« Pouvez-vous développer le concept de Grand Remplacement ? — Oh, c’est très simple : vous avez un peuple et presque d’un seul coup, en une génération, vous avez à sa place un ou plusieurs autres peuples. C’est la mise en application dans la réalité de ce qui chez Brecht paraissait une boutade, “changer de peuple”. Le Grand Remplacement, le changement de peuple, que rend seul possible la Grande Déculturation, est le phénomène le plus considérable de l’histoire de France depuis des siècles, et probablement depuis toujours. » (Renaud Camus, entretien pour “Le Nouvel Observateur”)
La première édition de cet ouvrage, publiée chez David Reinharc en 2011, est aujourd’hui épuisée. On lui a ajouté ici trois inédits, dont “Discours d’Orange”. Le livre réunit désormais, donc, outre le bref entretien cité ci-dessus, six et non plus trois allocutions prononcées par Renaud Camus — la première, “Le Grand Remplacement”, à Lunel le 26 novembre 2010 ; la deuxième, “La Nocence, instrument du Grand Remplacement”, à Paris le 18 décembre suivant, lors des Assises sur l’islamisation ; la troisième, “Que peut être une pensée libre aujourd’hui ?”, à l’Assemblée nationale, salle Lamartine, le 6 janvier 2011, à l’occasion des États généraux de l’Indépendance ; la quatrième, “L’Homme remplaçable”, devant France-Israël le 8 mars 2012 ; la cinquième, une adresse à Marine Le Pen, lors du congrès fondateur du Siel à la Maison de la Chimie, le 24 mars 2012 ; enfin le “Discours d’Orange”, à l’invitation de la Convention Identitaire, au Palais des Princes de la ville du Vaucluse, le 4 novembre 2012.
Renaud Camus, writer, painter, photographer, was born in 1946. As a young man, Camus' ideas and writings were strongly influenced by his association with Roland Barthes, Louis Aragon, Marguerite Duras, and the Warholian circles. He is now the author of more than one hundred and sixty works, published for the most part by P.O.L, Fayard and now by "Editions du Château": annual volumes of diaries, novels, essays, elegies, eglogues, dictionaries, anthologies, writings on art, political writings, literary travel guides...
His works are marked by the question of meaning. It includes avant-garde texts, the "Eclogues", conceived as a response to the aporias of the Nouveau Roman, and "Burn Boats", an immense hypertext in perpetual growth. The political work is organized around the monumental "Du Sens" (P.O.L., 2002), "Le Petit Remplacement" (Chez l'auteur, 2017) and "Le Grand Remplacement" (Chez l'auteur, 5th edition, 2019).
Cultural animator of the Château de Plieux for a decade (exhibitions Jean-Paul Marcheschi, Eugène Leroy, Miro, Jannis Kounellis, Josef Albers, etc.), Renaud Camus is also the author of abstract paintings ("YHWH", "Alephs", "Enjambements") and figurative, as well as photographic albums ("The Day nor the Hour").
To fight against the industrialization of man and the massacre of landscapes, against a pan-economism that treats men as Undifferentiated Human Matter, and against the change of people and the violence it implies, the author founded the party of In-nocence (2002) and, with Karim Ouchikh, the National Council of the European Resistance (2017)
French intellectual Renaud Camus has been given a 2 month suspended prison sentence for saying that mass immigration into Europe represents an “invasion.”
Camus will only avoid jail by paying 1800 euros to two “anti-racist” organizations, SOS Racisme and the LICRA (International League against Racism and Anti-Semitism).
The writer, who is the author of Le Grand Remplacement (The Great Replacement), was charged with “public incitement to hate or violence on the basis of origin, ethnicity, nationality, race or religion.”
The conviction stems from a November 2017 speech in Colombey-les-deux Eglises to the National Council of European Resistance in which Camus declared, “Immigration has become an invasion.”
“The irreversible colonization is demographic colonization, by the replacement of the population,” said the author, adding, “The ethnic substitution, the great replacement, is the most important event in the history of our nation since it has existed; as with other people, if the story continues, it will not be that of France.”
Camus also called for a “national consensus of resistance” to oppose Islamization in “the struggle for the salvation of our common civilization, Celtic, Slavic, Germanic, Greek-Latin, Judeo-Christian.”
The part of Camus’ speech that specifically garnered the attention of judges was when he talked about European people being replaced.
Camus said mass immigration “is the substitution, the tendency to substitute everything with its emulator, normalized, standardized, interchangeable: The original with its copy, the authentic with its imitation, the true with the false, the mothers with surrogate mothers, the culture with free time and entertainment.”
France suffers Islamic terror attacks on such a routine basis that it’s barely even an important news story anymore. Many of those terrorists are radicalized by mosques that escape any police scrutiny, but Camus must be punished for his crime of opinion.
And there you have it. Free speech is now a crime in France.
Ouvrage intéressant pour les concepts et les néologismes développés par l’auteur. La contribution lexicale de Renaud Camus transcende ses écrits et est essentielle dans une perspective métapolitique.
Il nomme le réel tel qu’il le perçoit, sans feinte ni détour, ce qui peut déconcerter certains. Ses réflexions restent stimulantes, qu’on soit en accord ou non avec lui.
J’aurais attribué 4 étoiles si l’ouvrage avait été plus concis. Il aurait pu tenir en moins de 150 pages sans rien perdre de son propos, tant les répétitions sont nombreuses (dans l'édition de 560 pages de la Nouvelle Librairie).
Gee I wonder why it's so hard to find an English translation of this book. Everything he said has happened. It's true. And I'm half Mexican, native and white. I don't care about race but you would be lying to yourself if you think this was a "conspiracy theory."