Lena Hendrix writes so beautifully that even when a book doesn’t fully hit for me, I still enjoy being in her worlds. And I did enjoy this one — the Darling siblings are always compelling, and Clara and Wes had so much potential. But even though the execution ultimately came together, several things kept this from being a solid read.
Clara was the standout. I loved how she pushed Wes without pitying him or treating him like he was fragile because of his amputation. Wes needed someone who saw him as a whole person, not a tragedy, and Clara did that effortlessly. Their mutual attraction is clear from the start, and the roommates‑to‑lovers setup made sense for where they both were in life.
Wes’s grumpiness, though understandable, wore thin. What balanced it was Clara refusing to let him steamroll her — she held her boundaries, and her presence genuinely helped him. Wes, in turn, gave Clara a kind of emotional support she’d never had in her previous lavender relationship. Their dynamic had real promise.
Their chemistry is strong — their first intimate moment without touching was hotter than most full scenes in other romances — and when they finally sleep together, it’s both steamy and tender. But the “lessons” framing felt unnecessary and actually cheapened what was clearly a real emotional connection. And the pacing was odd: they naturally gravitate toward each other, yet somehow it also feels like it takes forever for them to get together. Then once they do, everything speeds up so quickly it feels rushed. The ending especially felt like it made sense because the book needed to wrap up, not because the emotional beats were fully earned.
The third‑act breakup didn’t help. Wes has a bad day, lashes out, and says awful things. Clara stands her ground (which I loved), tells him she loves him but loves herself too, and leaves. Wes does the work afterward — therapy, honest conversations with Hayes, showing up for Clara — and it’s swoony… but the lack of an actual apology was baffling.
There were also some strange omissions. The complete absence of scenes between Wes and his nephew Levi — his last link to his sister — felt bizarre. Same with Levi’s dad, Cal, who served with Wes, was his brother‑in‑law, and whose own book included Wes’s accident as a major plot point. Cal is dating Elodie, another Darling sibling, and yet he’s barely present here in any meaningful way. It made the world feel disconnected in a way this series usually avoids.
So yes — I enjoyed reading this. I liked the characters, I liked their chemistry, and I always love Hendrix’s writing. But the pacing issues, emotional shortcuts, and missing relational threads kept this from being the strong, satisfying instalment I hoped for.