What do you think?
Rate this book
Dorian: A Peculiar Edition with Annotated Text & Scholarship
DORIAN TRENT is a young man with a head full of conflicting ideas. His mentor thinks Dorian will uncover the ultimate resolution between science and religion, but who will resolve his own confusion when it comes to Mildred and Carlia?
Dorian is the final work of Norwegian-American Mormon author Nephi Anderson, a mature masterpiece that has garnered favorable comparisons to the works of Jane Austen, Thomas Hardy, D.H. Lawrence, and, Dorian’s favorite, Charles Dickens.
This Peculiar Edition combines the original 1921 novel with excerpts from Anderson’s original typescript, fresh critical analysis of the novel, new notes on the text for the modern reader, and much more.
Celebrate this valedictory accomplishment of one of America’s great lost novelists—and the grandfather of Mormon literature—by joining Dorian on his journey through philosophy, theology, romance, pain, struggle—and just the right amount of resolution.
Dorian: A Peculiar Edition
Whether returning to Anderson or meeting him for the first time, this Peculiar Edition is a journey into new levels of artistry and complexity—as well as a great yarn for a fireside read.
Dorian is the final work of Norwegian-American Mormon author Nephi Anderson, a mature masterpiece that has garnered favorable comparisons to the works of Jane Austen, Thomas Hardy, D.H. Lawrence, and, Dorian’s favorite, Charles Dickens.
This Peculiar Edition combines the original 1921 novel with excerpts from Anderson’s original typescript, fresh critical analysis of the novel, new notes on the text for the modern reader, and much more.
Celebrate this valedictory accomplishment of one of America’s great lost novelists—and the grandfather of Mormon literature—by joining Dorian on his journey through philosophy, theology, romance, pain, struggle—and just the right amount of resolution.
Dorian: A Peculiar Edition
Whether returning to Anderson or meeting him for the first time, this Peculiar Edition is a journey into new levels of artistry and complexity—as well as a great yarn for a fireside read.
350 pages, Hardcover
First published January 1, 1921
1 person is currently reading
19 people want to read
About the author
Nephi Anderson
98 books8 followersNorwegian-born American author of Mormon literature.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 8 of 8 reviews
February 22, 2015
I've been reading a lot of Mormon Literature lately. Just in the past few months I have finished Doug Thayer's The Tree House, Todd Robert Petersen's Rift, Nephi Anderson's Added Upon, and now, his Dorian. I plan to make my way through the curriculum for a 15-week course on the Mormon novel, as suggested by Scott Hales at A Motley Vision. (I've expanded it to 17 weeks to capture a couple more recent works, but let's be honest here, I'm not completing the required reading in a matter of weeks. Too slow.) As a writer of Mormon-themed fiction, I have a vested interest in learning what has been done before in Mormon letters. Accordingly, I want to pay my respects to past and current Mormon writers by reading their works (at least the major ones), so that I know upon whose shoulders I stand in this endeavor. The writer holding up the lot of us is Nephi Anderson, despite his faults. Mormon Literature begins with him. But this post is less a homage to Anderson's virtues as a writer as much as it is a recommendation to read his last novel, Dorian, published in 1921, two years before his death. (If you are interested in an excellent summary of Anderson's work, in general, then read Scott Hales's post about it here.)
Dorian is the coming-of-age story of Dorian Trent, a young Mormon man growing up in a rural Utah town during the early twentieth century, when industrialization was reaching the countryside, the automobile was just becoming more popular, and the "motion picture show" was the new attraction in the city. Dorian learns about love, life, and the role his religion may play as a complement to his life's goal of acquiring worldly scientific knowledge. He wants to become the scientist who is able, at last, to reconcile science and religion. Although Anderson only hints at the way to do this through the conversational musings of Dorian's Uncle Zed, an autodidact and country sage, that Anderson puts forth the hope of such harmony against the backdrop of Charles Darwin's ideas about evolution becoming more widely known and accepted, not to mention the other scientific developments during this period, is remarkable considering that the same tension exists between religion and science today, nearly a hundred years later. (But Dorian's faith and spirit lives on. Mormon writer and biologist, Steven L. Peck, may, in fact, be channeling him.)
But the novel is not all about harmonizing religion and science; rather, the main story line tracks Dorian's growth as a young man who learns to get outside himself and recognize his soul mate. He learns to love and to forgive. His greatest fault is his being oblivious to the intentions of the two women who love him most. He only just becomes aware of his feelings for the first, Mildred, when she falls ill and dies. He mourns her for a period before he realizes he loves Carlia, too, but his irregular visits to her house sends the unfortunate message that he does not care for her as much as she thought. She then becomes involved with the dishonorable Mr. Lamont who drives an automobile, smokes, and swears (Stereotypical bad boy?). Their relationship leads her to become estranged from her parents, her community, and Dorian. She even runs away, but not with Mr. Lamont, for she begins to fear him at some point. Dorian sets out to find her and bring her back into their lives. (I'm intentionally being somewhat vague, as I don't want to spoil everything.)
To understand better what Nephi Anderson accomplishes with Dorian, I'm going to compare my experience of it to that of reading his first novel, Added Upon. That novel is perhaps Anderson's most popular work, but I don't count it his best. The scope of pre-mortal, mortal, and post-mortal existence is too grand for a novel of a hundred pages or so. The characters are not developed fully, besides having different names in each estate, and the structure of the work is like the skipping of a stone across a pond, jumps and ripples. It's difficult to tell whether this was intentional or simply amateurish. Maybe it was intentional in some way. Anderson may have been emphasizing the key moments in each of his main character's lives that directly relate to their eternal reward. I applaud Anderson for trying. It's ambitious, and maybe if he'd given himself a broader canvas (more pages), it might have been a more satisfying read. Ah, well, it's worth a look. ("Fail again, fail better," says Samuel Beckett.)
With Dorian, though, Anderson foreshadows the Faithful Realism of Doug Thayer and others. Mormonism is in the background more than in his earlier works, and certainly more than in Added Upon. Passages that you might call didactic or proselytizing are craftily placed in conversations between Dorian and Uncle Zed. Otherwise, Anderson is tracing the lives of characters who just happen to be Mormon. Dorian is structured well, too. Dorian's saving Carlia physically from the canal at the beginning of the novel foreshadows his saving her spiritually at the end. Even Mr. Lamont's death in a rushing river, his washing away, seems to hint at Carlia's "sin" being swept away. Each chapter builds upon the next with few leaps of logic and circumstance. Dorian is drawn well as a character who changes by overcoming his shyness and obliviousness, but who is heroic in his capacity to serve others and to forgive. He is intelligent, hard working, righteous, practical, and open to learning. Uncle Zed is that model scriptorian in every ward who seems to know everything about the Gospel. His conversations with Dorian and others cover Science and Religion, God, sin, death, and service ("The higher must reach down and bring up the lower."). One of my favorite quotes comes from Mrs. Trent, Dorian's mother, when Uncle Zed is waxing eloquent about God and asks the guests assembled what they thought of his arguments. She says, "Please pass the pickles." There is intertextuality, too, in this work. Uncle Zed and Dorian obsess over Henry Drummond's Natural Law in the Spiritual World, which turns out to be a real, published work. Dorian and Uncle Zed also take on questions like "Why are there classes among members of our Church?" (There isn't, or isn't supposed to be.) "Why does the world have so much learning and yet can never seem to get at the ultimate truth?" Finally, this is the earliest work of Mormon literature I know of that presents a young man who hangs a poster of a woman he likes on his bedroom wall. In this case, Lorna Doone, who is evidently a main character in a romance novel by R. D. Blackmore. Since two suitors fight over her, I wonder if it's not an early reference in Dorian to Dorian's and Mr. Lamont's contest over Carlia?
There is much to like in Dorian, but I gave it four stars because Anderson's writing style just doesn't reach the heights of other literary authors who were his contemporaries. It just doesn't compare. His prose is simple and straightforward, having few rhetorical flourishes. It has nothing on that of Henry James, say, or even Mark Twain. But no matter, for Mormon Literature, if he's not our touchstone, he's our cornerstone, and Mormon letters have only gotten better since.
Dorian is the coming-of-age story of Dorian Trent, a young Mormon man growing up in a rural Utah town during the early twentieth century, when industrialization was reaching the countryside, the automobile was just becoming more popular, and the "motion picture show" was the new attraction in the city. Dorian learns about love, life, and the role his religion may play as a complement to his life's goal of acquiring worldly scientific knowledge. He wants to become the scientist who is able, at last, to reconcile science and religion. Although Anderson only hints at the way to do this through the conversational musings of Dorian's Uncle Zed, an autodidact and country sage, that Anderson puts forth the hope of such harmony against the backdrop of Charles Darwin's ideas about evolution becoming more widely known and accepted, not to mention the other scientific developments during this period, is remarkable considering that the same tension exists between religion and science today, nearly a hundred years later. (But Dorian's faith and spirit lives on. Mormon writer and biologist, Steven L. Peck, may, in fact, be channeling him.)
But the novel is not all about harmonizing religion and science; rather, the main story line tracks Dorian's growth as a young man who learns to get outside himself and recognize his soul mate. He learns to love and to forgive. His greatest fault is his being oblivious to the intentions of the two women who love him most. He only just becomes aware of his feelings for the first, Mildred, when she falls ill and dies. He mourns her for a period before he realizes he loves Carlia, too, but his irregular visits to her house sends the unfortunate message that he does not care for her as much as she thought. She then becomes involved with the dishonorable Mr. Lamont who drives an automobile, smokes, and swears (Stereotypical bad boy?). Their relationship leads her to become estranged from her parents, her community, and Dorian. She even runs away, but not with Mr. Lamont, for she begins to fear him at some point. Dorian sets out to find her and bring her back into their lives. (I'm intentionally being somewhat vague, as I don't want to spoil everything.)
To understand better what Nephi Anderson accomplishes with Dorian, I'm going to compare my experience of it to that of reading his first novel, Added Upon. That novel is perhaps Anderson's most popular work, but I don't count it his best. The scope of pre-mortal, mortal, and post-mortal existence is too grand for a novel of a hundred pages or so. The characters are not developed fully, besides having different names in each estate, and the structure of the work is like the skipping of a stone across a pond, jumps and ripples. It's difficult to tell whether this was intentional or simply amateurish. Maybe it was intentional in some way. Anderson may have been emphasizing the key moments in each of his main character's lives that directly relate to their eternal reward. I applaud Anderson for trying. It's ambitious, and maybe if he'd given himself a broader canvas (more pages), it might have been a more satisfying read. Ah, well, it's worth a look. ("Fail again, fail better," says Samuel Beckett.)
With Dorian, though, Anderson foreshadows the Faithful Realism of Doug Thayer and others. Mormonism is in the background more than in his earlier works, and certainly more than in Added Upon. Passages that you might call didactic or proselytizing are craftily placed in conversations between Dorian and Uncle Zed. Otherwise, Anderson is tracing the lives of characters who just happen to be Mormon. Dorian is structured well, too. Dorian's saving Carlia physically from the canal at the beginning of the novel foreshadows his saving her spiritually at the end. Even Mr. Lamont's death in a rushing river, his washing away, seems to hint at Carlia's "sin" being swept away. Each chapter builds upon the next with few leaps of logic and circumstance. Dorian is drawn well as a character who changes by overcoming his shyness and obliviousness, but who is heroic in his capacity to serve others and to forgive. He is intelligent, hard working, righteous, practical, and open to learning. Uncle Zed is that model scriptorian in every ward who seems to know everything about the Gospel. His conversations with Dorian and others cover Science and Religion, God, sin, death, and service ("The higher must reach down and bring up the lower."). One of my favorite quotes comes from Mrs. Trent, Dorian's mother, when Uncle Zed is waxing eloquent about God and asks the guests assembled what they thought of his arguments. She says, "Please pass the pickles." There is intertextuality, too, in this work. Uncle Zed and Dorian obsess over Henry Drummond's Natural Law in the Spiritual World, which turns out to be a real, published work. Dorian and Uncle Zed also take on questions like "Why are there classes among members of our Church?" (There isn't, or isn't supposed to be.) "Why does the world have so much learning and yet can never seem to get at the ultimate truth?" Finally, this is the earliest work of Mormon literature I know of that presents a young man who hangs a poster of a woman he likes on his bedroom wall. In this case, Lorna Doone, who is evidently a main character in a romance novel by R. D. Blackmore. Since two suitors fight over her, I wonder if it's not an early reference in Dorian to Dorian's and Mr. Lamont's contest over Carlia?
There is much to like in Dorian, but I gave it four stars because Anderson's writing style just doesn't reach the heights of other literary authors who were his contemporaries. It just doesn't compare. His prose is simple and straightforward, having few rhetorical flourishes. It has nothing on that of Henry James, say, or even Mark Twain. But no matter, for Mormon Literature, if he's not our touchstone, he's our cornerstone, and Mormon letters have only gotten better since.
February 3, 2012
I probably liked it more than most people, as it was written by my great-grandfather. But I really did enjoy the writing. It took me a little while to get into it, but then I couldn't put it down. It's fun to read older "Mormon fiction," kind of a fun glimpse into the past.
March 20, 2014
Anderson's best novel. Still has "teaching" moments, but Dorian's and Carlia's love story is tender with out being sentimental.
January 6, 2019
Despite a nearly fatal flaw in the story that's there because in that time and place everybody seemed to think things that all enlightened people no longer think (sorry that's so vague, but to explain would be a major spoiler), I liked this book. Mentally rewriting two or three sentences made it work just fine! It does have a character who is addicted to lecturing, and through him the author gets to present his usual didactic views, but for this author, it's a given and in this case it actually doesn't bog down the story very much. The hero can be maddeningly slow to understand, and the heroine can be irritatingly uncommunicative and even waspish, but they are both appealing people with their flaws and all.
June 4, 2017
Dorian was written in 1921 by the LDS author of Added Upon. Added Upon weaves spiritual and religious themes so well throughout the story, but in Dorian those themes come across as a bit preachy and like the author is trying too hard. Besides Uncle Zed's overly long words of wisdom though the story is actually quite good, and I was happy to see Dorian mature towards the end of the book because sometimes I just wanted to slap him. :) He is 16 when the story opens and follows him into his 20's. I loved all the book references and Dorian's love of reading.
March 23, 2022
Charming and refreshing
This book has been in my library for many, many years.I was pleased to find it available for download. Many of Nephi Andersons books AR now available. I loved all of his books fifty years ago and I am enjoying rereading them.
This book has been in my library for many, many years.I was pleased to find it available for download. Many of Nephi Andersons books AR now available. I loved all of his books fifty years ago and I am enjoying rereading them.
December 21, 2022
Interesting to catch a glimpse of Mormondom for the time period (1920s).
June 2, 2022
I loved it!
It’s old fashioned but I had a hard time putting it down, wondering how it would end! It has the best ending and I love the LDS tone!
It’s old fashioned but I had a hard time putting it down, wondering how it would end! It has the best ending and I love the LDS tone!
Displaying 1 - 8 of 8 reviews