This book was pure awesome. That should be the end of my review, but since I'm an unashamed blowhard, I'll probably go on a bit more.
Elizabeth Fitch/Abigail Lowery is a unique heroine. Planned and scripted from birth, right down to the selection of donor father, Elizabeth has had zero input in her activities, friends, or scholarship. She put up with that for 16 years but when her mother cancelled vacation when Elizabeth returned from her first year at Harvard (some of the planning panned out and Elizabeth is incredibly smart), she had had enough. Making an instant friend at the mall, and a couple of bang-up fake IDs, Liz and Julie go to an infamous club and are picked up by really, really bad men.
Most of the above is in the cover copy, so I was a little surprised that it took as long as it did to relate the events in the book. I expected it to be quick because the real story takes place twelve years later when she shows up as Abigail Lowery in Brickford. The reason it took so long turns out to be that this book borrows elements of the thriller genre in its story and that includes action, suspense, death, and blood. This is a good thing, I think, and ended up working very well. In short, the book kind of rips your heart out and that becomes essential in understanding Abigail, her capabilities and her insecurities.
Which is why I started off with a mild hate for Brooks when we first meet him. His casual abuse of position in thrusting himself into Abby's sphere pissed me off, not least because it could end up putting her life in danger. It didn't help that there's a kind of unthinking anti-gun bias at some of the root of his ruminations, even while the story itself makes it abundantly clear exactly why liberal gun laws are so very important in a free society. Fortunately, he backs off once he assures himself she isn't dangerous and the rest of their relationship flows naturally from his gregarious good nature and her innate curiosity and courage.
I ended up liking Brooks quite a lot, actually. He was exactly the guy Abby needed, both in her legal troubles and in her personal growth. His unconditional acceptance of her was exactly what she needed to set down roots and learn what it means to be family. Roberts' deft touch with personal/familial relationships made this a stand-out sub-theme of the book.
Part of my great amusement with the book is that Abby is a fantastic mixture of smart and naïve. Her incredible intelligence has brought her this far, but her situation is so precarious that real social contact with others has been very limited (after being artificially constrained by her domineering mother). This makes her a lot like Anya from the Buffy series, only with even more charm (no knock on Emma Caulfield. I thought her Anya incredibly charming. I'm just saying that Abby met and exceeded the high benchmark she set). Recalling specific scenes or lines is still bringing me a chuckle. It wasn’t really played for laughs (it permeates the character in a realistic way), but humor was definitely an entertaining element of the story.
As important to the story, Nora Roberts writes Abby's intelligence and capabilities exactly right for the Romance reader. As a huge computer nerd, myself, I may quibble about some of the throw-away details (okay, I do quibble with two of them), but Roberts created an excellent balance between specificity/believability, and boring detail. Roberts did enough research to get the approach and theory right without bogging down with irrelevancies.
In the end, this turned out to be my favorite Nora Roberts book so far. I don't know if it'll keep that title, but it's in a strong position and will be hard to beat.
A note about narration: The narrator for this book on Audible, Julia Whelan, was exactly right for Abby's character. Abby would have been easy to either under- or over-play and Julia did neither. Fantastic job, and one easily overlooked. The other characters were equally well-played, so I'm not trying to imply weaknesses elsewhere. Getting Abby right was key, however, so it was good to see her get the voice actress she needed.
A note about Steamy: This is a Nora Roberts standard—a few explicit scenes and various romantic allusions. Since this book is so much longer than most of hers I've been reading lately (16 hours 18 minutes), that actually averages out much lower than normal. This is neither a good nor bad thing. Indeed, it fit the story very well, I thought.