David J. Schow is an American author of horror novels, short stories, and screenplays, associated with the "splatterpunk" movement of the late '80s and early '90s. Most recently he has moved into the crime genre.
Mort Castle’s adaptation of David J. Schow’s screenplay is a refreshing experience that goes beyond merely transcribing the 1990 film Leatherface: Texas Chainsaw Massacre III. With its sharp writing, painted artwork, and inventive layouts, this comic elevates the source material, creating an experience that feels richer and truer to Tobe Hooper's original Texas Chainsaw Massacre films than the onscreen version.
The prose in the caption boxes is particularly well-crafted, immersing readers in a textured, almost literary atmosphere rarely found in horror comics. The layout choices make the reading experience dynamic and tense, giving each page a sense of movement rather than simply replicating scenes from the film. This approach transforms Leatherface #2 into a genuine comic book experience in its own right.
One of the most satisfying aspects is how the comic reconnects to the spirit of the original films. Leatherface himself recalls Hooper’s portrayal—a strange, childlike man rather than a mindless brute. Tink’s dialogue carries the same darkly humorous tone Bill Moseley brought to Chop Top, while Ryan’s sarcastic wit adds extra bite to the story. Perhaps most notable is Ben, whose intense, unhinged survivalist personality gives off a Punisher-esque vibe—far more fitting for someone enduring the horrors of the Sawyer family than the somewhat toned-down version in the film.
The highlight, however, is the narration exploring Leatherface’s internal world. Schow’s handling of his thoughts borders on xenofiction, reminiscent of Daniel P. Mannix’s nuanced portrayals of animal perspectives. By granting us glimpses into Leatherface's fragmented, disturbed mind, the comic adds depth and even a touch of tragic complexity to his character.
Leatherface #2 is a must-read for fans of the first two Texas Chainsaw Massacre films. It’s darkly humorous, intricately crafted, and honors the spirit of Hooper’s creations while adding fresh, compelling layers. It’s a shame the additional Texas Chainsaw Massacre projects teased in the series’ editorials and ads were never realized—this issue proves just how much potential the franchise had in print form. Highly recommended for horror fans seeking a unique blend of atmosphere, character insight, and visual innovation.