If there was a secret to riches, would you share it? David Dypsvik, a broke and depressed MBA student, is given a secret assignment by his university professor. Forty years earlier, in the 1970s, one of the world’s richest men vanished from the face of the Earth. The billionaire had just completed a lecture series called The Principles of Wealth at Oxford University. The question Did he share something he shouldn’t have shared in that last lecture? And what really happened the day he disappeared? The last Alchemist will take you on a journey through the history of wealth-creation and ancient mysteries. We follow a reluctant hero, a wanna-get-rich-quick MBA student, in his relentless pursuit of the missing billionaire and the secret to riches. But nothing could have prepared David Dypsvik for what he is about to face. Nobody is who they claim to be, and the stakes can be high when the prize is an abundance of riches. Or perhaps something else entirely… THE LAST ALCHEMIST is a page turner of a mystery thriller in the blockbuster tradition of The Atlantis Gene and The Da Vinci Code. It melds together historical and scientific details with conspiracy theories that will stay with you long after you finish.
I didn’t finish this book. I managed to read around 11% but found it very dull and not at all interesting. Perhaps it’s just the subject matter but I’m afraid life is too short to waste time reading dull books.
I found THE LAST ALCHEMIST wildly engrossing, surprisingly so because the foundation is ostensibly about wealth and why some have it and most don't . But like a tasty onion, this novel builds in layers upon layers upon layers. Utilizing my current favorite protagonist type, the feckless hero, we soon acquire multiple wild goose chases across Europe, many characters who turn out to be facades, Nazi history and the Nazi occult obsession, life and death and the fourth dimension. I couldn't put it down!
This book was not what I thought it was but it was much better an exquisite story that I enjoyed reading it hooked me from page one till the end. My thanks go to the wonderful author Erik Hamre for the delightful pleasure of reading his wonderful book. This book I would be delighted to recommend to my friends so to all happy reading from wee me. xxx☻
I missed the use of mercury other than how it reacts with gold. It would help to follow story if you would double space when you change settings in story.
Thoroughly enjoyable read, it incorporates all my favourite genres in one novel. It is a thriller with archeological interest, thoroughly relatable hero, good characters, conspiracy theory, a totally believable romance and a happy ending.....what more can you want from a good read. I loved the current references to the everyday problems of life and angst together with realistic tech which includes my favourite item, a kindle. I read a lot and very much rattled through this, although I do agree with another reviewer about odd usage of words occasionally, it did not affect my reading. Well done Erik, the best of this genre I've read recently.
Not only was this an interesting book. It was totally captivating as it built an in depth story that was gradually revealed. Certainly this is a writer well worth seeking after to read other creative novels.
I didn't expect to enjoy this book as much as I did. Good pacing and action, with enough historical facts to almost make it believable. Kept me interested and entertained.
I stumbled upon this book and since it is an e-book only was quite sceptical but I was wrong. It was fantastic! If you enjoy crime thrillers and mystery books then I recommend this. Some of the storyline drags but ultimately you will be struggling to put it down or to switch off your e-reader
This year, I've been expanding the authors I tend to read and it's been eye-opening for me. To write a good book is challenging; to write a 4 or 5 star book requires an exceptional talent. I realize how difficult it is to construct a truly engaging, believable, and compelling mystery, police procedural, or thriller more now than in the past having read several books that were, shall we say, "meh." This was one of those. Skip it.
Although I liked the book and appreciated the amount of research that went into the historic part of the book, I was irritated with the constant use of full names after the characters introduction. I thought it was a little drawn out and appoints hard to follow. But the biggest issue was at the end. He didn’t tie up where all the characters were and what does the man with Oliver have anything to do with the book? If this was supposed to be a tie in to a sequel it was very weak and confusing.
I almost quit this one several times - the writing is ok at best, and the characters are just not that interesting. Every so often though there was a glimmer of an interesting twist or something special that would be revealed. After finishing, I feel cheated - the premise bordered on silly, and the great secret was never really revealed - instead the ending seemed rushed and confused.
It passed the time well enough, but I found some of Erik Hamre's writing irritating. Most annoying is Erik Hamre's habit of always using a person's full name every time Erik Hamre refers to them. I mean, Erik Hamre does this in every single sentence. It was almost enough to make me stop reading.
Story and characters were okay, if you like conspiracy theories and Nazi UFOs.
David Dypsvik, a 30 y/o Norwegian and bored MBA student At Bond University in Australia, is given a secret assignment by his professor, Dr. Grossman. Supposedly, Yossar Devan one of the world’s richest men vanished from the face of the Earth after giving his students a secret to riches.
The billionaire had just completed a lecture series called "The Principles of Wealth" at Oxford University. The question is: did he share something he shouldn’t have shared in that last lecture? And what really happened the day he disappeared?
As David investigates the principles and pursues Yossar Devan whereabouts, he discovers that his grandfather was related to a German WWII secret weapon - Die Glocke. Helped by an unemployed woman physicist, Sophie Manson, and her old professor, 63 y/o Michael Simpson, David discovers the source of Yossar Devan aka Nuri Turan, riches and figures out what and where Die Glock is. But nothing could have prepared David Dypsvik for what he was about to face.
Narrated from the third person point of view, The Last Alchemist will take you on a journey through the history of wealth-creation and ancient mysteries - like the pyramids of Giza. It will take you to the last days of WWII and Dr. Ing Hans Friederich Karl Franz Kammler - a real person - and David's grandfather, a fictional character who supposedly helped Kammler with his experiments. All is related nothing is what it seems.
It was a quick, easy, wonderful read and I highly recommended it!
This almost felt like two book ideas mashed into one. On one hand you have an (overly) adrift protagonist's search from meaning (Frankl is mentioned more than once). On the other hand you have Sci-fi NAZI conspiracies. The two didn't mesh well for me. After getting over a bit of a whiny protagonist, the story picks up about 100 pages in. Ultimately, though, characters were the problem. Revealing character details (like the lotto addiction) late in the novel felt off-balance, almost forgotten. And every character other than David was one dimensional. The exception being David's father, who is presumed dead for most of the book. Even that is used more as a plot device than a way to advance the characters.
I once took a creative writing class. The instructor was a bit disinterested, but he gave some interesting insights. This book reminds me of one of those: "People seldom remember the story for the sake of the story - people remember characters." I think the point was that the plot should exist to move the characters through some sort of growth or through a relatable trial. In this book, characters were definitely there to advance the plot. Either way, The Last Alchemist held my attention.
This entire review has been hidden because of spoilers.