I devoured this book in little more than two days. The author wove together a unique fantasy tale of secrets and intrigue, magic and power, Faie and tree-humans, and much more.
I love the synopsis; it was modestly, quietly intriguing, if you know what I mean. From the moment I read the prophecy in quotes, the book gave me Robin McKinley vibes (ahem, Chalice). In Tree of Ages (like in Chalice), the power of the earth has its place, sometimes breaking out in characters, and that comes out in the book description.
Roethle placed quite the intriguing cast of characters on her stage. We have Finn, our protagonist, who was once a tree and is now seeking answers about her past, hoping they will lead to her future. We have Àed, a kind yet gruff man able to see things only the wise can. There’s Iseult, his mysterious background piquing my curiosity while his seeming tenderness has me trusting him. There’s Kai, a flirtatious young man with a past of betrayal, and Liaden, a secretive, sometimes sniffy young woman. We have Branwen and Anders, twins with a dangerous innocence. And last, but certainly not least, are the numerous kinds of Faie. All of these characters are much more than they seem to be, and they band together to create an interesting plot.
Roethle’s writing, while good, is not extraordinary, and there are several instances where the book could have used more editing for better flow. For example, in chapter 8, “Almost immediately after Branwen retired, Àed and Anders excused themselves shortly thereafter.” The author also often uses the word “of” where it isn’t necessary. However, none of those errors threatened to stop the show, and she had me laughing in several places.
The world building was fascinating, and the many versions of Faie in particular sparked my interest. While with their own unique characteristics, they are much like other fae in the ugliness of their culture—not a detailed ugly, but readers get the picture. I was also able to connect the dots between seemingly Irish names and words, and I enjoyed the base of Celtic mythology.
The story is not dark, and it has no gore (although it has its fair share of violence) or spice, or even swearing. Sara Roethle’s plot has a lot of nuance, and certain of her twists and turns left me quite mad at her… yet unable to put the book down nonetheless. I enjoyed following the storyline and learning more about each character’s personality and motives. However, despite all this, the story somehow did not feel safe, and I’m not sure I want to continue the series.