'A delight' Caitlin Moran 'A sharp, unbeatable, timeless wit' Jameela Jamil 'Hilarious, heartbreaking and inspiring' Sathnam Sanghera 'Dashed with magic' Richard E. Grant
Meera Syal is one of Britain's best loved comedy legends. Now, for the first time, she tells her story.
Meera recounts those chance remarks that have changed the course of her life - everything from 'don't sit with your legs apart!' (the despairing cry of Meera's aunties) to 'an Asian comedy show? Are Asians funny?' (the depressing response to the idea that would become Goodness Gracious Me).
With her trademark warmth and humour, she shares stories from growing up as the only brown girl in her beloved Midlands town, to her grandfather's attempts to arrange her marriage; from to her working life as an actress and writer, to her journey to motherhood and the changing attitudes towards women she has experienced over her career.
Meera's story is also the story of a changing Britain - revealing lives deeply affected by the partition of India in 1947 and the reverberations of history into the present.
Vigilauntie is a memoir with touching, compelling and very, very funny.
'Tender, riveting, beautiful and deeply vulnerable' Nikita Gill 'An absolute joy' Jo Brand 'Read it. Love it. Cry and laugh' Anita Anand
Meera Syal MBE (born Feroza Syal 27 June 1961 in Essington, near Wolverhampton) is a British Indian comedienne, writer, playwright, singer, journalist and actress. Her Punjabi-born parents came to Britain from New Delhi, and she has risen to prominence as one of the most UK's best-known Indian personalities. She was awarded the MBE in the New Year's Honours List of 1997.
Meera Syal is an icon. Her creative endeavors have served as a soundtrack to the lives of countless British Asians, myself included. I recall sitting around the telly with my entire family and watching Goodness Gracious Me - laughing at the jokes I understood and the ones that went completely over my head. Her phenomenal debut, Anita and Me is a generational touchstone for myself and undoubtedly, many others. I had never before seen myself so completely in a work of fiction - and for tween Priyam the bookworm, that was unforgettable. All this to say, Syal’s work has meant so much to me. And so, it is no surprise that I was absolutely overjoyed to receive a proof copy of Syal's memoir, which is available to buy NOW. Thank you so much Orion Books and W&N Books.
I was immediately transported through time when Syal recalled her upbringing, which so strongly mirrored my own. Syal's reflections on her childhood, societal perception of her first-generation immigrant parents and her critique of notorious Asian aunties resonated deeply with me.
As Syal moved through her teenage years and early twenties, I was struck by Syal's unwavering determination and the sheer grit and gumption required to establish and progress in the creative industry. Syal’s love and respect for theatre shines through this memoir and it is apparent how such a stage helped to hone her creative talents. It was of course a treat to learn of the creation of GGM. I revisited the show only this week, and marvelled at the pilot once I discovered the limitations that were placed upon its creation.
Vulnerability is an essential ingredient for any memoir, and Syal demonstrates generosity and strength in sharing difficult and traumatic moments from her life, whilst also reflecting on the pillars of support she discovered following such experiences. Grief walks hand in hand with love and Syal’s memories of her parents and in particular, her grandmothers, brought tears to my eyes - I too remember those beautiful and comforting brown hands.
Syal's memoir is infused with humour, eloquence and tender observations. Reading it felt like a comforting and warm hug from the ultimate Vigilauntie.
Meera Syal is one of Britain’s best loved actors, writers, comedy legends. Whether it's Goodness Gracious Me, The Kumars, Bhaji On The Beach or The Split on TV; her novels (Anita and Me; Life Isn't All Ha ha Hee Hee; The House of Hidden Mothers); or seeing her live on stage in Stratford playing Beatrice in Much Ado About Nothing in the RSC's 2012 British-Asian production transposed to modern-day, postcolonial Delhi, I've always loved her work, so I was thrilled to be sent a proof of her memoir, Vigilauntie by Orion.
In it, Meera Syal shares stories about the many different parts of her life: growing up as the only brown girl in Essington, her Midlands home town; her grandfather’s attempts to arrange her marriage; her working life as an actor and writer; motherhood; divorce; attitudes towards women, and especially South Asian women, which she has encountered in spades.
Vigilauntie is also the story of her parents: how the partition of India in 1947 affected and displaced their families, and how this has reverberated and induced intergenerational trauma; their move to England, and their reception here.
And thirdly, this memoir is an homage to all the aunties that Meera grew up around. The women who drove her mad as a child with their unsolicited opinions, thoughts and pronouncements, but, as she grew older and dealt with everything life threw at her, she gained a real insight and understanding about their realities and challenges, appreciating and valuing them more, and yes, growing to admire them.
It isn't a linear, chronological memoir. Instead it's made up of themed chapters which are headed with chance remarks that reflect the course of her life – everything from ‘don’t sit with your legs apart!’ (the despairing cry of Meera’s aunties) to ‘an Asian comedy show? Are Asians funny?’ (the depressing response to the idea that would become Goodness Gracious Me).
It's funny, moving, poignant, heartbreaking, and revealing by turns. There's a genuine warmth, honesty, openness and frankness to it, and it has real heart. It's touching, compelling, insightful and a joy to read. I absolutely loved it.
This book jumped around a lot so felt like a collection of essays rather than a memoir. That said, I love Meera Syal so it was no surprise I loved this too.
In this audio book, Meera Syal delivers her origin story with the trademark humour and relatability she is famous for. And the book is so much better for having it read in her voice.
As a whole, the audiobook is replete with anecdotes that are as hilarious as they are sometimes touching. Set a side a little time and don't be surprised if you end up listening to it almost at one go!
If you have enjoyed her work before (and even if you haven't), this one is worth checking out
I received a free copy of this book from Netgalley in exchange for an honest review
BAFTA award-winning actor Meera Syal's parents came to England in 1960 after their families lost money following Partition. This memoir follows the family's attempts to integrate into British life, as well as Meera's career.
Told with warmth and gentle humour, and just a little frustration, I enjoyed delving into Syal's life and learning a little more about Partition.
This book gave me a lot to think about - it made me laugh out loud and made me cry. Any book that can make you laugh AND make you cry is worthy of five stars - or more if you could ❤️
Thank you to Orion Audio | W&N, the author and NetGalley for an LRC in return for an honest review.
I have long admired Meera Syal, both as an actor and as a woman who has achieved so much while navigating the challenges and barriers that come with being a British Asian woman in the entertainment industry. Her television show Goodness Gracious Me! was a staple of my twenties. Who could ever forget the iconic ‘Going for an English’ sketch? It remains one of those comedy moments that has firmly secured its place in British popular culture.
Vigilauntie was an illuminating read, offering a fascinating insight into Syal’s life, career and experiences. In 2012, she became the first South East Asian woman in the UK to play Beatrice in an RSC production of Much Ado About Nothing in Stratford-upon-Avon. Earlier this year, she became the first Asian woman to receive a Damehood. These are remarkable milestones and her reflections offer a glimpse into the determination, talent and perseverance behind such achievements.
I am a great admirer of memoirs, particularly when they are narrated by the authors themselves. There is something so special about hearing someone tell their own story, with all the nuances, humour and emotion that only they can bring to it. Vigilauntie certainly did not disappoint on that front. Packed with anecdotes, observations and personal reflections, it offers plenty for the discerning reader to enjoy, while giving us a deeper appreciation of the woman behind the performances.
Having enjoyed this glimpse into Syal’s world, I now feel compelled to go back to the beginning and immerse myself in her other books, starting with Anita and Me. I suspect there is plenty more to discover.
First off: excellent narrator, but obviously she would be! 10/10 for the narration.
The first half of this audiobook was so good that I was thinking about recommending it to my book club. I had never really thought about racism in the UK, what it's like to grow up Indian, the trials of not fully belonging to either culture. It also made sense why this book was called "vigil-auntie".
Until about the halfway mark, when it took a radical turn and became a long (very long) name-drop and self-promoting filmography.
Look, I picked up the memoir not even really knowing who Meera Syal is. I realized later that she was a familiar face and I've seen her in several things. I wanted to listen to the book because it had a good cover. I think most people who are looking into biographies and memoirs as their next read will not be in my camp; they're going to know something about the subject, and care about their accomplishments. I just... didn't. And there literally were long sections where she was just listing everybody she wanted to thank. Not interesting or fun to read.
I know Meera Syal from Yesterday, so it was nice to read more about her life and career. The first time I ever saw her was when she was accepting an honorary degree at Roehampton University while my mum was graduating.
The book funny and light, and I related to a lot of her experiences growing up as one of the only brown kids at school, particularly the grammar school pipeline and the lack of interest from boys for years to come.
It’s sad to see that no young actress is immune from sexual assault, regardless of their background or circumstances. I wasn’t particularly interested in the parts about her arranged marriage, but I enjoyed hearing about her acting career and her parent’s background. She seems to have done a lot of theatre and talks about how much she struggled along the way, although she also seemed to have a fairly continuous stream of work.
I like how she acknowledges a lot of Indian artists. Enjoyed listening to a book that isn’t incredibly heavy the whole way through.
I’ve been reading and watching Meera Syal’s works since the 90s when I first discovered it after moving to Singapore. Maybe I gravitated to her writing because the themes of being Indian in a foreign country, balancing assimilation while maintaining individuality, facing racial stereotypes were all inherently relatable. Or maybe it was her wicked sense of humor.
Goodness Gracious Me is still my go-to when I want to laugh out loud. I even shared the clips with my son when he was young and watching him laugh so hard validated my taste in comedy and the fact that good writing transcends generations.
When you already know enough about a celebrity and have been familiar with their works, a memoir can feel ‘meh’.
But Vigilauntie did not disappoint!
Written with equal amounts of honestly and humor, the book bought alive the struggles of an artist and an immigrant while still maintaining the author’s trademark comic sense.
Highly recommended for everyone, but more so if you’re a child of an immigrant.
Wat een geweldig boek. Ik ben een fan van Meera, heb een keer een masterclass van haar gehad en het is heel bijzonder om haar levensverhaal en dat van haar ouders op papier te zien. Waarom dit boek zo belangrijk voor mij is, is omdat Meera’s familie ook vanuit de kolonie naar het moederland kwam en door haar aanwezigheid het culturele landschap veranderde. Als biografie schrijver is Meera net zo scherp en komisch en onderzoekend als ze als maker van Goodness, Gracious Me was en waar ik dacht dat voor mij de parels van het boek zouden liggen in nerdy feitjes en achter de scherm inkijkjes in het creëren van haar geweldige oeuvre, zit de kracht van dit schitterende boek in de observaties van menselijkheid en de fases van een mensenleven
This entire review has been hidden because of spoilers.
Many years ago I read and loved both Anita and Me and also Life isn't all Ha ha hee hee, so was thrilled to be able to read Meera Syal's memoir and it didn't disappoint. As a white British woman, I realise I'm not the intended audience / readership of this story, however I did grow up being told I was the "black sheep of the family" (it's a long and sad story), and also my husband is a non-British immigrant, so in fact I could relate to many of the anecdotes told in this absolutely wonderful, heart-warming, moving and frequently hilarious book. She's an excellent writer. Brilliantly narrated by Syal herself, this is the kind of audiobook that I think everyone - regardless of race, gender, background, age - should read. Superb.
Meera Syal is the aunty every confused South Asian woman needs. This book was a warm, cozy kambal (blanket) from start to finish, and I highly recommend the audiobook version since it’s narrated by Meera herself.