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Bouvard and Pécuchet : A New Translation
Two copy-clerks. One park bench. An unlimited inheritance. A catastrophic idea.
When Bouvard and Pécuchet meet on a Paris bench in 1838 and discover they have each written their name in the band of their hat, they form a friendship that will last a lifetime — and consume it entirely. Inheriting a fortune, they retire to the Norman countryside with a bold to master every field of human knowledge.
They begin with agriculture. It fails. Then chemistry. Then medicine, archaeology, history, philosophy, and religion. Each new subject is approached with identical enthusiasm; each ends in identical disaster. Crops rot. Experiments explode. Cures make patients worse. Historians contradict each other. Philosophers refute each other across centuries. And through every catastrophe, Bouvard and Pécuchet press on, certain that the next chapter of human knowledge will be the one that finally yields its secrets.
Bouvard and Pécuchet was the last novel Flaubert ever wrote, left unfinished at his death in 1880 and published the following year. He spent eight years on it, read over fifteen hundred books in its preparation, and called it "a kind of encyclopedia made into farce." It is also, beneath the comedy, a profound and unsettling inquiry into what human beings actually know, and whether knowledge — of any kind — is capable of saving us from ourselves.
In the tradition of Rabelais, Cervantes, and Swift. By the author of Madame Bovary.
When Bouvard and Pécuchet meet on a Paris bench in 1838 and discover they have each written their name in the band of their hat, they form a friendship that will last a lifetime — and consume it entirely. Inheriting a fortune, they retire to the Norman countryside with a bold to master every field of human knowledge.
They begin with agriculture. It fails. Then chemistry. Then medicine, archaeology, history, philosophy, and religion. Each new subject is approached with identical enthusiasm; each ends in identical disaster. Crops rot. Experiments explode. Cures make patients worse. Historians contradict each other. Philosophers refute each other across centuries. And through every catastrophe, Bouvard and Pécuchet press on, certain that the next chapter of human knowledge will be the one that finally yields its secrets.
Bouvard and Pécuchet was the last novel Flaubert ever wrote, left unfinished at his death in 1880 and published the following year. He spent eight years on it, read over fifteen hundred books in its preparation, and called it "a kind of encyclopedia made into farce." It is also, beneath the comedy, a profound and unsettling inquiry into what human beings actually know, and whether knowledge — of any kind — is capable of saving us from ourselves.
In the tradition of Rabelais, Cervantes, and Swift. By the author of Madame Bovary.
385 pages, Kindle Edition
Published May 3, 2026
About the author
Gustave Flaubert
2,391 books4,049 followersGustave Flaubert was a French novelist. He has been considered the leading exponent of literary realism in his country and abroad. According to the literary theorist Kornelije Kvas, "in Flaubert, realism strives for formal perfection, so the presentation of reality tends to be neutral, emphasizing the values and importance of style as an objective method of presenting reality". He is known especially for his debut novel Madame Bovary (1857), his Correspondence, and his scrupulous devotion to his style and aesthetics. The celebrated short story writer Guy de Maupassant was a protégé of Flaubert.
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