When the orphanage where he lives burns down, fourteen year -old-Leo and three of this friends make their way to New York City. But after two years of living in an abandoned building and earning money by picking pockets, Leo is beginning to feel ready to change his life and find a more respectable way to live. After the Mayor – leader of the small gang of boys who left the orphanage together – convinces Leo, Murph, and Boris to pull a high stakes con that ends badly, Leo knows for sure it’s his time to go. Unfortunately, it isn’t that easy to walk away, but after several setbacks Leo lucks into a job as an assistant to a magician called The Great Barzini. Barzini, who is a close friend of Harry Houdini, has a plan for a new show the highlight of which will be a twist on the bullet a catch, a trick made famous by a former friend of Barzini’s. The life of a magician’s assistant is a huge improvement from living as thief, but there are mysteries surrounding Barzini that make Leo nervous, and his old life doesn’t seem to be done with Leo just yet.
The Bullet Catch was a pleasant surprise. My expectations were set low by the cover, which depicts in very mundane artwork a magician onstage shuffling cards while someone else (his assistant?) peaks out from behind the curtain. I don’t think it would appeal to any audience really, but it certainly doesn’t look like a YA book. Chances are slim to none that any teen would see this book cover and even bother to pick it up to read the jacket. The publisher’s website recommends it for grades 4-6 (which I don’t agree with), but I can’t really see the younger set being intrigued by it either. The smaller font size and lack of white space look more like the pages of a book written for an adult audience. The main character’s age, occasional moral ambiguity, and the focus on his past criminal activity make it a book most suitable for a slightly older audience in my opinion.
Having said all that, I think the Axelrods wrote a pretty good book that very few people will read for the reasons mentioned above. Leo is a likeable character, who sometimes makes bad choices, but wants to do the right thing and be a respectable person. Many of secondary characters, particularly Barzini, have depth and struggle with their own internal conflicts. The setting of early 1900s New York City is well developed, and they do a good job of inserting the reader into the world of magicians, illusionists and spiritualists. A few of the plot twists strain credibility a bit, but it was exciting and engaging enough to keep me turning the pages. The conclusion was a bit abrupt, and readers will have to be satisfied with a few loose threads that don’t get tied up completely. Overall, this is solid historical fiction that I would heartily recommend if not for the aesthetic issues mentioned above that will make it a difficult sell to a teen audience.