Earth has fallen. The alien Otherworlders, slug like monstrosities with technological strength far beyond humanity’s comprehension, have coated the world with billowing clouds of darkness. Clouds that block the sun’s light. That poison the crews of any airship that try to breech the clouds, leaving their lungs horrifically darkened, like the most dust coated of coal miner’s lungs, worse perhaps. Weapon designer Thomas Laybourne works for the British government, humanity’s last holdout, desperately trying to complete a weapon that might allow the Air Navy to destroy the Otherworlder’s cloud factories and allow humanity to hold out a little longer. And then a ray of light comes crashing into this hopeless world. Keely, innocent as a child and stronger that dozens of men. Keely, who soaks in the weak sunlight that does reach London and transmutes it into hope for Britain, her people, and, perhaps, the world.
I have opinions on D. Alan Lewis’ Keely, a steam punk novella that desperately wants to be a romance while also seeming fully aware that it really should not be. This is a deeply doomed world. A world where humanity has lost and all that is left is the last bit of struggling before being wiped out by the Otherworlders or via slow starvation. The novella, is about a stuffy Victorian man finding, and instantly falling for, a solar powered alien girl who cannot communicate with him and who is repeatedly described as childlike.
I feel like there are two things that could have left me feeling more positive toward Keely, one feels really simple and the other would take some pretty heavy rewrites to the book. The simple option is to tone way back on Thomas describing Keely as childlike and allow her to actually speak. She is clearly meant to be an intelligent character, learning to understand read and spoken English very quickly, but she is not allowed to learn to speak it well enough to really have dialogue. It makes her feel like Thomas is attracted to her as much or more because of her childlike aspects, than that she is conventionally attractive and quite affectionate towards him. Really not something I am about. The more involved option, the one that would require significant rewrites, would be to focus more on the doomed world and the way Britain is clinging to survival by bare fingertips. Focus more on Keely as a beacon of hope and Thomas’ work on the H8 bomb in the face of seemingly certain doom. Maybe also focus in a little more on the steam punk setting, there were some notable bits of it, but it felt oddly thin for the protagonist being a weapon designer in a steam punk setting.
The shame here is, I feel like Lewis could be a solid writer. He has solid technical skills, he just focused in on aspects of his story that really specifically do not appeal to me personally in a way that does not appeal to me personally. But, and here is the kicker, while I did not enjoy Keely I do want to see what he can do with a little more space and a tighter focus on his setting’s conflict. I want to see what kind of books Lewis writes four or so novellas down the road. What sort of writer he develops into.
My final thoughts wind up being almost entirely based on Thomas falling for a young woman who cannot communicate with him and who he also continually describes as childlike. Nothing really against the quality of the writing itself, just that the “born sexy yesterday” trope really does not work for me. I wanted to know more about his setting and this doomed battle the remains of humanity was fighting. More about the way life goes on in a London that has seen most of its people escape to the countryside in hopes of finding safety. So, Keely gets a two out of five from me, but I am going to keep an eye on the author.