Like many readers I was a teenage fan of the first Dragonlance trilogies, reading them avidly on release in the Eighties, and playing some of the accompanying modules (made it to DL6).
It's always tricky to return to a series you loved as a kid. You risk disappointment, not least because the series has grown from the 9books I owned (the Tales, the Chronicles, and the Legends) to 200 or so. But couple of years ago I re-read the first six, and fantasy tropes aside, enjoyed the light fun feel to them amidst the current vogue for dark gritty fantasy.
So, the Next Generation.
Clearly the book is a bridge between the aforementioned Twins series, and the Dragons of Summer Flame, which as I understand kicks in a new era. It's presented as a collection of novellas, three of which I think were published before. All five feature the offspring of the Heroes of the Lance, with the slightly irritating feature of naming them after the prior characters in some way (Sturm, Tanin, etc). The stories are variable, and somewhat contrived, but nonetheless mainly enjoyable. Of the five, three were stronger, one okay, and one weak.
Kitiara's Son, and The Sacrifice (about Tanis and Laurana's son, Gilthas) were enjoyable, with a feel of the original series about them. The former suffered with too much exposition, but was quite creative and engaging. Certainly a set-up for the next proper book. The latter was a good story, with a nice mix of political intrigue, good use of characters, and a nicely done relationship between Tanis and his son.
The Legacy looked at Caramon and Palin, and was one I really enjoyed, and the machinations of the mages, and Caramon's double standards re warriors vs mages, held my interest.
The other two tales weren't so well done: Wanna Bet was daft, but harmless enough. Raistlins Daughter... hmmm, really clunky and unbelievable, and a clumsy set-up for the next book. Sure with their imaginations, Weis and Hickman could've done better.
I'm in two minds about the writing. The Dragonlance world (to my stage of reading) felt wonderfully realised and detailed, and develops and evolves in a fairly convincing manner for this type of fantasy. The style of writing is amateur at times, with changing point-of-views and over-use of verb alternatives to 'said' (everything is exclaimed, winced, proclaimed etc etc) which can be distracting. Every dialogue line has to be reinforced with the authors telling you every nuance of reaction, every aspect of thought, and it slows the pace considerably in places.
Minor grumbles, as it has a certain magic and charm to it that have persisted for me since my early days with it. A necessary prequel to the bigger following work, which I'll be heading onto soon.