In 1996 an American-made Doctor Who television film burst on the scene, starring the charismatic English actor Paul McGann as the Doctor, and fandom embraced him. While there was at the time no more of Paul’s performance on screen, his Doctor transitioned to other media with ease: comics, books and finally audio, bringing a wealth of stories, adventures, companions and more to Doctor Who lore.
This book chronicles the creation and development of those media. Through interviews with more than fifty of the creators, and McGann himself, Reecy Pontiff picks a path through the so-called ‘Wilderness Years’, to emerge from the other side with literally hundreds of new adventures and stories to enjoy, all featuring the eighth Doctor.
Having lived in six time zones on three continents, Reecy Pontiff has long embraced the lifestyle of a ‘professional vagabond’ (which sounds nicer in American). She’s a writer, tour guide and devastatingly clever lyricist. Her Renaissance faire alter ego Bettina Bawdeville has performed original, morally questionable songs in a spectacular hat. At the time of publishing Reecy has relocated to the UK to pursue broadcast journalism.
A wonderful tribute to the 8th Doctor Who, both as actor Paul McGann and a fictional character. Starting with an admission that it is highly inaccurate to call this era The Wilderness Years, Pontiff enthusiastically documents possibly the most creatively free and multi-media era of Who with copious back stage stories and an impressive array of collated and new interviews with seemingly everyone involved in the fanzines, newspaper strips, comics, short stories, novels, audio dramas and TV returns. If you weren't there, it's a handy reading list, if you were it's a warm hug of nostalgia.
I feel like I've been on a roller coaster of the last 30 years if my life. I was 25 when the TV movie was on. For so long the Doctors number was eight in strips and books, then in glorious stereo with Paul McGann once more giving him voice.
Pontiff tells the story behind this stories with a breathless tigger enthusiasm worthy of the eighth Doctor himself.
The stories and companions, the many firsts of this era all came to mind and I'm reminded how much he is the fans Doctor, even down to including the Mcgannerisms list prepared for the book writers in 1997.
To an old NA and EDA fan its a lovely letter to times past, but also to times present as Paul continues to play him for Big Finish.
I hope this book also shares this part of Doctor Who with those who joined us along the way and those to come. Its a celebration of an era that still delights.
If you're the type of an Eighth Doctor fan who's read the various novels, adores the Doctor Who Magazine comics, and listens to Big Finish audios regularly, you'll have so much fun reading this book. It's a comprehensive history, traced from the beginnings of the 1996 TV Movie, to the current era of the character (where the Big Finish audios keep the Eighth Doctor going strong). Even the most obscure parts of the character are touched on. Never thought any book would really cover the Radio Times comic strips, but I was pleasantly surprised. Plus, that cover art by Martin Geraghty looks really gorgeous.
Wow, what a book; as soon as I heard about it I was astounded at how much of a good idea it was. You can feel Reecey Pontiff's enthusiasm in every page, this is a true labour of love. Although there is a very impressive list of all of the Eighth Doctor's appearance across the mediums at the back of the book, the highlights are the extensive interviews undertaken with so many creatives and how it all comes together to tell a story that's thirty years old, but is also just beginning. I recommend to all Whovians, regardless of how familiar you are with the Eighth Doctor!
The sheer audacity of Reecy Pontiff's perspective in Leap of Eighth: The Unofficial and Unauthorised History of the Eighth Doctor completely caught me off guard. The text maps out the invisible lines of corporate compliance and institutional gaslighting effortlessly. It stays in your head long after finishing because it hits exactly where it hurts.