One word review : Overkill!
There's a excellent little romantic gem of a story hidden somewhere in the text of Nina George's bestseller. After all, the sales tell their own story and are proof that most of the readers were able to see past the wooden dialogue and the saccharine sentimentality into the true heart of the story, about coping with loss of innocence, aging, death, starting your life over. There's also a lot to be said about the power of books to inspire and renew a reader's interest in living, his belief in love in particular. The author may have 'borrowed' the idea of the books as medicine for the soul ( I thinks she gives credit to German author Erich Kastner for the theme of the floating library peniche), but she deserves recognition for turning this basic principle into a wild, fanciful journey from the quais of the Seine through the navigable canals of Central France, all the way down to sunny Provence and the beaches of the Cote d'Azur.
Our guide, or pharmacist, is Jean Perdu, a 50 year old man who has built an impregnable armour around his heart after losing the love of his life some twenty years ago. He is now dispensing literary advice / recommendations from his barge Lola "a boat with a low-slung belly, a galley, two sleeping berths, a bathroom and eight thousand books. It's a world apart from our world."
To cut a long story short, Jean Perdu is shaken out of his apathy by a letter from his former lover Manon, a letter that has remained locked for two decades yet still has the power to send him on a quest of his lost youth. Jean takes his barge, his books, his two stray cats and an unexpected stowaway in the person of Max, a succesful young author struggling with writer's block, on a trip to the south of France. Additional themes deal with the syymbolism of the tango, with writers hiding under a pseudonym, with fellow travellers searching for lost loves (an Italian handyman), and food as an expression of love. Flashbacks to the past come in the form of journal entries from Manon, the one who got away two decades ago.
I am usually a sucker for this kind of story (see the end of my review for some examples), plus I love Paris and the Provence where I spent many a memorable vacation. So what went wrong with the story of Jean Perdu? It might be the case of an unfortunate translation, but right from the start I was bothered by Jean's speech patterns, by his sermonizing on the subject of books and love and by the frequency of quotable maxims that seem handpicked from the relationship column of a fashion magazine and shoehorned into the text whether they fit or not the action. The secondary characters are no better when it comes to bashing the reader with a metaphoric sledgehammer on the importance of getting in touch with your emotions. I'm not hard to please when it comes to romance, but I also believe a little moderation goes a long way to make a character come alive. Jean and his companions never let me forget for a moment that I am here to listen to their sermons. A quick internet research proved me true, as Nina George has made quite a name for herself by writing articles and advice columns for Cosmopolitan and its like, and by writing several popular books on modern sexuality under a pseudonym.
An early example of what I am talking about is the whole concept of transperception, a made-up term for explaining Jean Perdu's success rate with his book recommendations. Apparently, he is able to read the personality and the inner life of a customer just by looking at him or her and asking a few flash quizzes about his or her likes and dislikes. I know most romance novels are the modern equivalent of classic fairytales, but not everything is improved by a touch of the supernatural.
Two more examples illustrate what I mean about either a poor translation or a poor understanding of metaphor. In describing the people of Provence, Manon goes like this:
They are woody and malleable, stony and strong, they speak from deep within their strata and boil over as fast as a pan of water on the stove.
I wanted to shout : Please pick one or the other, but not both at the same time - either strong or flexible, either deep or shallow. And did you actually counted the minutes it takes to bring water to a boil? It's not that quick ...
.. and, in describing her loving two men at the same time, Manon goes like this:
So three-sided spheres do exist.
Uhmmm .. no they don't! At the most you can argue for two sides : the inner and the outer surface, but a sphere by definition has no corners, triangles or any other angles. The Platonic myth was not about threesomes.
I sould stop with my grumbling : after all, it's all subjective, and I would hate to keep any potential reader away from a book that might change his or her life. My own experience was more like facepalms, groaning and looking every five minutes or so to see how many pages I have left in the chapter or how many pages left until I can reach the end. I am a compulsive finisher of all the books I start, and an incurrable optimist, so I hated the idea of giving up on Jean Perdu too soon. It's also true that I liked many of the basic principles presented here (how we deal with loss, how important are music, food, friendship, dancing, reading to the process of healing). I honestly believe this could have been a great book in the hands of a more subtle writer, one less focused on scoring high on 'bon-mots' and more interested in credible characters. As a peace offering, I have two 'bon-mots' that I really liked:
Nobody would ever wise up if they hadn't at some stage been young and stupid.
and,
... "you've got to read this, it'll do you good" - a reminder that the greatest thrill at discovering a gret story is to share it with your friends and lovers. There's a couple of nice Easter Eggs at the end of the book, also for sharing with friends: some Provencal recipes for a good meal, and 'Jean Perdu's emergency literary pharmacy list' of novels that are good for your soul. I think it would be fun for each of us to try to put together such a list of the stories that shaped our life in a significant way. Some of the titles may even overlap with those of Jean Perdu. On the plus side of the balance I could also include a few travel tips like Sanary-sur-Mer, Vaucluse or Cuisery and music playlists that include "the Benny Goodman Sextet's cheerful "Bei Mir Bist du Schoen", dreamy "Cape Cod" and then Louis Armstrong's melancholy "We Have All the Time in the World"
I have one snarky conclusion (Jean Perdu will probably win my end of the year award of "Most Tears Per Paragraph shed by a single character") and a short list of literary medicine that I recommend as companions in spirit to "The Little Paris Bookshop" . They all deal in some way with the subject of the grumpy old man who secretly loves life and books and carries a torch for a long lost love:
- Nicole Krauss - The History of Love
- Gabrielle Zevin - The Storied Life of A J Fikry
- Fredrik Backman - A Man Called Ove
- Muriel Barbery - The Elegance of the Hedgehog (she is on Jean Perdu's list also)
- G B Edwards - The Book of Ebenezer le Page (warning - doorstopper and only partly dealing with romance or reading)