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TCM Fright Favorites: Horror Classics To Haunt Your Movie Night
Turner Classic Movies Presents A Compendium Of Film Frights!
Fright Favorites spotlights 27 essential films ranging from monster greats to modern and classic horror to family-friendly cinematic treats, complete with reviews, behind-the-scenes stories, and a trove of images. Featured titles include:
Nosferatu (1922), Mystery of the Wax Museum (1933), Cat People (1942), Creature from the Black Lagoon (1954), House on Haunted Hill (1959), The Haunting (1963), Rosemary's Baby (1968), The Exorcist (1973), Halloween (1978), The Shining (1980), A Nightmare on Elm Street (1984), Beetlejuice (1988), Hocus Pocus (1993), Scream (1996), Get Out (2017)
Fright Favorites spotlights 27 essential films ranging from monster greats to modern and classic horror to family-friendly cinematic treats, complete with reviews, behind-the-scenes stories, and a trove of images. Featured titles include:
Nosferatu (1922), Mystery of the Wax Museum (1933), Cat People (1942), Creature from the Black Lagoon (1954), House on Haunted Hill (1959), The Haunting (1963), Rosemary's Baby (1968), The Exorcist (1973), Halloween (1978), The Shining (1980), A Nightmare on Elm Street (1984), Beetlejuice (1988), Hocus Pocus (1993), Scream (1996), Get Out (2017)
182 pages, Paperback
Published August 1, 2024
About the author
David J. Skal
56 books185 followersDavid J. Skal became fascinated with monsters at the height of the 1962 Cuban missile crisis, when indestructible monsters like Dracula, Frankenstein and the Wolf Man provided a "nuclear security blanket" for a whole generation of youngsters.
Active as an editor and reporter on his high school newspaper, he was granted a journalism scholarship to Ohio University, Athens, where he earned a bachelor's degree in 1974. His work as film critic, arts reporter, arts editor and assistant managing editor of the Ohio University Post, one of the country's leading college papers,led to his three-season appointment as publicity director of the University-operated Monomoy Theatre on Cape Cod. Following his graduation, he served as a public affairs intern in the office of National Endowment for the Arts chairman Nancy Hanks, and went on to the position of Publicity Director at the Hartford Stage Company, where he oversaw all media relations while the regional company fund-raised, built and opened a major new facility in downtown Hartford. In 1978, he was staff writer for the American Conservatory Theatre in San Francisco, with responsibility for the content of all printed materials. From 1979-1982 he was Publications Director of Theatre Communications Group, a national service organization in New York City. From 1982 to 1992 he was president and creative director of David J. Skal Associates, Inc. (later Visual Cortex Ltd.), a Manhattan-based, nationally oriented design and marketing consultancy with clients ranging from the Metroplitan Opera to regional theatre, dance and music organizations.
A published writer of short fiction since his early college years (he was one of the youngest students ever admitted to the celebrated Clarion Writers Workshop in fantasy and science fiction), he authored three well-received science fiction novels: SCAVENGERS (1980), WHEN WE WERE GOOD (1981) and ANTIBODIES (1987). His long-standing interest in Dracula and his extensive contacts in the theatre world led to his first nonfiction book, HOLLYWOOD GOTHIC: THE TANGLED WEB OF DRACULA FROM NOVEL TO STAGE TO SCREEN (1990), followed by THE MONSTER SHOW: A CULTURAL HISTORY OF HORROR (1993). Many other books followed, including V IS FOR VAMPIRE (1995); DARK CARNIVAL: THE SECRET WORLD OF TOD BROWNING (1995,with Elias Savada); the Norton Critical Edition of Bram Stoker's DRACULA (1996, co-edited with Nina Auerbach); SCREAMS OF REASON: MAD SCIENCE AND MODERN CULTURE(1997); and the monumental anthology VAMPIRES: ENCOUNTERS WITH THE UNDEAD (2001, the largest such illustrated/annotated compendium ever published.
Skal began his work as a documentary filmmaker writing and co-producing segments for the A&E Network's award-winning series "Biography," and contributed scripts chronicling the lives and careers of Bela Lugosi, Boris Karloff, Lon Chaney, Jr. and Angela Lansbury (with whom he had worked during his theatre career). In 1999, he wrote, co-produced and co-directed a behind-the-scenes chronicle of the Academy Award-winning film GODS AND MONSTERS. The same year, he was tapped by Universal Studios Home Video for a series of twelve original DVD documentaries exploring the legacies of the studio's classic horror and science fiction films. His DVD work has continued with Disney Home Video's "Jules Verne and Walt Disney: Explorers of the Imagination" (2003) and the feature commentary for Warner Home Video's special-edition release of Tod Browning's FREAKS (2004).
His current projects include CITIZEN CLONE: THE MORPHING OF AMERICA (Faber and Faber, 2005)and CLAUDE RAINS: AN ACTOR'S VOICE, a biography based on the acclaimed character actor's never-published reminiscences, written in collaboration with the actor's daughter, Jessica Rains.
David Skal is a member of the Authors Guild. He lives and writes in Glendale, California.
Active as an editor and reporter on his high school newspaper, he was granted a journalism scholarship to Ohio University, Athens, where he earned a bachelor's degree in 1974. His work as film critic, arts reporter, arts editor and assistant managing editor of the Ohio University Post, one of the country's leading college papers,led to his three-season appointment as publicity director of the University-operated Monomoy Theatre on Cape Cod. Following his graduation, he served as a public affairs intern in the office of National Endowment for the Arts chairman Nancy Hanks, and went on to the position of Publicity Director at the Hartford Stage Company, where he oversaw all media relations while the regional company fund-raised, built and opened a major new facility in downtown Hartford. In 1978, he was staff writer for the American Conservatory Theatre in San Francisco, with responsibility for the content of all printed materials. From 1979-1982 he was Publications Director of Theatre Communications Group, a national service organization in New York City. From 1982 to 1992 he was president and creative director of David J. Skal Associates, Inc. (later Visual Cortex Ltd.), a Manhattan-based, nationally oriented design and marketing consultancy with clients ranging from the Metroplitan Opera to regional theatre, dance and music organizations.
A published writer of short fiction since his early college years (he was one of the youngest students ever admitted to the celebrated Clarion Writers Workshop in fantasy and science fiction), he authored three well-received science fiction novels: SCAVENGERS (1980), WHEN WE WERE GOOD (1981) and ANTIBODIES (1987). His long-standing interest in Dracula and his extensive contacts in the theatre world led to his first nonfiction book, HOLLYWOOD GOTHIC: THE TANGLED WEB OF DRACULA FROM NOVEL TO STAGE TO SCREEN (1990), followed by THE MONSTER SHOW: A CULTURAL HISTORY OF HORROR (1993). Many other books followed, including V IS FOR VAMPIRE (1995); DARK CARNIVAL: THE SECRET WORLD OF TOD BROWNING (1995,with Elias Savada); the Norton Critical Edition of Bram Stoker's DRACULA (1996, co-edited with Nina Auerbach); SCREAMS OF REASON: MAD SCIENCE AND MODERN CULTURE(1997); and the monumental anthology VAMPIRES: ENCOUNTERS WITH THE UNDEAD (2001, the largest such illustrated/annotated compendium ever published.
Skal began his work as a documentary filmmaker writing and co-producing segments for the A&E Network's award-winning series "Biography," and contributed scripts chronicling the lives and careers of Bela Lugosi, Boris Karloff, Lon Chaney, Jr. and Angela Lansbury (with whom he had worked during his theatre career). In 1999, he wrote, co-produced and co-directed a behind-the-scenes chronicle of the Academy Award-winning film GODS AND MONSTERS. The same year, he was tapped by Universal Studios Home Video for a series of twelve original DVD documentaries exploring the legacies of the studio's classic horror and science fiction films. His DVD work has continued with Disney Home Video's "Jules Verne and Walt Disney: Explorers of the Imagination" (2003) and the feature commentary for Warner Home Video's special-edition release of Tod Browning's FREAKS (2004).
His current projects include CITIZEN CLONE: THE MORPHING OF AMERICA (Faber and Faber, 2005)and CLAUDE RAINS: AN ACTOR'S VOICE, a biography based on the acclaimed character actor's never-published reminiscences, written in collaboration with the actor's daughter, Jessica Rains.
David Skal is a member of the Authors Guild. He lives and writes in Glendale, California.
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Displaying 1 of 1 review
May 24, 2026
It might not be referred to officially as American Movie Classics anymore, but I love the AMC Channel. It's where I feel in love with Walter Huston's Treasure of the Sierra Madre. It's also where I saw Marilyn Monroe get her toe stuck in that faucet in The Seven Year Itch. And every October, I can count on each night's programming being loaded with creepy classic horror and sci-fi thrillers in lead up (or countdown, depending on how you look at it) to Halloween.
While it seems that the 24th-31st of each October is devoted solely to the exploits of Michael Myers night of mischief; except for that one time Silver Shamrock Novelties tried to ruin All Hallows, you can count on an amazing array of horror flicks from the past 100 or so odd years of cinema.
I found my copy at a Five Below of all places. Just as some have said that they felt like Salinger's The Catcher in the Rye was just speaking to readers to pick it up, I felt like this book was screaming at me for attention. Maybe I should have stopped at the introduction. The author clearly states that this book is anticipated for Halloween viewing sessions. I'm all for seasonal reading. But nothing on either sides of the cover indicated a need for autumn weather and falling leaves. So I just went for it. Besides, if you are creating this book for Halloween watch parties, you should focus on 31 films and not just 27! Maybe I have the wrong calendar but October is supposed to have 31 days of which #31 is Halloween.
(Note: upon editing my review and searching for an image of the book to put on my blog, I have learned that there once was an edition of this book sponsored by Turner Classic Movies. In that volume, Skal featured 31 different books. From what I can glean, the 4 missing books are not titles that ACM has the rights to. Regardless, I am staying with my original assumptions of the book post-review.)
The author starts off with some of the earliest horror films that thankfully still exist. As he works his way through the Silent Era, into early exploration of color and then through the Hayes Code of Hollywood through the renegade 1960s that gave birth to the R-rated or worst slasher pics, Skal gives an amazing history of the history of horror in film.
Technically, Skal examines 54 total movies. For every THEM! the author explores in depth, he also devoted the last page of each chapter to another similar film. It's a lot like when I worked at Suncoast Motion Picture Company and I would give customers recommendations on the VHS movies they selected. "If you like A then you'll like B!" (Man, did I love working there. I still marvel at the time during the busy Christmas rush, this lady came up to me and said, and I quote "I'm looking for this movie. It stars that guy and he's always with that girl and they fall in love.", as much as I remember with pride correctly guessing the film in 1 try, for the life of me, I can't remember which movie it was I said!!!)
Anyways, despite 54 films being looked at, there are some noticeable absences. If you're looking for Hitchcock, it's only The Birds. The only 'Alien' in this book is John Carpenter's The Thing. Halloween obviously gets an entire chapter while Friday The 13th only a recommend. As for the 2 films that scarred me for life, Roddy McDowell in The Legend of Hell House and The Amityville Horror II, they are not to be found. As for comedy, there's quite a few looked at. Alas, John Carradine's visit to The Monster Club, co-starring Vincent Price, is not one of them.
That's how these types of books go. They can only go so far without turning into an encyclopedia. Some great films are going to be left out. Some others that are real head scratchers like 1993's Hocus Pocus, get added. But there is 1 film that I will never watch, even if you paid me. It's so evil, I hated reading the chapter about it!
I would love a sequel. In fact, I'd love even more a spin-off. A look at Christmas movies! But make it 25 films. No!! Make it 26. Throw in a Thanksgiving romp for good measure. Oh, who am I kidding. Cover Hanukkah, Kwanzaa and New Years with 31 days worth of holiday flicks. It would be an Advent I'd never forget from my film recommending friends at AMC!
While it seems that the 24th-31st of each October is devoted solely to the exploits of Michael Myers night of mischief; except for that one time Silver Shamrock Novelties tried to ruin All Hallows, you can count on an amazing array of horror flicks from the past 100 or so odd years of cinema.
I found my copy at a Five Below of all places. Just as some have said that they felt like Salinger's The Catcher in the Rye was just speaking to readers to pick it up, I felt like this book was screaming at me for attention. Maybe I should have stopped at the introduction. The author clearly states that this book is anticipated for Halloween viewing sessions. I'm all for seasonal reading. But nothing on either sides of the cover indicated a need for autumn weather and falling leaves. So I just went for it. Besides, if you are creating this book for Halloween watch parties, you should focus on 31 films and not just 27! Maybe I have the wrong calendar but October is supposed to have 31 days of which #31 is Halloween.
(Note: upon editing my review and searching for an image of the book to put on my blog, I have learned that there once was an edition of this book sponsored by Turner Classic Movies. In that volume, Skal featured 31 different books. From what I can glean, the 4 missing books are not titles that ACM has the rights to. Regardless, I am staying with my original assumptions of the book post-review.)
The author starts off with some of the earliest horror films that thankfully still exist. As he works his way through the Silent Era, into early exploration of color and then through the Hayes Code of Hollywood through the renegade 1960s that gave birth to the R-rated or worst slasher pics, Skal gives an amazing history of the history of horror in film.
Technically, Skal examines 54 total movies. For every THEM! the author explores in depth, he also devoted the last page of each chapter to another similar film. It's a lot like when I worked at Suncoast Motion Picture Company and I would give customers recommendations on the VHS movies they selected. "If you like A then you'll like B!" (Man, did I love working there. I still marvel at the time during the busy Christmas rush, this lady came up to me and said, and I quote "I'm looking for this movie. It stars that guy and he's always with that girl and they fall in love.", as much as I remember with pride correctly guessing the film in 1 try, for the life of me, I can't remember which movie it was I said!!!)
Anyways, despite 54 films being looked at, there are some noticeable absences. If you're looking for Hitchcock, it's only The Birds. The only 'Alien' in this book is John Carpenter's The Thing. Halloween obviously gets an entire chapter while Friday The 13th only a recommend. As for the 2 films that scarred me for life, Roddy McDowell in The Legend of Hell House and The Amityville Horror II, they are not to be found. As for comedy, there's quite a few looked at. Alas, John Carradine's visit to The Monster Club, co-starring Vincent Price, is not one of them.
That's how these types of books go. They can only go so far without turning into an encyclopedia. Some great films are going to be left out. Some others that are real head scratchers like 1993's Hocus Pocus, get added. But there is 1 film that I will never watch, even if you paid me. It's so evil, I hated reading the chapter about it!
I would love a sequel. In fact, I'd love even more a spin-off. A look at Christmas movies! But make it 25 films. No!! Make it 26. Throw in a Thanksgiving romp for good measure. Oh, who am I kidding. Cover Hanukkah, Kwanzaa and New Years with 31 days worth of holiday flicks. It would be an Advent I'd never forget from my film recommending friends at AMC!
Displaying 1 of 1 review