Book #8 of the Harry Hole series is set in Norway, one of the richest, happiest and safest places in the world, where Jo Nesbo must convince us horrific murders take place there. My suspicion is that he is hired by the Promote Norway Program by discouraging visitors from moving there. The story also moves to Goma, Congo, though it opens in Hong Kong, where Harry has fled the life of detectiving and his relationship to Rakel after the traumatizing events of The Snowman, his last book (because twice now his work has endangered her and her son Oleg, who sees HH as his father). Is he trying to heal or flush his life down the toilet in Hong Kong? Well, he's an alcoholic, he’s not drinking there, but he is taking opium in measured doses, and gambling, and not much else. He returns to Oslo because the Oslo police have another killing spree they think might be the work of a serial killer, and (mainly) because Harry’s father is dying. For a thriller, it’s probably a five star book, but let me explain my taking a star off in my random notes, which I share rather than a detailed plot synopsis.
*The book opens as Nesbo follows Elmore Leonard’s advice and does NOT feature the weather, but a sadistic, disturbing murder scene: A woman sits in a chair with what appears to be an s/m gag in her mouth tied to razor wire that will kill her if she moves. Nesbo calls this invention of his own devising a Leopold’s Apple. I decide to finish the book but never read another woman, as this moment (like many in The Snowman and several others in this book) amount to torture porn. Not into it. Angry.
*And he’s now written three books of eight featuring serial killers. Instead of drawn in the plot, I wonder how thrill-killer writers will up the ante to get readers’ attention? Nesbo says, well, I had one serial killer in The Snowman, so I will introduce you to multiple ones in The Leopard! Yay! (Not a spoiler in that I am not saying how others are involved, exactly).
*Nesbo wants to focus on what it is to be a man here. He would appear to hate it that many women like gorgeous alpha-male assholes, so he sets up a contrast; the gorgeous, anti-hero, damaged, alcoholic vulnerable Harry Hole in this corner, and the gorgeous, ambitious, Mikael Bellman (who is like last book’s Tom Waaler, a Baywatch type guy). Kaja, who it would seem may be vying to be a replacement for Rakel to Harry, actually chooses Mikael, initially, which is unfortunate. But Bellman, unforgiving, no complex, would never forgive Kaja for this; Harry does, and agrees to even work with Bellman. TO be flawed is what Harry is. We like him as a man even though he is anguished and a kind of mess a lot of the time. Both Bellman and Hole (as Dirty Harry) will break the law to catch the killers, but Bellman just wants to get ahead, and HH only wants to catch the killers.
*I read Ian Fleming’s Bonds and HH seems a little like Bond in that hey both are subjected to extreme and sadistic torture and they survive peril after peril again and again. James Bond is a perfect hero; Harry Hole is not, but they are both typical thriller main characters, hero or not. Hole is just more of an anti-hero for our realistic time.
*Harry uses a surprising accomplice to solve the crime (spoiler alert): The dying Snowman.
*There’s a father-son theme running through this one, too. The killer had a sadistic father. Harry has flaws he sees in his dying father. Can we ever learn, and overcome the flaws of our fathers?
* I decide to read the next one because of The Human Interest angle: Rakel sees Harry at the funeral, after which he heads back to Hong Kong. But will he ever learn and heal and become worthy of her and be a father figure to Oleg? I’m a sucker, not for the torture, but the love angle here, though it is a long shot, truly.