingança e sua vida como Lince Negra não são tão fáceis de deixar para trás… especialmente agora que o resto de sua equipe de novos recrutas conhece a dura realidade do que ela fez à sombra da queda de Krakoa.
48 pages, Paperback
Published April 1, 2026
About the author
Eve L. Ewing
127 books1,256 followersDr. Eve Louise Ewing is a writer and a sociologist of education from Chicago. Ewing is a prolific writer across multiple genres. Her 2018 book Ghosts in the Schoolyard: Racism & School Closings on Chicago's South Side explores the relationship between the closing of public schools and the structural history of race and racism in Chicago's Bronzeville community.
Ewing's first collection of poetry, essays, and visual art, Electric Arches, was published by Haymarket Books in 2017. Her second collection, 1919, tells the story of the race riot that rocked Chicago in the summer of that year. Her first book for elementary readers, Maya and the Robot, is forthcoming in 2020 from Kokila, an imprint of Penguin Random House.
Her work has been published in many venues, including The New Yorker, The New York Times, The Atlantic, The Nation, The Washington Post, The New Republic, Poetry Magazine, and the anthology American Journal: Fifty Poems for Our Time, curated by Tracy K. Smith, Poet Laureate of the United States. With Nate Marshall, she co-wrote the play No Blue Memories: The Life of Gwendolyn Brooks, produced by Manual Cinema and commissioned by the Poetry Foundation. She also currently writes the Champions series for Marvel Comics and previously wrote the acclaimed Ironheart series, as well as other projects.
Ewing's first collection of poetry, essays, and visual art, Electric Arches, was published by Haymarket Books in 2017. Her second collection, 1919, tells the story of the race riot that rocked Chicago in the summer of that year. Her first book for elementary readers, Maya and the Robot, is forthcoming in 2020 from Kokila, an imprint of Penguin Random House.
Her work has been published in many venues, including The New Yorker, The New York Times, The Atlantic, The Nation, The Washington Post, The New Republic, Poetry Magazine, and the anthology American Journal: Fifty Poems for Our Time, curated by Tracy K. Smith, Poet Laureate of the United States. With Nate Marshall, she co-wrote the play No Blue Memories: The Life of Gwendolyn Brooks, produced by Manual Cinema and commissioned by the Poetry Foundation. She also currently writes the Champions series for Marvel Comics and previously wrote the acclaimed Ironheart series, as well as other projects.
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Displaying 1 - 2 of 2 reviews
May 27, 2026
PT Esta leitura mal chega às 4 estrelas — mesmo por muito pouco.
Acabei por lhe dar 4 estrelas porque continuei a gostar de ler, mas tenho plena consciência de que grande parte desse prazer vem do meu amor pela franquia X-Men e não propriamente da qualidade da BD em si, porque honestamente não é uma grande comic. É muito mediana, talvez ligeiramente acima da média na melhor das hipóteses.
Ainda assim, tem alguns bons momentos, especialmente para leitores que acompanham estas personagens há muito tempo.
Também gosto do facto de que, apesar de tudo parecer muito PG-13 no geral, ainda há aqui e ali um pouco de sangue.
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EN This one is barely a 4-star read — and just barely.
I ended up giving it 4 stars because I still enjoyed reading it, but I’m fully aware that most of that enjoyment comes from my love for the X-Men franchise rather than the comic itself, because honestly, it’s not a great comic. It’s very average, maybe slightly above average at best.
That said, it still has some nice moments, especially for readers who have been following these characters for a long time.
I also like that, even though the book feels very PG-13 overall, it still allows for a bit of blood here and there.
--
Score: 65%
Acabei por lhe dar 4 estrelas porque continuei a gostar de ler, mas tenho plena consciência de que grande parte desse prazer vem do meu amor pela franquia X-Men e não propriamente da qualidade da BD em si, porque honestamente não é uma grande comic. É muito mediana, talvez ligeiramente acima da média na melhor das hipóteses.
Ainda assim, tem alguns bons momentos, especialmente para leitores que acompanham estas personagens há muito tempo.
Também gosto do facto de que, apesar de tudo parecer muito PG-13 no geral, ainda há aqui e ali um pouco de sangue.
--
EN This one is barely a 4-star read — and just barely.
I ended up giving it 4 stars because I still enjoyed reading it, but I’m fully aware that most of that enjoyment comes from my love for the X-Men franchise rather than the comic itself, because honestly, it’s not a great comic. It’s very average, maybe slightly above average at best.
That said, it still has some nice moments, especially for readers who have been following these characters for a long time.
I also like that, even though the book feels very PG-13 overall, it still allows for a bit of blood here and there.
--
Score: 65%
April 15, 2026
Dando alguns passos atrás, Eve L. Ewing e Carmen Carnero contam um pouco sobre como estava a vida de Kitty Pryde entre o fim de Krakoa e esta nova fase em Chicago. Assim, as duas fases são costuradas, mas ao mesmo tempo os pretensos alunos de Pryde, Bobby e Emma, ficam sabendo de algumas verdades inconvenientes sobre sua mentora e salvadora. Ao mesmo tempo, a trama do aplicativo que disfarça corpos se aprofunda e atinge a família de Porradeira (que nomezinho ruim, hein?). Enquanto isso, na história do X-Factor, enquanto se preparam para uma missão, os membros da equipe são atacados e apreendidos pela X-Term. E alguém acaba morto no novo Esquadrão Suicida da Marvel. Estou chegando à conclusão de que quando as histórias do X-Factor envolvem a X-Term, elas ficam muito piores.
Displaying 1 - 2 of 2 reviews