One of the most forward-thinking art dealers of all time, Paul Durand-Ruel (1831–1922) played a crucial role in the rise of French Impressionism. This book explores how Durand-Ruel discovered, exhibited, and shaped an audience for Impressionist paintings at a time when they were not yet appreciated.
Durand-Ruel first encountered key Impressionist painters in the early 1870s and guided many of their careers for decades. A passionate advocate of the Impressionists, he established personal ties with these artists and developed new markets for them by opening branches of his Paris gallery in London, Brussels, and New York. Featuring essays by leading scholars, this handsome volume provides a biography of the man and the trajectory of his career. It also examines his relationships with artists and buyers and his groundbreaking business practices, such as embracing the idea of the solo show, publishing art reviews, and paying artists stipends—often at great financial risk and personal cost to himself. Illustrated with archival documents, historic photographs, and paintings by artists such as Edgar Degas, Edouard Manet, Claude Monet, and Pierre-Auguste Renoir, among others, this major contribution to the study of art and commerce transforms our understanding of the development of Impressionism.
This book chronicles the MOST amazing art exhibit I have ever seen! National Gallery London. Coming to Philadelphia this summer and I am going again! Do not miss! This is the perfect companion to enjoy time after time after time!!
This is a book that was published for an exhibition (I assume a series of exhibitions in different cities) and it contains essays by various writers on the subject. There are many excellent books about impressionism, but few with this particular slant. So this is worth reading.
Durand-Ruel was an art dealer in Paris, and was a major backer of the Impressionist painters from the beginning. He not only sold their works, he also provided stipends for some of artists. He was a friend along with being a dealer. Anyone who is familiar with art, will be familiar with Impressionism, but most of us will only be familar Paul Durand-Ruel's name and not much else. The essays are written in academic style that can be off putting but the book is worthy of being read.