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Der Tanz der Mörder

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Belgrad, 10. Juni 1903. Als der Hauptmann der königlich serbischen Armee Michael Wassilowitsch morgens um sechs mit dem Nachtzug aus Wien eintrifft, lastet bereits eine glühende Hitze über der alten zwischen Save und Donau gelegenen Festungsstadt. Am gleichen Morgen, zur gleichen Stunde beginnt eines der grausamsten und blutigsten Dramen in der Geschichte des serbischen Königshauses..."

400 pages, Paperback

First published January 1, 1973

24 people want to read

About the author

Maria Fagyas

8 books6 followers
Maria Fagyas (1905 - 1985) was a Hungarian-American playwright and author.

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Profile Image for lisa_emily.
365 reviews102 followers
September 24, 2011
I came across this book while on search for all things fin de siècle Vienna. This book did not fit the bill, I think I was looking for another book by this author; however, I enjoyed reading this book very much. I was surprised, I also was uncertain if the book was based on a real historical event and after reading 2/3 of it; I looked and found that it was. But it is an event that I highly suspect you may not know about: the Serbian May Overthrow of 1903. The end of the House of Obrenović in a coup d’état by the military to assassinate King Alexander and Queen Draga to place Karađorđević dynasty back on the throne. It’s a pretty complicated story, I could not do it justice here and it took Fagyas around 380 pages to do it. And how well she did. The book is structured with each chapter as an hour leading up to the coup- for almost 24hrs. It seems historically accurate (my fact-checking was with Wiki, not the best I admit) and so she does not seem to take liberties, although the main character Michael Vassilovich does seem to be fictional. And it is through him and his relationship to Draga and to former king Milan that we see and experience this historical shift in Serbia. The characters are humanely drawn without sentimentality or romanticism. The background is given in clear ways without bogging down the narrative. It was much more engaging and emotionally available than reading the account in a history text. The book gives the reader a way to enter a relatively unknown historical event- and even though it was published in ’73, it reads well today.
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