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The Silk Cage
Di usia 23 tahun, Mikhaila Tanoto tak pernah membayangkan hidupnya akan ditentukan oleh sebuah kesepakatan bisnis yang dibungkus pernikahan. Ia dijodohkan dengan Chatra Handjojo—cucu sulung Robert Handjojo, figur legendaris yang membangun salah satu kerajaan konglomerasi terbesar di Indonesia—demi menyelamatkan kehormatan dan sisa-sisa kekuasaan keluarganya yang nyaris runtuh.
Masuk ke dunia Handjojo berarti memasuki sangkar emas: rumah yang terlalu sunyi, suami yang terlalu dingin, dan lingkaran sosialita kelas atas dengan lidahnya beracun yang dibalut senyuman manis. Mikhaila perlahan menyadari satu hal—ia bukan istri, melainkan simbol. Trofi. Pion. Hanya ada dua hal yang bisa ia lakukan; bertahan dalam sangkar yang mengekangnya dan belajar berhenti berharap.
Masuk ke dunia Handjojo berarti memasuki sangkar emas: rumah yang terlalu sunyi, suami yang terlalu dingin, dan lingkaran sosialita kelas atas dengan lidahnya beracun yang dibalut senyuman manis. Mikhaila perlahan menyadari satu hal—ia bukan istri, melainkan simbol. Trofi. Pion. Hanya ada dua hal yang bisa ia lakukan; bertahan dalam sangkar yang mengekangnya dan belajar berhenti berharap.
546 pages, Paperback
Published March 14, 2026
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June 4, 2026
Actual rating: 2,75🌟
Oke, akhirnya selesai juga aku baca ini setelah berminggu-minggu. 😭
Sebetulnya narasinya enak dibaca, sih. Cuman slice of life romance 500 lebih agak jiper juga aku.
●Pros:
Kalau baca buku ini untuk lebih mengenal budaya Tiongkok, ini pilihan yang tepat. Sebetulnya budanyanya nggak sebanyak itu di sini, tapi kental. Banyak juga peribahasa-peribahasa china yang diangkat.
Narasinya juga enak (tapi cuman sampe chapter 30 aja).
Terus kalau mau melihat sedikit gaya hidup orang2 kaya, bisa juga intip bukunya.
Deskripsi tempatnya juga bisa dibilang agk detail. Tempat-tempat di luar negerinya kerasa nuance-nya.
●Cons (and a little bit pros):
Aku mulai dari mana ya? Narasi dulu aja kali ya.
1. Narasi
Seperti kubilang, narasinya masih enak dibaca dan readable, tapi entah kenapa dari chapter 31 sampe extra chap 4 aku ngerasa lagi baca buku yanh ditulis sama penulis yang berbeda. Kayak apa yak? Nggak sengalir dan seluwes sebelumnya. Narasi sebelum2mya itu berasa book-able, kalau 31 ke belakang sangat platform-able.
Aku juga merasa narasinya sangaaat kering dan tidak bernyawa. Krena penulisan di sini fokus ke events dan jarang melibatkan perasaan. Kalaupun ada deskripsi perasaannya, itu terlalu telling dan jadinya nggak sampai ke pembaca. Untuk ukuran aku yang sangat ekspresif kalo baca buku, selama baca eskpresiku gini "😶". Nggak ada yang lucu, nggak ada yang sedih, nggak ada yang bikin kesel dan bikin terharu. Padahal sebetulnya sangat berpotensi untuk bikin nano-nano karena masa lalu Chatra juga nggak oke.
EH TAPII NARASI SURATNYA SEDIH GES. JADI MENURUTKU HARUS BANGET BACA SURATNYA. 😭
2. Plot
Nah gimana, ya? Wkwkwk. Mungkin ini memang buku slice of life romance kali, yak? Jadi pas aku baca aku salah menaruh ekspektasi. Kukira bukunya bakalan penuh intrik masalah old money, bisnis, bentrokan tradisi, dll. Belum lagi tag line di belakang cover bukunya tuh gini:
"A Romance story rooted in the complexities of a Chinese-Indonesian background."
Dan ternyata pas baca ini romance perjodohan biasa, aku ngerasa ... kecewa? Sebetulnya, ini mengangkat parenting Asian parents, sih. Tapi nanti aja ini di bagian karakterisasi, wkwk.
Nah lanjut ke plot. Ternyta nggak banyak konflik yang bikin cerita fluaktuaktif. Dataaar aja. Ada misal nih konflik, tapi di chapter selanjutnya, konfliknya udah aja selesai. Berasa kayak ceritanya terlalu sayang untuk membuat tokohnya menderita. Kesannya kayak si para tokoh harus ada di emotional state yang bahagia terus. Karena sedih dikit, eh udah bahagia lagi.
Padahal ya, ada adegan bundir lho, tapi ya udah lewat aja gitu.
Di beberapa hal, aku merasa kayak ceritanya pengen masukin berbagai macam masalah yang kepikiran di otak tanpa membuat ceritanya koheren dan kohesif. Pokoknya masukin aja tapi selesai di saat itu aja.
Terus di belakang juga jadi ada plot "red string theory". Kenapa harus semua ditaro di belakang, sih? Ada satu di pertengahan, tapi abis itu dikumpulin di satu chapter semua itu red string theory-nya. Biar apaaa sebetulnya? Toh ini nggak ngaruh juga ke kekayaan cerita dan malah kerasa out of nowhere dan maksa.
Terus ya. Pacing di bukunya juga agak membungkan kataku mah. Karena di awal kebilangnya lambat, tapi pas akhir-akhir tiba-tib bnget ngebut ke orang mau ketinggalan kereta. Hamil, chapter depan udah 7 bulan, trus lhiran. Chapter selanjutnya anaknya udah 1 tahun. Kek yaampuun, mau ke mana atuh? 😭
Cerita romance itu nggak harus kok diakhiri sampe tokoh utama beranak pinak di timeline cerita utama. Harusnya, Extra Chapter itu dari Chapter 32 aja. Atau dikasih halaman After Story aja klo Extras ternyata buat flashback. (Eniwe, aku nggak akan komplen soal extra chapter karena itu udah diluar cerita tamat).
3. Karakter
Nah ada dua karakter di sini yang paling utama.
a. Chatra
Dia ini punya background chara yang super duper oke. Didikan Asian parents bangetlah. Gimana dia digambarkan di current timeline juga bagus.
Nah teruuuus tiba-tiba ini laki berubah jadi cowok wetped pada umumnya yang jadi bucin dan clinge dan bayi gede. Maksudnya, gambaran cowok bucin itu nggak harus hajadi bayi gede, kan?
"Tapi kan itu cuman pas lagi berduaan aja ama Mikhaila. Lagian Chatra udah terapis."
Tapiii, untuk ukuran orang yang dari awal cold, emang bisa karakternya berubah sedrastis itu? You can still be cold, but bucin. Tapi bukan jadi bayi gede jugaaaaa. Dan lagi, emang terapi bisa bikin karakter manusia jadi 360 derajat bedanya? Dan kenapa ya, cowok2 tipikal wetped ini selain jadi bayi gede, juga horny all the time? Wkwkw. Tapi y udahlah.
Dan jujurly, Chatra ini punya background yang bagus tapi kok boring ya? Biasanya kalau bg nya oke, layer chara-nya juga oke. Tapi Chatra jadi tipikal cowok2 wetped aja gitu. Nggak tahu deh kenapa.
b. Mikhaila
Nah dia ini nih, wkwkkw. Aku nggak tahu dah ini sebetulnya Khail ini gimana. Di awal dia cewek takutan terus ke belakang jadi sunshine banget. Oh dia takut Chatra soalnya. Okeee kalau gitu. Tapi bahkan kalau dia nggak lagi ama Chatra, dia ini gitu tetep. Takutan kek ayam sayur.
Sebetulnya satu aja masalahnya tuh. Khail kagak punya temen. Jadi orang yg nggak punya temen ini, bubbly nya ke siapa, dulu? Toh dia pas interaksi ama temennya di awal banget (dan cuman ada itu) dia juga ke ayam sayur. Merasa outsider ceunah.
Jadi kumaha? 😭
"Ke keluarganya kali."
Nah ini, nih. Bikin bingung juga. Sekali lagi, Khail merasa dia ini outsider dan dibedain mak bapaknya. Ada juga adegan abangnya brengsek. Tapi itu nggak dibuat sampe akhir, karena tetiba keluarganya ini penuh kasih sayang. Jdi tuh nggak ditunjukkan gitu diskriminasinya.
Sekali lagi, ini beneran keknya nggak mau tokoh2nya menderita. Sampe kluarga yang mau digambarkan jadi keluarga pilih kasih aja nggak jadi.
Aku merasa, Khaila mau dijadiin si sunshine yang meluluhlan es kutub, tapi eksekusinya kureng aja dan Khaila-nya dibikin enggak konsisten dengan background chara yang nggak jelas juga.
.
Jadi, kalau Chatra bland and boring, Mikhaila ini karakternya nggak jelas.
.
Dahlah cukup sekian dan terima kasih.
Eh, btw ini buku debut, ya. tapi udah potensial, kok. Semoga buku duanya lebih oke, ya.
Oke, akhirnya selesai juga aku baca ini setelah berminggu-minggu. 😭
Sebetulnya narasinya enak dibaca, sih. Cuman slice of life romance 500 lebih agak jiper juga aku.
●Pros:
Kalau baca buku ini untuk lebih mengenal budaya Tiongkok, ini pilihan yang tepat. Sebetulnya budanyanya nggak sebanyak itu di sini, tapi kental. Banyak juga peribahasa-peribahasa china yang diangkat.
Narasinya juga enak (tapi cuman sampe chapter 30 aja).
Terus kalau mau melihat sedikit gaya hidup orang2 kaya, bisa juga intip bukunya.
Deskripsi tempatnya juga bisa dibilang agk detail. Tempat-tempat di luar negerinya kerasa nuance-nya.
●Cons (and a little bit pros):
Aku mulai dari mana ya? Narasi dulu aja kali ya.
1. Narasi
Seperti kubilang, narasinya masih enak dibaca dan readable, tapi entah kenapa dari chapter 31 sampe extra chap 4 aku ngerasa lagi baca buku yanh ditulis sama penulis yang berbeda. Kayak apa yak? Nggak sengalir dan seluwes sebelumnya. Narasi sebelum2mya itu berasa book-able, kalau 31 ke belakang sangat platform-able.
Aku juga merasa narasinya sangaaat kering dan tidak bernyawa. Krena penulisan di sini fokus ke events dan jarang melibatkan perasaan. Kalaupun ada deskripsi perasaannya, itu terlalu telling dan jadinya nggak sampai ke pembaca. Untuk ukuran aku yang sangat ekspresif kalo baca buku, selama baca eskpresiku gini "😶". Nggak ada yang lucu, nggak ada yang sedih, nggak ada yang bikin kesel dan bikin terharu. Padahal sebetulnya sangat berpotensi untuk bikin nano-nano karena masa lalu Chatra juga nggak oke.
EH TAPII NARASI SURATNYA SEDIH GES. JADI MENURUTKU HARUS BANGET BACA SURATNYA. 😭
2. Plot
Nah gimana, ya? Wkwkwk. Mungkin ini memang buku slice of life romance kali, yak? Jadi pas aku baca aku salah menaruh ekspektasi. Kukira bukunya bakalan penuh intrik masalah old money, bisnis, bentrokan tradisi, dll. Belum lagi tag line di belakang cover bukunya tuh gini:
"A Romance story rooted in the complexities of a Chinese-Indonesian background."
Dan ternyata pas baca ini romance perjodohan biasa, aku ngerasa ... kecewa? Sebetulnya, ini mengangkat parenting Asian parents, sih. Tapi nanti aja ini di bagian karakterisasi, wkwk.
Nah lanjut ke plot. Ternyta nggak banyak konflik yang bikin cerita fluaktuaktif. Dataaar aja. Ada misal nih konflik, tapi di chapter selanjutnya, konfliknya udah aja selesai. Berasa kayak ceritanya terlalu sayang untuk membuat tokohnya menderita. Kesannya kayak si para tokoh harus ada di emotional state yang bahagia terus. Karena sedih dikit, eh udah bahagia lagi.
Padahal ya, ada adegan bundir lho, tapi ya udah lewat aja gitu.
Di beberapa hal, aku merasa kayak ceritanya pengen masukin berbagai macam masalah yang kepikiran di otak tanpa membuat ceritanya koheren dan kohesif. Pokoknya masukin aja tapi selesai di saat itu aja.
Terus di belakang juga jadi ada plot "red string theory". Kenapa harus semua ditaro di belakang, sih? Ada satu di pertengahan, tapi abis itu dikumpulin di satu chapter semua itu red string theory-nya. Biar apaaa sebetulnya? Toh ini nggak ngaruh juga ke kekayaan cerita dan malah kerasa out of nowhere dan maksa.
Terus ya. Pacing di bukunya juga agak membungkan kataku mah. Karena di awal kebilangnya lambat, tapi pas akhir-akhir tiba-tib bnget ngebut ke orang mau ketinggalan kereta. Hamil, chapter depan udah 7 bulan, trus lhiran. Chapter selanjutnya anaknya udah 1 tahun. Kek yaampuun, mau ke mana atuh? 😭
Cerita romance itu nggak harus kok diakhiri sampe tokoh utama beranak pinak di timeline cerita utama. Harusnya, Extra Chapter itu dari Chapter 32 aja. Atau dikasih halaman After Story aja klo Extras ternyata buat flashback. (Eniwe, aku nggak akan komplen soal extra chapter karena itu udah diluar cerita tamat).
3. Karakter
Nah ada dua karakter di sini yang paling utama.
a. Chatra
Dia ini punya background chara yang super duper oke. Didikan Asian parents bangetlah. Gimana dia digambarkan di current timeline juga bagus.
Nah teruuuus tiba-tiba ini laki berubah jadi cowok wetped pada umumnya yang jadi bucin dan clinge dan bayi gede. Maksudnya, gambaran cowok bucin itu nggak harus hajadi bayi gede, kan?
"Tapi kan itu cuman pas lagi berduaan aja ama Mikhaila. Lagian Chatra udah terapis."
Tapiii, untuk ukuran orang yang dari awal cold, emang bisa karakternya berubah sedrastis itu? You can still be cold, but bucin. Tapi bukan jadi bayi gede jugaaaaa. Dan lagi, emang terapi bisa bikin karakter manusia jadi 360 derajat bedanya? Dan kenapa ya, cowok2 tipikal wetped ini selain jadi bayi gede, juga horny all the time? Wkwkw. Tapi y udahlah.
Dan jujurly, Chatra ini punya background yang bagus tapi kok boring ya? Biasanya kalau bg nya oke, layer chara-nya juga oke. Tapi Chatra jadi tipikal cowok2 wetped aja gitu. Nggak tahu deh kenapa.
b. Mikhaila
Nah dia ini nih, wkwkkw. Aku nggak tahu dah ini sebetulnya Khail ini gimana. Di awal dia cewek takutan terus ke belakang jadi sunshine banget. Oh dia takut Chatra soalnya. Okeee kalau gitu. Tapi bahkan kalau dia nggak lagi ama Chatra, dia ini gitu tetep. Takutan kek ayam sayur.
Sebetulnya satu aja masalahnya tuh. Khail kagak punya temen. Jadi orang yg nggak punya temen ini, bubbly nya ke siapa, dulu? Toh dia pas interaksi ama temennya di awal banget (dan cuman ada itu) dia juga ke ayam sayur. Merasa outsider ceunah.
Jadi kumaha? 😭
"Ke keluarganya kali."
Nah ini, nih. Bikin bingung juga. Sekali lagi, Khail merasa dia ini outsider dan dibedain mak bapaknya. Ada juga adegan abangnya brengsek. Tapi itu nggak dibuat sampe akhir, karena tetiba keluarganya ini penuh kasih sayang. Jdi tuh nggak ditunjukkan gitu diskriminasinya.
Sekali lagi, ini beneran keknya nggak mau tokoh2nya menderita. Sampe kluarga yang mau digambarkan jadi keluarga pilih kasih aja nggak jadi.
Aku merasa, Khaila mau dijadiin si sunshine yang meluluhlan es kutub, tapi eksekusinya kureng aja dan Khaila-nya dibikin enggak konsisten dengan background chara yang nggak jelas juga.
.
Jadi, kalau Chatra bland and boring, Mikhaila ini karakternya nggak jelas.
.
Dahlah cukup sekian dan terima kasih.
Eh, btw ini buku debut, ya. tapi udah potensial, kok. Semoga buku duanya lebih oke, ya.
June 8, 2026
The marriage of convenience trope is a staple in many wattpad novel adaptations, but Briselette takes it to another level entirely with its execution.
Here, you'll be introduced to Mikaila, who is arranged to marry Chatra, a man much older than her, in order to save her family's business and prevent their finances from collapsing as they stand on the brink of bankruptcy.
What I enjoyed most about this novel was its slow and steady character development. The emotional connection between the characters unfolds naturally, without being forced or rushed. While the story doesn't feature any particularly dramatic conflicts, it finds its momentum after the death of the grandfather, the family's central figure. The narrative then shifts to Chatra's journey as he steps into his grandfather's role and strives to uphold the legacy left behind.
In addition, one of the book's greatest strengths is its stunning use of language. The diction is consistently beautiful, and even the English expressions included throughout the novel feel purposeful rather than decorative. Their use adds depth to the emotions being conveyed, making the reading experience all the more immersive and impactful.
Characterization :
At first, I found myself getting frustrated with Mikhaila. I mean, Chatra had already provided her with a comfortable and secure life, and all she really had to do was adapt to being part of a wealthier family. Yet she still complained a lot and often acted rebellious. To me, many of her actions came across as childish. It felt like Chatra was constantly giving—his support, and patience, while Mikhaila simply accepted everything without offering much in return.
But then I realized that Mikhaila is only twenty-three years old. She's still very young, freshly out of college, and probably imagined a future much broader than simply becoming someone's wife. She was suddenly thrust into a life she never truly chose for herself. Once I looked at it from that perspective, I started to sympathize with her a lot more. Her frustration and resistance felt less like immaturity and more like the reaction of a young woman trying to come to terms with a future that had been decided for her.
As for Chatra, he embodies almost everything many women would want in a partner—he is successful, mature, kind, and dependable. At first glance, he seems to have everything under control. However, what we often forget is that people like him tend to carry immense burdens on their shoulders, often without anyone noticing.
As the story unfolds, I realized that beneath his composed exterior is someone who has spent much of his life living up to expectations and responsibilities. In that sense, Mikhaila's presence brings a new dimension to his life. She introduces spontaneity, warmth, and color into a world that had long been defined by duty and obligation. While Chatra provides stability for Mikhaila, she, in turn, helps him experience a side of life that he may never have allowed himself to embrace before. That's when I knew they had been made for one another.
Chinese Culture
What sets this book apart from other stories with a similar trope—aside from its beautiful prose—is the strong presence of Chinese-Indonesian culture throughout the narrative. I genuinely feel that the author has a close personal connection to this culture, because every detail is portrayed with such depth, authenticity, and care.
I also loved the solidarity within the Handjojo family, especially among the cousins. Whenever a problem arises, they stand by one another without hesitation and are always willing to help. Their bond feels incredibly genuine. In a way, it made me understand why many Chinese-Indonesian families are often perceived as successful in real life, the strength of their family ties and support systems is truly remarkable.
The grandmother was another highlight for me. She is such a loving presence, and I believe she was the first person in the Handjojo circle who truly made Mikhaila feel accepted. Without her warmth and support, I don't think Mikhaila would have been able to endure the challenges of her marriage to Chatra as well as she did.
Prose
Once again, I have to praise the writing. The prose is on an entirely different level. Even the English phrases and expressions are incorporated so naturally and elegantly that reading this novel often felt like reading a well-written English romance novel rather than a translated or localized work.
I was also fascinated by the novel's use of the red thread of fate concept, the idea that two people may have been connected long before they ever met, destined to find each other regardless of time or circumstance.
This idea reminded me of the Korean concept of Inyeon and especially the film Past Lives. No matter how many lives you live or how many paths you take, there is someone who is meant for you, and that destiny cannot simply be exchanged or avoided, even if you try.
Once again, I thoroughly enjoyed this book and can't wait to meet the next Handjojo family member in a future story. ^^
Here, you'll be introduced to Mikaila, who is arranged to marry Chatra, a man much older than her, in order to save her family's business and prevent their finances from collapsing as they stand on the brink of bankruptcy.
What I enjoyed most about this novel was its slow and steady character development. The emotional connection between the characters unfolds naturally, without being forced or rushed. While the story doesn't feature any particularly dramatic conflicts, it finds its momentum after the death of the grandfather, the family's central figure. The narrative then shifts to Chatra's journey as he steps into his grandfather's role and strives to uphold the legacy left behind.
In addition, one of the book's greatest strengths is its stunning use of language. The diction is consistently beautiful, and even the English expressions included throughout the novel feel purposeful rather than decorative. Their use adds depth to the emotions being conveyed, making the reading experience all the more immersive and impactful.
Characterization :
At first, I found myself getting frustrated with Mikhaila. I mean, Chatra had already provided her with a comfortable and secure life, and all she really had to do was adapt to being part of a wealthier family. Yet she still complained a lot and often acted rebellious. To me, many of her actions came across as childish. It felt like Chatra was constantly giving—his support, and patience, while Mikhaila simply accepted everything without offering much in return.
But then I realized that Mikhaila is only twenty-three years old. She's still very young, freshly out of college, and probably imagined a future much broader than simply becoming someone's wife. She was suddenly thrust into a life she never truly chose for herself. Once I looked at it from that perspective, I started to sympathize with her a lot more. Her frustration and resistance felt less like immaturity and more like the reaction of a young woman trying to come to terms with a future that had been decided for her.
As for Chatra, he embodies almost everything many women would want in a partner—he is successful, mature, kind, and dependable. At first glance, he seems to have everything under control. However, what we often forget is that people like him tend to carry immense burdens on their shoulders, often without anyone noticing.
As the story unfolds, I realized that beneath his composed exterior is someone who has spent much of his life living up to expectations and responsibilities. In that sense, Mikhaila's presence brings a new dimension to his life. She introduces spontaneity, warmth, and color into a world that had long been defined by duty and obligation. While Chatra provides stability for Mikhaila, she, in turn, helps him experience a side of life that he may never have allowed himself to embrace before. That's when I knew they had been made for one another.
Chinese Culture
What sets this book apart from other stories with a similar trope—aside from its beautiful prose—is the strong presence of Chinese-Indonesian culture throughout the narrative. I genuinely feel that the author has a close personal connection to this culture, because every detail is portrayed with such depth, authenticity, and care.
I also loved the solidarity within the Handjojo family, especially among the cousins. Whenever a problem arises, they stand by one another without hesitation and are always willing to help. Their bond feels incredibly genuine. In a way, it made me understand why many Chinese-Indonesian families are often perceived as successful in real life, the strength of their family ties and support systems is truly remarkable.
The grandmother was another highlight for me. She is such a loving presence, and I believe she was the first person in the Handjojo circle who truly made Mikhaila feel accepted. Without her warmth and support, I don't think Mikhaila would have been able to endure the challenges of her marriage to Chatra as well as she did.
Prose
Once again, I have to praise the writing. The prose is on an entirely different level. Even the English phrases and expressions are incorporated so naturally and elegantly that reading this novel often felt like reading a well-written English romance novel rather than a translated or localized work.
I was also fascinated by the novel's use of the red thread of fate concept, the idea that two people may have been connected long before they ever met, destined to find each other regardless of time or circumstance.
This idea reminded me of the Korean concept of Inyeon and especially the film Past Lives. No matter how many lives you live or how many paths you take, there is someone who is meant for you, and that destiny cannot simply be exchanged or avoided, even if you try.
Once again, I thoroughly enjoyed this book and can't wait to meet the next Handjojo family member in a future story. ^^
May 30, 2026
" He’s crying for her. " looking for boy who wants to cry for a girl. chatra nih tipikal yang susah banget ya di tembus? bagaikan tembok maze runner yang punya jalan berlika-liku. tapi someone made it through! alias mikhaila, yang manis banget sweet like candy. terus kalau bahas ending nya? bagus banget.... beneran kayak ngga expect ending nya gimana, karena takut chatra balik lagi, but ternyata.. he’s so in love. kalau karya kak briselette tuh GAK PERNAH SALAAAH! 😭 alias bagus bgt woy.. kenapa ya... always keren... alurnya tuh tertata banget.. bahkan aku sering banget merinding karena kata-kata nya menyentuh banget, highly recommended as a picky reader. 🤎 kak briselette punya banyak banget karya lain di wattpad daan ya ampun, aku yakin 💯 pasti semua tuh bakal bagus banget ya <3. gimana ngga.. ternyata liburan di a silk cage tuh semua punya kak briselette.. YANG DIMANA BUSETT itu pasti mahal ya ica? 😭 alurnya bukan SATSET banget sih..... tapi di kemas super baaaikkk jadi readers tuh gak akan binggung.. you will be so amaze guys! 🤎
Displaying 1 - 3 of 3 reviews