Four speculative stories of disasters, dystopias and destroyed civilisations
John Christopher is probably best known for his seminal science ficion novel The Death of Grass and his ‘Tripods’ trilogy for young adults, which was adapted for BBC TV and became a cult classic. Alongside John Wyndham, he was one of the foremost exponents of ‘disaster fiction’, and these four fantastic productions all centre around post-apocalyptic themes – from deadly diseases and parasitic aliens to environmental catastrophe and ruined earths...
Empty World – When teenager Neil is orphaned in a car crash, he is left reeling. But worse is to come, for shortly after, humanity is devastated by a worlwide pandemic. Initially, the ‘Calcutta Plague’ kills only the elderly, but as a more virulent strain emerges, it starts to claim younger victims – including children. Soon, Neil finds himself navigating a deserted, dangerous world, where the few remaining survivors will do anything to stay alive. John Hollis is the narrator, with Richard Drabble as Neil, in this gripping tale set in 1970s England.
The Possessors – Following an avalanche, the inhabitants of a Swiss chalet find themselves cut off from the nearby village. They have no electricity and no phone – but they have oil lamps, a solid fuel cooker and plenty of provisions, so the situation doesn’t seem too dire. Yet deep beneath the snow, an alien spore is stirring. Hywel Bennett reads this chilling story of extraterrestrial possession.
The World in Winter – A dramatic fall in the amount of solar radiation reaching the Earth's atmosphere leads to a new Ice Age. Joining a flood of European refugees, journalist Jack Leedon seeks sanctuary in but is soon desperate to return to the frozen wasteland of his former home... Starring Jack Watling, Dennis Alaba Peters, Glyn Houston, Rosalind Shanks and Margaret Robertson.
The New Wine – Autumn 2029, and lovers Ellen and Harl are meeting for the last time. Harl is about to embark on an interstellar voyage that to him will last eight years, but which will span a century back on Earth. Ellen, meanwhile, is poised to launch ‘Project X’, which will transform the next generation of humans into telepaths. One hundred years later, Harl’s crew step out of the ship to find a world irrevocably changed… Christopher Bidmead reads John Christopher’s unsettling short story exploring the perils of scientific hubris.
Cast and credits
Empty World John Hollis, Richard Drabble, Philip Davis, Tanya Ronder, Elizabeth Lindsay, Sandra Clark, Lee Galpin, Denys Hawthorne, Vicky Ireland, John Talbot and Henry Stamper
Adapted by Kara May Produced by Peter Fozzard
First broadcast BBC Radio 4, 23 Jan-6 Feb 1986
The Possessors Read by Hywel Bennett Adapted by Brian Gear Produced by Pamela Howe
First broadcast BBC Radio 4, 4 Apr-20 Jun 1987
The World in Winter Haydn Jones, Jack Watling, Dennis Alaba Peters, Glyn Houston, Margaret Robertson, Rosalind Shanks, Ian Thompson, Christopher Bidmead, Lionel Ngkane, Lockwood West, Peter Williams, Jumoke Debayo, Alexander John and Frank Cousins
Adapted by Jon Rollason from the novel by John Christopher Produced by Keith Williams
First broadcast BBC Radio 4, 25 Mar 1968
The New Wine Read by Christopher Bidmead Abridged by Ronald Russell
First broadcast BBC Home Service, 19 May 1967
(P) 2026 BBC Studios Distribution Ltd. 2026 BBC Studios Distribution Ltd
John Christopher was one of the pen names used by Sam Youd.
Sam Youd was born in Huyton, Lancashire in April 1922, during an unseasonable snowstorm.
As a boy, he was devoted to the newly emergent genre of science-fiction: ‘In the early thirties,’ he later wrote, ‘we knew just enough about the solar system for its possibilities to be a magnet to the imagination.’
Over the following decades, his imagination flowed from science-fiction into general novels, cricket novels, medical novels, gothic romances, detective thrillers, light comedies … In all he published fifty-six novels and a myriad of short stories, under his own name as well as eight different pen-names.
He is perhaps best known as John Christopher, author of the seminal work of speculative fiction, The Death of Grass (today available as a Penguin Classic), and a stream of novels in the genre he pioneered, young adult dystopian fiction, beginning with The Tripods Trilogy.
‘I read somewhere,’ Sam once said, ‘that I have been cited as the greatest serial killer in fictional history, having destroyed civilisation in so many different ways – through famine, freezing, earthquakes, feral youth combined with religious fanaticism, and progeria.’
In an interview towards the end of his life, conversation turned to a recent spate of novels set on Mars and a possible setting for a John Christopher story: strand a group of people in a remote Martian enclave and see what happens.
The Mars aspect, he felt, was irrelevant. ‘What happens between the people,’ he said, ‘that’s the thing I’m interested in.’