William Blake (November 28, 1757 - August 12, 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake's work is today considered seminal and significant in the history of both poetry and the visual arts.
Blake's prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the language". His visual artistry has led one modern critic to proclaim him "far and away the greatest artist Britain has ever produced." Although he only once travelled any further than a day's walk outside London over the course of his life, his creative vision engendered a diverse and symbolically rich corpus, which embraced 'imagination' as "the body of God", or "Human existence itself".
Once considered mad for his idiosyncratic views, Blake is highly regarded today for his expressiveness and creativity, and the philosophical and mystical currents that underlie his work. His work has been characterized as part of the Romantic movement, or even "Pre-Romantic", for its largely having appeared in the 18th century. Reverent of the Bible but hostile to the established Church, Blake was influenced by the ideals and ambitions of the French and American revolutions, as well as by such thinkers as Emanuel Swedenborg.
Despite these known influences, the originality and singularity of Blake's work make it difficult to classify. One 19th century scholar characterised Blake as a "glorious luminary", "a man not forestalled by predecessors, nor to be classed with contemporaries, nor to be replaced by known or readily surmisable successors."
To see a World in a Grain of Sand And a Heaven in a Wild Flower Hold Infinity in the palm of your hand And Eternity in an hour A Robin Red breast in a Cage Puts all Heaven in a Rage A Dove house filld with Doves & Pigeons Shudders Hell thr' all its regions A dog starvd at his Masters Gate Predicts the ruin of the State A Horse misusd upon the Road Calls to Heaven for Human blood Each outcry of the hunted Hare A fibre from the Brain does tear A Skylark wounded in the wing A Cherubim does cease to sing The Game Cock clipd & armd for fight Does the Rising Sun affright Every Wolfs & Lions howl Raises from Hell a Human Soul The wild deer, wandring here & there Keeps the Human Soul from Care The Lamb misusd breeds Public Strife And yet forgives the Butchers knife The Bat that flits at close of Eve Has left the Brain that wont Believe The Owl that calls upon the Night Speaks the Unbelievers fright He who shall hurt the little Wren Shall never be belovd by Men He who the Ox to wrath has movd Shall never be by Woman lovd The wanton Boy that kills the Fly Shall feel the Spiders enmity He who torments the Chafers Sprite Weaves a Bower in endless Night The Catterpiller on the Leaf Repeats to thee thy Mothers grief Kill not the Moth nor Butterfly For the Last Judgment draweth nigh He who shall train the Horse to War Shall never pass the Polar Bar The Beggars Dog & Widows Cat Feed them & thou wilt grow fat The Gnat that sings his Summers Song Poison gets from Slanders tongue The poison of the Snake & Newt Is the sweat of Envys Foot The poison of the Honey Bee Is the Artists Jealousy The Princes Robes & Beggars Rags Are Toadstools on the Misers Bags A Truth thats told with bad intent Beats all the Lies you can invent It is right it should be so Man was made for Joy & Woe And when this we rightly know Thro the World we safely go Joy & Woe are woven fine A Clothing for the soul divine Under every grief & pine Runs a joy with silken twine The Babe is more than swadling Bands Throughout all these Human Lands Tools were made & Born were hands Every Farmer Understands Every Tear from Every Eye Becomes a Babe in Eternity This is caught by Females bright And returnd to its own delight The Bleat the Bark Bellow & Roar Are Waves that Beat on Heavens Shore The Babe that weeps the Rod beneath Writes Revenge in realms of Death The Beggars Rags fluttering in Air Does to Rags the Heavens tear The Soldier armd with Sword & Gun Palsied strikes the Summers Sun The poor Mans Farthing is worth more Than all the Gold on Africs Shore One Mite wrung from the Labrers hands Shall buy & sell the Misers Lands Or if protected from on high Does that whole Nation sell & buy He who mocks the Infants Faith Shall be mockd in Age & Death He who shall teach the Child to Doubt The rotting Grave shall neer get out He who respects the Infants faith Triumphs over Hell & Death The Childs Toys & the Old Mans Reasons Are the Fruits of the Two seasons The Questioner who sits so sly Shall never know how to Reply He who replies to words of Doubt Doth put the Light of Knowledge out The Strongest Poison ever known Came from Caesars Laurel Crown Nought can Deform the Human Race Like to the Armours iron brace When Gold & Gems adorn the Plow To peaceful Arts shall Envy Bow A Riddle or the Crickets Cry Is to Doubt a fit Reply The Emmets Inch & Eagles Mile Make Lame Philosophy to smile He who Doubts from what he sees Will neer Believe do what you Please If the Sun & Moon should Doubt Theyd immediately Go out To be in a Passion you Good may Do But no Good if a Passion is in you The Whore & Gambler by the State Licencd build that Nations Fate The Harlots cry from Street to Street Shall weave Old Englands winding Sheet The Winners Shout the Losers Curse Dance before dead Englands Hearse Every Night & every Morn Some to Misery are Born Every Morn and every Night Some are Born to sweet delight Some are Born to sweet delight Some are Born to Endless Night We are led to Believe a Lie When we see not Thro the Eye Which was Born in a Night to perish in a Night When the Soul Slept in Beams of Light God Appears & God is Light To those poor Souls who dwell in Night But does a Human Form Display To those who Dwell in Realms of day
Without doubt, a very talented author who impresses though the complexity of his thought. His poetry calls for deep reflection and gives in return awesome moments when we see that we only move in a circle (the means are more speedy, but the trajectory is the same): sadly to admit that what was true almost 200 years ago is still present today. Everything that surrounds us reflects in what we are. Therefore,the knowledge about speechless creatures is only a way to help us find our identity (the lion, the dog, the horse and so one are the same- every generation that is coming thinks that it is better than the previous one , but this is only a illusion- the projections did not change; the movie the Life of Pi is another good example). Blake's style resonates with the 18th century's outward rigidity and elegance. His poetry is far away from Kate Tempest's effervescent style, although it speaks with the same energy. He uses powerful combinations of metaphors, symbols and animal imagery and this might make his poetry not very appealing to those trapped in the vertiginous expansion of the universe. Blake stands out as a proof of the theory that the artistic talent is within us: it only needs the proper environment to be developed. He had only basics education (reading, writing) but he attended a drawing school after which he devoted his life to art. Not to forget his wife, Catherine, who supported him in his creative work. Probably without these two variables he would have not written this beautiful and meaningful poem: Auguries of Innocence "To see a World in a Grain of Sand And a Heaven in a Wild Flower Hold Infinity in the palm of your hand And Eternity in an hour ... A dog starvd at his Masters Gate Predicts the ruin of the State A Horse misusd upon the Road Calls to Heaven for Human blood Each outcry of the hunted Hare A fibre from the Brain does tear A Skylark wounded in the wing A Cherubim does cease to sing .."
In here postface to "Drive your plow over the bones of the dead", Olga Tokarczuk identifies this work as a prime source of the Blake quotes found in her novel. Indeed in this poem Blake like Janina Duszejko the protragonist of "Drive your plow over the bones of the dead" seems to be saying that animals just a much as humans have a share of God's divinity.
Take the time to read this remarkable poem of 132 lines if you have or are about to read Tokarczuk's novel.
To see a World in a Grain of Sand And a Heaven in a Wild Flower, Hold Infinity in the palm of your hand And Eternity in an hour. ----------------------------------------------------------------------- Every Night & every Morn Some to Misery are Born. Every Morn & every Night Some are Born to sweet delight. Some are Born to sweet delight, Some are Born to Endless Night ----------------------------------------------------------------------- God Appears & God is Light To those poor souls who dwell in Night,
• Read-through #1 (11/23/2024): ★★★★☆ • Read-through #2 (12/5/2024): ★★★★★ -> Possibly because I listened to a reading by Michael Sheen while following along with the text lol • Read-through #3 (12/11/2024): ★★★★★
”To see a World in a Grain of Sand And a Heaven in a Wild Flower Hold Infinity in the palm of your hand And Eternity in an hour”
My all-time favorite quote and definitely the most important lines in this poem. As it introduces it with a beautiful rich imagery. It expresses the significance of perception and the idea of seeing more in small ordinary things or in the nature around us that we often fail to notice. Also, it conveys that we have the power to control time by simply being present in the moment and appreciating the world around us. And this is why i will always love reading romantic poetry.
A poem in which social issues are described through the different animals,insects and small birds.Blake preaches morality through his poems most of the times.
"A dog starved at his master's gate Predicts the ruin of the state"
The poem has to be read within the context of when it was written. That would be the Industrial Revolution in England specifically London. Blake was witness to child labor which included chimney sweepers which would cut the life of children dramatically. Of course he was witness to prostitution and the merciless life of factory workers and the epic divide between the rich and the poor. Basically how inhumane man was to his fellow man. Not only that he mourned the transition from the natural world to the mechanized. The poem is mostly symbolic questioning the choices made and the price that will be paid. It also questions those who are rich whether they can live with themselves knowing people are suffering.
the first quartain of the poem is taken in the movie Lara Croft Tomb Raider! that is what inspired me to read this in the first place. and am glad i did! Blake was a maestro! beautiful imagery!
It's a good poem, but I'm used to much better work from William Blake. Read the poem for the exercise in poetry, but don't hang a theological hat on it.
Probably has one of the best openings to a poem ever "To see a World in a Grain of Sand And a Heaven in a Wild Flower, Hold Infinity in the palm of your hand And Eternity in an hour."
Blake was an Enlightenment Philosopher, who used metaphorical poetry as a vehicle for his philosophy. The poem transcends the duality of existence, a dichotomy between the material and spiritual world.
To see a world in a grain of sand, And a heaven in a wild flower, Hold infinity in the palm of your hand, And eternity in an hour.
A robin redbreast in a cage Puts all heaven in a rage.
A dove-house fill'd with doves and pigeons Shudders hell thro' all its regions. A dog starv'd at his master's gate Predicts the ruin of the state.
A horse misused upon the road Calls to heaven for human blood. Each outcry of the hunted hare A fibre from the brain does tear.
A skylark wounded in the wing, A cherubim does cease to sing. The game-cock clipt and arm'd for fight Does the rising sun affright.
Every wolf's and lion's howl Raises from hell a human soul.
The wild deer, wand'ring here and there, Keeps the human soul from care. The lamb misus'd breeds public strife, And yet forgives the butcher's knife.
The bat that flits at close of eve Has left the brain that won't believe. The owl that calls upon the night Speaks the unbeliever's fright.
He who shall hurt the little wren Shall never be belov'd by men. He who the ox to wrath has mov'd Shall never be by woman lov'd.
The wanton boy that kills the fly Shall feel the spider's enmity. He who torments the chafer's sprite Weaves a bower in endless night.
The caterpillar on the leaf Repeats to thee thy mother's grief. Kill not the moth nor butterfly, For the last judgement draweth nigh.
He who shall train the horse to war Shall never pass the polar bar. The beggar's dog and widow's cat, Feed them and thou wilt grow fat.
The gnat that sings his summer's song Poison gets from slander's tongue. The poison of the snake and newt Is the sweat of envy's foot.
The poison of the honey bee Is the artist's jealousy.
The prince's robes and beggar's rags Are toadstools on the miser's bags. A truth that's told with bad intent Beats all the lies you can invent.
It is right it should be so; Man was made for joy and woe; And when this we rightly know, Thro' the world we safely go.
Joy and woe are woven fine, A clothing for the soul divine. Under every grief and pine Runs a joy with silken twine.
The babe is more than swaddling bands; Every farmer understands. Every tear from every eye Becomes a babe in eternity;
This is caught by females bright, And return'd to its own delight. The bleat, the bark, bellow, and roar, Are waves that beat on heaven's shore.
The babe that weeps the rod beneath Writes revenge in realms of death. The beggar's rags, fluttering in air, Does to rags the heavens tear.
The soldier, arm'd with sword and gun, Palsied strikes the summer's sun. The poor man's farthing is worth more Than all the gold on Afric's shore.
One mite wrung from the lab'rer's hands Shall buy and sell the miser's lands; Or, if protected from on high, Does that whole nation sell and buy.
He who mocks the infant's faith Shall be mock'd in age and death. He who shall teach the child to doubt The rotting grave shall ne'er get out.
He who respects the infant's faith Triumphs over hell and death. The child's toys and the old man's reasons Are the fruits of the two seasons.
The questioner, who sits so sly, Shall never know how to reply. He who replies to words of doubt Doth put the light of knowledge out.
The strongest poison ever known Came from Caesar's laurel crown. Nought can deform the human race Like to the armour's iron brace.
When gold and gems adorn the plow, To peaceful arts shall envy bow. A riddle, or the cricket's cry, Is to doubt a fit reply.
The emmet's inch and eagle's mile Make lame philosophy to smile. He who doubts from what he sees Will ne'er believe, do what you please.
If the sun and moon should doubt, They'd immediately go out. To be in a passion you good may do, But no good if a passion is in you.
The whore and gambler, by the state Licensed, build that nation's fate. The harlot's cry from street to street Shall weave old England's winding-sheet.
The winner's shout, the loser's curse, Dance before dead England's hearse.
Every night and every morn Some to misery are born, Every morn and every night Some are born to sweet delight.
Some are born to sweet delight, Some are born to endless night.
We are led to believe a lie When we see not thro' the eye, Which was born in a night to perish in a night, When the soul slept in beams of light.
God appears, and God is light, To those poor souls who dwell in night; But does a human form display To those who dwell in realms of day.
I am not sure but I think I first heard about this poem from the movie "Dead Man". I do know that these lines continue to haunt me:
Every night and every morn Some to misery are born, Every morn and every night Some are born to sweet delight.
Some are born to sweet delight, Some are born to endless night.
To give a stupid example, two days ago, while working the logistics of the shift of my sleep schedule to a more convienent cycle, I imagined that I was cycling at 4am and that a ...byzantine friend of mine made a comment about the unusual hour, to which I replied, with the appropriate drama that accompanies these reveries: "Some are born to endless night".
Sometimes it surprises me how well older literature holds up in today's day and age. I'm usually not one for poems, but this one definitely makes it to my favorites if only for some lines' sheer beauty. The poem itself takes maybe five minutes to read, and it's well worth every moment.