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Из дневника. Воспоминания

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Отрывки из дневника включают записи о Т. Г. Габбе, о К. Симонове («Полгода в «Новом мире»), Борисе Пастернаке, Иосифе Бродском и Александре Солженицыне. Прочитанные вместе эти заметки, сделанные в разные годы, показывают, что С. Маршак был прав, сказав о первой работе Лидии Чуковской («Памяти Т. Г. Габбе) – «это и есть ваш жанр». Записи о Борисе Пастернаке и «Памяти Т. Г. Габбе» подготовлены к печати автором, а остальные – отобраны посмертно на основе дневника Лидии Чуковской.К «Отрывкам из дневника» примыкает очерк «Предсмертие» – о последних днях Марины Цветаевой, тоже написанный автором на основе своего дневника. В книгу вошли также воспоминания о Фриде Вигдоровой и об академике А. Д. Сахарове.

672 pages, Hardcover

First published January 1, 2010

3 people want to read

About the author

Lydia Chukovskaya

28 books44 followers
Lydia Chukovskaya wrote 'Sofia Petrovna', a harrowing story about life during the Great Purges. But it was a while before this story would achieve widespread recognition. Out of favour with the authorities, yet principled and uncompromising, Chukovskaya was unable to hold down any kind of steady employment. But gradually, she started to get published again: an introduction to the works of Taras Shevchenko, another one for the diaries of Miklouho-Maclay.
By the time of Stalin's death in 1953, Chukovskaya had become a respected figure within the literary establishment, as one of the editors of the cultural monthly 'Literaturnaya Moskva'. During the late 1950s, 'Sofia Petrovna' finally made its way through Russia's literary circles, in manuscript form through samizdat. Khrushchev's Thaw set in, and the book was about to be published in 1963, but was stopped at the last moment for containing "ideological distortions". Indomitable as ever, Chukovskaya sued the publisher for full royalties and won. The book was eventually published in Paris in 1965, but without the author's permission and under the somewhat inaccurate title 'The Deserted House'. There were also some unauthorized alterations to the text. The following year, a New York publisher published it again, this time with the original title and text fully restored.

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