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The Mistral
THE MISTRAL IS DYING . . .
An ethereal current made of the two World Winds, the Mistral has long swept over the lands of Mycenia, binding the Octet Realms and bestowing 'Roots' - magical abilities to people destined to shape the future.
But as the Mistral falters and fear of all-out war consumes the realms, a peace delegation sets out from Terrius to the city of Lurella, in Eron.
At the delegation’s heart is Swan, daughter of an assassinated queen who holds the powerful and rare Root of Revelation. She must seek answers both to her mother’s murder and her own inability to master her powers.
Meanwhile, among the white stones of Lurella, new arrivals compete in the duelling arena, the Iron Circuit. Fenne, a feared fighter, comes to the attention of one city ruler – who sees in her an opportunity . . .
As the city prepares to host the Peace Pledge, Swan and Fenne catch glimpses of dark conspiracies – ones in which they may prove unwitting but expendable pawns.
The Mistral is the beginning of an epic new fantasy trilogy – a sweeping tale of high magic and political intrigue. Of dangerous powers and deadly ambition, of a world riven by the past as it seeks a bold new future.
An ethereal current made of the two World Winds, the Mistral has long swept over the lands of Mycenia, binding the Octet Realms and bestowing 'Roots' - magical abilities to people destined to shape the future.
But as the Mistral falters and fear of all-out war consumes the realms, a peace delegation sets out from Terrius to the city of Lurella, in Eron.
At the delegation’s heart is Swan, daughter of an assassinated queen who holds the powerful and rare Root of Revelation. She must seek answers both to her mother’s murder and her own inability to master her powers.
Meanwhile, among the white stones of Lurella, new arrivals compete in the duelling arena, the Iron Circuit. Fenne, a feared fighter, comes to the attention of one city ruler – who sees in her an opportunity . . .
As the city prepares to host the Peace Pledge, Swan and Fenne catch glimpses of dark conspiracies – ones in which they may prove unwitting but expendable pawns.
The Mistral is the beginning of an epic new fantasy trilogy – a sweeping tale of high magic and political intrigue. Of dangerous powers and deadly ambition, of a world riven by the past as it seeks a bold new future.
Hardcover
First published May 28, 2026
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Displaying 1 - 30 of 73 reviews
Review of advance copy received from Publisher
What has been the best fantasy release of 2026?
I have just finished one of the best fantasy books I’ve read in years, and I need you to read it too.
Thank you to Penguin Michael Joseph for sending an early copy of The Mistral in return for an honest review.
Felix Mosse lures you in with a sense of familiarity. Epic world-building, secret orders, warring factions, emerging kingdoms and also fragmented prophecies. But fear not, this does not just lean on the fantasy of years gone by. It introduces nuance and intrigue that grips you and refuses to let go. The longer I spent in this world, the more sorry I was to put it down.
I am a character driven reader, and this has an excellent cast of characters. Multi PoV, with a core of central perspectives and a few others that filter in now, each voice feels very different from the last. Within a paragraph or two I knew who I was with. That is a sign of great writing. I really enjoyed that we followed characters from different echelons of society, in very different moments of their lives, rather than just following those at the top of society. My personal favourite was Fenne, a warrior from the duelling circuit of Lurella (our main setting) who has limited time to assert her position in the capital city of Eron she has arrived at. It really felt like there was a ticking clock in the background, whilst her pragmatism made her naturally likeable whilst also supplying some great pieces of dialogue.
Lately there has been converse regarding if the fantasy genre is becoming saturated. New releases merely regurgitating what we have seen before. To those, I would say pick up The Mistral. Whilst Mosse plays with themes and beats we are familiar with in the fantasy genre, he weaved them in a manner that feels fresh and genuinely new.
You can feel the love that has gone into this world. It has a rich history, many different components, fleshed out factions, intricate politics and unique magic systems and hierarchies. But, Mosse also displays the discipline of an accomplished writer. Many debut overwhelm the reader with too much, and reveal too many secrets of the world early on. Mosse shares much, but he withholds a lot of keep the reader hooked throughout, and now I need book 2 to fill in the remaining puzzle pieces!
The Mistral does everything a book one of a fantasy series should. It lays excellent foundations that can be built upon later, but it does not neglect the pacing either. Felix Mosse’s strength is that he excels in drawing together the different elements of storytelling to highlight each other. Memorable character moments seep into world-building. Political intrigue blends into immersion. All are drawn together by smooth, engaging prose. I really could not point to a weakness in The Mistral.
If you could not tell, I had a great time with this. 2026 continues to be a year with more epic fantasy than I have seen for a long time, and the latest to join that trend is The Mistral. I really hope you pick it up and feel as refreshed as I did when you are dragged into its pages.
5/5 STARS
I have just finished one of the best fantasy books I’ve read in years, and I need you to read it too.
Thank you to Penguin Michael Joseph for sending an early copy of The Mistral in return for an honest review.
Felix Mosse lures you in with a sense of familiarity. Epic world-building, secret orders, warring factions, emerging kingdoms and also fragmented prophecies. But fear not, this does not just lean on the fantasy of years gone by. It introduces nuance and intrigue that grips you and refuses to let go. The longer I spent in this world, the more sorry I was to put it down.
I am a character driven reader, and this has an excellent cast of characters. Multi PoV, with a core of central perspectives and a few others that filter in now, each voice feels very different from the last. Within a paragraph or two I knew who I was with. That is a sign of great writing. I really enjoyed that we followed characters from different echelons of society, in very different moments of their lives, rather than just following those at the top of society. My personal favourite was Fenne, a warrior from the duelling circuit of Lurella (our main setting) who has limited time to assert her position in the capital city of Eron she has arrived at. It really felt like there was a ticking clock in the background, whilst her pragmatism made her naturally likeable whilst also supplying some great pieces of dialogue.
Lately there has been converse regarding if the fantasy genre is becoming saturated. New releases merely regurgitating what we have seen before. To those, I would say pick up The Mistral. Whilst Mosse plays with themes and beats we are familiar with in the fantasy genre, he weaved them in a manner that feels fresh and genuinely new.
You can feel the love that has gone into this world. It has a rich history, many different components, fleshed out factions, intricate politics and unique magic systems and hierarchies. But, Mosse also displays the discipline of an accomplished writer. Many debut overwhelm the reader with too much, and reveal too many secrets of the world early on. Mosse shares much, but he withholds a lot of keep the reader hooked throughout, and now I need book 2 to fill in the remaining puzzle pieces!
The Mistral does everything a book one of a fantasy series should. It lays excellent foundations that can be built upon later, but it does not neglect the pacing either. Felix Mosse’s strength is that he excels in drawing together the different elements of storytelling to highlight each other. Memorable character moments seep into world-building. Political intrigue blends into immersion. All are drawn together by smooth, engaging prose. I really could not point to a weakness in The Mistral.
If you could not tell, I had a great time with this. 2026 continues to be a year with more epic fantasy than I have seen for a long time, and the latest to join that trend is The Mistral. I really hope you pick it up and feel as refreshed as I did when you are dragged into its pages.
5/5 STARS
Want to Read
June 6, 2026the cover heavily reminds me of silvercloak — need this in my hands asap🙂↕️
May 29, 2026
Imagine a melting pot of; Mistborn Era 1, Words of Radiance, Fallen Gods, and more.
This is such a good story and a fantastical world that Felix Mosse is building.
He’s done suuuuuch a good job of creating an interesting world that I completely and utterly want to immerse myself further in.
A world where two coalescing Mists grant people powers, some revere it as a god, others want to weaponise it and craft technology from it to being a world of power to the masses instead of the chosen few.
Mistral felt so familiar, and I’m not mad at that. Because it didn’t feel like a rip off, it felt nostalgic and home. It reminded me of an introduction to multiple worlds I’ve come to love before.
This was an ARC though, and although I really fucked with the story and characters, I think it needs a bit more editing before release as words/phrases/grammar at points had me stopping in my tracks.
Honestly, cool concept. I do want to see some more uniqueness in the sequel, but secret orders, political instability and rival wars, secret powers and prophecies, it ticks a lot of boxes.
4.0/5.0
Thank you to netgally, penguin random house and Felix Mosse for an ARC in exchange for an unbiased, honest review.
Edit: happy publication!
This is such a good story and a fantastical world that Felix Mosse is building.
He’s done suuuuuch a good job of creating an interesting world that I completely and utterly want to immerse myself further in.
A world where two coalescing Mists grant people powers, some revere it as a god, others want to weaponise it and craft technology from it to being a world of power to the masses instead of the chosen few.
Mistral felt so familiar, and I’m not mad at that. Because it didn’t feel like a rip off, it felt nostalgic and home. It reminded me of an introduction to multiple worlds I’ve come to love before.
This was an ARC though, and although I really fucked with the story and characters, I think it needs a bit more editing before release as words/phrases/grammar at points had me stopping in my tracks.
Honestly, cool concept. I do want to see some more uniqueness in the sequel, but secret orders, political instability and rival wars, secret powers and prophecies, it ticks a lot of boxes.
4.0/5.0
Thank you to netgally, penguin random house and Felix Mosse for an ARC in exchange for an unbiased, honest review.
Edit: happy publication!
April 16, 2026
it felt like a fight for my life… or maybe just a fight to stay focused on what I was reading
info-dumping in the first half was so overwhelming that I could barely see the actual plot (I say this as someone who loves rich descriptions and world building, but please, give me something to hold onto, some kind of anchor to keep my attention in place)
not exactly a flaw, but I do have to mention it, it’s a lack of proper editing in the ARC. it made my experience even harder. I didn’t realize how much a clean, well-structured text affects the reading experience until now.
at this point, I can’t force myself to keep going. maybe one day I’ll pick up the final version and give this story another chance.
so, for now, it’s a DNF
unfortunately, this one didn’t meet my expectations.
many thanks to NetGalley and the publisher for the ARC🤍
all opinions are entirely my own
info-dumping in the first half was so overwhelming that I could barely see the actual plot (I say this as someone who loves rich descriptions and world building, but please, give me something to hold onto, some kind of anchor to keep my attention in place)
not exactly a flaw, but I do have to mention it, it’s a lack of proper editing in the ARC. it made my experience even harder. I didn’t realize how much a clean, well-structured text affects the reading experience until now.
at this point, I can’t force myself to keep going. maybe one day I’ll pick up the final version and give this story another chance.
so, for now, it’s a DNF
unfortunately, this one didn’t meet my expectations.
many thanks to NetGalley and the publisher for the ARC🤍
all opinions are entirely my own
June 7, 2026
Like a callback to classic high-fantasy books but modernized for current readership, the Mistral by Felix Mosse is a wonderfully traditional epic fantasy story. Serving as both Mosse’s debut novel and the start to his Mythic Roots trilogy, the Mistral is expertly crafted, blending a wide variety of fantasy elements held aloft by an ethereal stream of wind and light. Consisting largely of detailed world-building and moving around its large cast of characters like chess pieces on a fantasy RPG board, this book is a refreshing return to the genre’s roots, one that I not only thoroughly enjoyed and found very polished with no notable weaknesses.
Highlights:
☕︎ Well-written, conceptualized, and authentically classic high/epic fantasy story that incorporates many compelling fantasy elements. Aetherpunk/Arcane-based machinery, mercantile negotiations, political conflict, religious doctrine, and magical abilities are all connected to the namesake Mistral. Includes detailed social culture, politics, religion, and history across a variety of nations.
☕︎ Though the world-building can be dense, the content is interesting, employs clever storytelling approaches, and is perfectly suited for D&D or lengthy RPG video-game fans.
☕︎ Juggles its large cast of characters effectively through a 3rd-person omniscient presentation. Characters are varied, anchored by two well-written female leads.
Considerations:
-Book’s content consists largely of worldbuilding, lore, and establishing numerous dueling affiliations which may feel excessive to readers that prefer focused plotting and faster narrative progression. Action sequences are excellent but may feel limited until the dramatic conclusion.
As covered in the book's synopsis, Mosse's fantasy world revolves around the mystical entity the Mistral, a less turbulent jet stream-like air current crossed with the aesthetics of the aurora borealis or northern lights. Beyond serving as a distinctive visual phenomenon, this aerial force is believed to be root and source of magic, bestowing abilities upon individuals. Not only the source of magic in the land, the Mistral also is a revered religious icon, with two major belief groups interpreting its role and presence differently. Once prominent and beautiful, the Mistral has been slowly dying, its power waning, while nations and socio-political groups are divided on the cause and how to save it.
This book has a wide variety of fantasy elements all connected back to the Mistral and its power. One particularly impressive aspect is how Mosse takes the simple premise of a dying mythical wind and runs with it across the wide fantasy genre. There's the opening murder of a queen and four-year retaliation that follows while her daughter Swan trains to assume the role. Another nation has developed technological devices to store aether to enhance or grant skills while the academy of scholastic academy believes this development is accelerating the Mistral’s demise; aether/arcanepunk meets dark academia conflict. There’re dueling religions of Constantism vs Zephyrism based on differing beliefs of the wind, an entertainment circuit and dueling league where Fenne fights and works to earn permanent residence, and her friend Thom competes after being expelled from the royal spy circuit for perceived political protest. There're lengthy discussions of cross-border trade routes, the movement of goods, and the succession of the city's pit lords that oversee mercantile operations via underground rivers and steep vertical shafts. And then there's a prophecy involving four powerful roots/individuals that will change the course of the continent of Mycenia. There's a lot going on and it can sometimes feel like the book is casting too wide a net with its narrative ingredients, but they are all tied back to a secret plot involving the Mistral with each element having a specific role to play.
As the first novel in a planned trilogy, majority of this book covers extensive world-building and lore, taking a lot of time to establish the main nations, political and social groups within each, key figures, and history. The story focuses primarily on the politics and culture of Terrius and Eron, the two nations entrenched in conflict and the home of Swan and Fenne respectively. Following a Terrius diplomatic envoy to Eron to negotiate a peace treaty, this book doesn’t simply follow Swan's journey to their rival capital, it heavily explores how tensions escalated to this point. Most of this book takes places in Eron, doing a great job illustrating how precarious the situation is and how divided its leaders and factions are. The large ensemble of characters and POV's explore every angle, affiliation, or school of thought, but centering much of the narrative through Fenne’s eyes is a smart choice. As an outsider from yet another nation with very different culture and responsibilities, she serves as an excellent stand-in for the reader, discovering the nuances of political strategizing. While actual plot movement is limited given the amount of world‑building, the book sets the stage well for what’s to come, ending with a dramatic conclusion that left me eager for more.
Despite the density, the world‑building is consistently interesting and compelling. While political conflict and treachery are expected in an epic fantasy book, I wasn't expecting how detailed and thorough the book's mercantile storylines and outsider-residency elements would be. Reestablishing lost trade routes due to ongoing skirmishes, pit leadership succession, the nomination process, and Fenne’s pursuit of permanent residence were all surprisingly engrossing with many pages flying by. Mosse also employs clever writing and storytelling techniques to break up the dense material, one example using various recollections like written text, casual conversation, flashback memories, and training arc sessions as varied history lessons. POV shifts are done effectively based on context rather than one-for-one transitions, and the sense of pace and intensity is consistently maintained. These all may seem like no-brainer writing 101 basics, but many epic fantasies drown the reader with endless blocks of dull exposition that sucks the life out of the dramatic story they’re telling. I’d estimate at least half the book is world‑building, yet I never minded because the material is so strong. The storytelling evokes old‑school RPGs or rich D&D campaigns where lore is as important as plot.
Another highlight is the book's characters who are quite varied and memorable. Swan and Fenne are suggested to be two of the main characters, being specifically named in the book's synopsis, but the story features many more. Both are appealing and well-written, Fenne in particularly being fun to follow in the dueling circuit and her quest for residence. Swan isn't quite as prominent as she shares many of her scenes with the high priest Moraine and the book in general featuring less Terrius-centered chapters vs Eron; after Swan's first chapter, she isn't seen again until seven chapters later. However, her story involving the loss of her mother, training to assume her expected role, and expanding her powers of foresight and reliving memories are interesting. My personal favorite is Luck Lamourney, a famed war hero who defended the city during a deadly invasion. Older than most characters and one of the few critical of her own nation, her survivor’s guilt, PTSD, and self‑demotion to running the dueling circuit make her particularly refreshing to read about. Of note, the nation of Terrius is women-led while the two most prominent characters of Swan and Fenne as well Lamourney are all women. There’re also some subtle modernized touches here and there like disabled representation in the form of Eli who also wears women’s clothing, a character with queer flings, themes of immigration and xenophobia, etc. While there are prominent male characters, it’s refreshing to see a traditional epic fantasy written by a male author centered on women with solid development.
While the book is well‑crafted, effectively plotted, and impressively cohesive, it won’t be for everyone. I haven’t read Sanderson or Gwynne yet (though that will change soon, as my Faithful and the Fallen set arrives this month and next), but this book feels aligned with classic high‑fantasy traditions focused on political, cultural, and power‑based struggles. While there are very light interests implied, it's also devoid of any romance element, at least within this first book. The elaborate world-building is well-suited for traditional SFF readers, but its slower, more measured pacing of the plot and solid though limited action may bore others. I personally loved the mercantile discussions but some may find them initially irrelevant or off-putting. If evaluating solely for the plot, there isn't much progression until nearly two thirds into the book. Mosse manages the large cast of characters well who each have a part to play, but casual readers may find it mildly difficult to remember who’s who without a glossary for quick reference. Not a negative point, but I also would've loved a map of both the Mycenia continent and the city of Lurella for how detailed and varied the locations are portrayed. Perhaps the biggest sticking point is that this book feels like the story has only just begun; it resolves the mystery behind the queen’s murder and the prophecy’s foundation, but readers who dislike lore‑heavy setups may feel like this series entry doesn’t cover much ground.
Thoughtfully crafted, expansive, complex, and authentically epic, The Mistral is a true homage to classic high fantasy. It doesn’t break the mold, nor does it need to; it smartly selects compelling elements and elevates them with its aetherial wind. I originally planned to rate this book in the 4.0-4.5-star range as it peaks a bit too late and lacks narrative highs, but I ultimately decided to bump it higher. It's an understated and lowkey simmer of a story but one that's steady, polished and smoothly presented. Its hidden strength is how seamlessly it flows. You don’t realize how good it is until you step back and analyze it critically as Mosse makes the complex storytelling look easy when it’s anything but.
Though heavy on world‑building, the material is consistently interesting and lays an excellent foundation for the series to build on. A solid start to the series and a book I’d never guessed was an author's published debut, the Mistral is a great epic fantasy book for immersive SFF readers and a series I definitely will be continuing as long as Goldsboro and Penguin Michael Joseph sticks with it! (currently a UK-exclusive at the time of this review)
Side note: I loved Felix Mosse’s acknowledgments, where he thanks his favorite author Dan Abnett, known for comics and video‑game tie‑ins. Imagine having two successful writer parents, Kate Mosse in particular being an international bestseller, thanking them for their support but not as writing inspirations. The low‑key and likely unintentional shade had me rolling.
*For more reviews, book lists and reading updates, check out my blog TheBookGrind!
Highlights:
☕︎ Well-written, conceptualized, and authentically classic high/epic fantasy story that incorporates many compelling fantasy elements. Aetherpunk/Arcane-based machinery, mercantile negotiations, political conflict, religious doctrine, and magical abilities are all connected to the namesake Mistral. Includes detailed social culture, politics, religion, and history across a variety of nations.
☕︎ Though the world-building can be dense, the content is interesting, employs clever storytelling approaches, and is perfectly suited for D&D or lengthy RPG video-game fans.
☕︎ Juggles its large cast of characters effectively through a 3rd-person omniscient presentation. Characters are varied, anchored by two well-written female leads.
Considerations:
-Book’s content consists largely of worldbuilding, lore, and establishing numerous dueling affiliations which may feel excessive to readers that prefer focused plotting and faster narrative progression. Action sequences are excellent but may feel limited until the dramatic conclusion.
As covered in the book's synopsis, Mosse's fantasy world revolves around the mystical entity the Mistral, a less turbulent jet stream-like air current crossed with the aesthetics of the aurora borealis or northern lights. Beyond serving as a distinctive visual phenomenon, this aerial force is believed to be root and source of magic, bestowing abilities upon individuals. Not only the source of magic in the land, the Mistral also is a revered religious icon, with two major belief groups interpreting its role and presence differently. Once prominent and beautiful, the Mistral has been slowly dying, its power waning, while nations and socio-political groups are divided on the cause and how to save it.
This book has a wide variety of fantasy elements all connected back to the Mistral and its power. One particularly impressive aspect is how Mosse takes the simple premise of a dying mythical wind and runs with it across the wide fantasy genre. There's the opening murder of a queen and four-year retaliation that follows while her daughter Swan trains to assume the role. Another nation has developed technological devices to store aether to enhance or grant skills while the academy of scholastic academy believes this development is accelerating the Mistral’s demise; aether/arcanepunk meets dark academia conflict. There’re dueling religions of Constantism vs Zephyrism based on differing beliefs of the wind, an entertainment circuit and dueling league where Fenne fights and works to earn permanent residence, and her friend Thom competes after being expelled from the royal spy circuit for perceived political protest. There're lengthy discussions of cross-border trade routes, the movement of goods, and the succession of the city's pit lords that oversee mercantile operations via underground rivers and steep vertical shafts. And then there's a prophecy involving four powerful roots/individuals that will change the course of the continent of Mycenia. There's a lot going on and it can sometimes feel like the book is casting too wide a net with its narrative ingredients, but they are all tied back to a secret plot involving the Mistral with each element having a specific role to play.
As the first novel in a planned trilogy, majority of this book covers extensive world-building and lore, taking a lot of time to establish the main nations, political and social groups within each, key figures, and history. The story focuses primarily on the politics and culture of Terrius and Eron, the two nations entrenched in conflict and the home of Swan and Fenne respectively. Following a Terrius diplomatic envoy to Eron to negotiate a peace treaty, this book doesn’t simply follow Swan's journey to their rival capital, it heavily explores how tensions escalated to this point. Most of this book takes places in Eron, doing a great job illustrating how precarious the situation is and how divided its leaders and factions are. The large ensemble of characters and POV's explore every angle, affiliation, or school of thought, but centering much of the narrative through Fenne’s eyes is a smart choice. As an outsider from yet another nation with very different culture and responsibilities, she serves as an excellent stand-in for the reader, discovering the nuances of political strategizing. While actual plot movement is limited given the amount of world‑building, the book sets the stage well for what’s to come, ending with a dramatic conclusion that left me eager for more.
Despite the density, the world‑building is consistently interesting and compelling. While political conflict and treachery are expected in an epic fantasy book, I wasn't expecting how detailed and thorough the book's mercantile storylines and outsider-residency elements would be. Reestablishing lost trade routes due to ongoing skirmishes, pit leadership succession, the nomination process, and Fenne’s pursuit of permanent residence were all surprisingly engrossing with many pages flying by. Mosse also employs clever writing and storytelling techniques to break up the dense material, one example using various recollections like written text, casual conversation, flashback memories, and training arc sessions as varied history lessons. POV shifts are done effectively based on context rather than one-for-one transitions, and the sense of pace and intensity is consistently maintained. These all may seem like no-brainer writing 101 basics, but many epic fantasies drown the reader with endless blocks of dull exposition that sucks the life out of the dramatic story they’re telling. I’d estimate at least half the book is world‑building, yet I never minded because the material is so strong. The storytelling evokes old‑school RPGs or rich D&D campaigns where lore is as important as plot.
Another highlight is the book's characters who are quite varied and memorable. Swan and Fenne are suggested to be two of the main characters, being specifically named in the book's synopsis, but the story features many more. Both are appealing and well-written, Fenne in particularly being fun to follow in the dueling circuit and her quest for residence. Swan isn't quite as prominent as she shares many of her scenes with the high priest Moraine and the book in general featuring less Terrius-centered chapters vs Eron; after Swan's first chapter, she isn't seen again until seven chapters later. However, her story involving the loss of her mother, training to assume her expected role, and expanding her powers of foresight and reliving memories are interesting. My personal favorite is Luck Lamourney, a famed war hero who defended the city during a deadly invasion. Older than most characters and one of the few critical of her own nation, her survivor’s guilt, PTSD, and self‑demotion to running the dueling circuit make her particularly refreshing to read about. Of note, the nation of Terrius is women-led while the two most prominent characters of Swan and Fenne as well Lamourney are all women. There’re also some subtle modernized touches here and there like disabled representation in the form of Eli who also wears women’s clothing, a character with queer flings, themes of immigration and xenophobia, etc. While there are prominent male characters, it’s refreshing to see a traditional epic fantasy written by a male author centered on women with solid development.
While the book is well‑crafted, effectively plotted, and impressively cohesive, it won’t be for everyone. I haven’t read Sanderson or Gwynne yet (though that will change soon, as my Faithful and the Fallen set arrives this month and next), but this book feels aligned with classic high‑fantasy traditions focused on political, cultural, and power‑based struggles. While there are very light interests implied, it's also devoid of any romance element, at least within this first book. The elaborate world-building is well-suited for traditional SFF readers, but its slower, more measured pacing of the plot and solid though limited action may bore others. I personally loved the mercantile discussions but some may find them initially irrelevant or off-putting. If evaluating solely for the plot, there isn't much progression until nearly two thirds into the book. Mosse manages the large cast of characters well who each have a part to play, but casual readers may find it mildly difficult to remember who’s who without a glossary for quick reference. Not a negative point, but I also would've loved a map of both the Mycenia continent and the city of Lurella for how detailed and varied the locations are portrayed. Perhaps the biggest sticking point is that this book feels like the story has only just begun; it resolves the mystery behind the queen’s murder and the prophecy’s foundation, but readers who dislike lore‑heavy setups may feel like this series entry doesn’t cover much ground.
Thoughtfully crafted, expansive, complex, and authentically epic, The Mistral is a true homage to classic high fantasy. It doesn’t break the mold, nor does it need to; it smartly selects compelling elements and elevates them with its aetherial wind. I originally planned to rate this book in the 4.0-4.5-star range as it peaks a bit too late and lacks narrative highs, but I ultimately decided to bump it higher. It's an understated and lowkey simmer of a story but one that's steady, polished and smoothly presented. Its hidden strength is how seamlessly it flows. You don’t realize how good it is until you step back and analyze it critically as Mosse makes the complex storytelling look easy when it’s anything but.
Though heavy on world‑building, the material is consistently interesting and lays an excellent foundation for the series to build on. A solid start to the series and a book I’d never guessed was an author's published debut, the Mistral is a great epic fantasy book for immersive SFF readers and a series I definitely will be continuing as long as Goldsboro and Penguin Michael Joseph sticks with it! (currently a UK-exclusive at the time of this review)
Side note: I loved Felix Mosse’s acknowledgments, where he thanks his favorite author Dan Abnett, known for comics and video‑game tie‑ins. Imagine having two successful writer parents, Kate Mosse in particular being an international bestseller, thanking them for their support but not as writing inspirations. The low‑key and likely unintentional shade had me rolling.
*For more reviews, book lists and reading updates, check out my blog TheBookGrind!
May 28, 2026
Felix Mosse’s The Mistral feels like stepping into a rich fantasy perfect for fans of Brandon Sandersons Mistborn and Stormlight archives series, whilst still carving out a distinct identity of its own. This familiarity is part of its charm as something warmly nostalgic, like returning to worlds you’ve loved before while discovering something entirely new.
At the heart of the story is the Mistral itself a force born of two coalescing World Winds that suffuses the land of Mycenia with aether. This creates a vivid, unique and dynamic magical system, but one that is far from equally shared amongst the characters we have the pleasure of walking with on their journey. As with any powerful resource, questions of access, control, and exploitation drive tension throughout the narrative. Some worship the Mistral as divine, while others seek to harness and weaponise it, pushing toward a future where power might belong to the many rather than the chosen few.
Mosse excels at building a world that feels both expansive and immersive, one that invites you to lose yourself in its complexities. The ideological divide between the Terrius and Eronese factions is particularly compelling, visually and thematically striking in their contrasts with harsh blacks and reds versus vibrant blues and golds. Yet beneath these differences lies a shared truth: both societies are shaped by the corrupting influence of power, resulting in systems marked by cruelty, subjugation, and the expendability of their own people.
Ultimately, The Mistral stands as a sprawling, engaging fantasy with a deeply intriguing premise and a world that begs further exploration. It’s a story that feels at once comfortingly familiar and excitingly original, leaving a strong desire to delve deeper and leaves me looking forward to the next books of the trilogy amongst the rest of the work of Felix Mosse. Definitely not one to sleep on if you’re looking for your next fix after Mistborn, Stormlight Archives and Godkiller alike!
Thank you to NetGalley and Penguin Random House for Sending me an eARC of this book in exchange for a fair and honest review.
At the heart of the story is the Mistral itself a force born of two coalescing World Winds that suffuses the land of Mycenia with aether. This creates a vivid, unique and dynamic magical system, but one that is far from equally shared amongst the characters we have the pleasure of walking with on their journey. As with any powerful resource, questions of access, control, and exploitation drive tension throughout the narrative. Some worship the Mistral as divine, while others seek to harness and weaponise it, pushing toward a future where power might belong to the many rather than the chosen few.
Mosse excels at building a world that feels both expansive and immersive, one that invites you to lose yourself in its complexities. The ideological divide between the Terrius and Eronese factions is particularly compelling, visually and thematically striking in their contrasts with harsh blacks and reds versus vibrant blues and golds. Yet beneath these differences lies a shared truth: both societies are shaped by the corrupting influence of power, resulting in systems marked by cruelty, subjugation, and the expendability of their own people.
Ultimately, The Mistral stands as a sprawling, engaging fantasy with a deeply intriguing premise and a world that begs further exploration. It’s a story that feels at once comfortingly familiar and excitingly original, leaving a strong desire to delve deeper and leaves me looking forward to the next books of the trilogy amongst the rest of the work of Felix Mosse. Definitely not one to sleep on if you’re looking for your next fix after Mistborn, Stormlight Archives and Godkiller alike!
Thank you to NetGalley and Penguin Random House for Sending me an eARC of this book in exchange for a fair and honest review.
May 28, 2026
Thank you so much to Penguin Michael Joseph, Felix Mosse and NetGalley for sending me an eARC of The Mistral.
The Mistral is set in a world where two magical winds collide to create the Mistral, an aurora of energy that can be transferred to humans as aether, allowing select humans to wield aether in specific abilities, called Roots. However, the Mistral is dying, and war threatens the world after the Queen of a powerful kingdom is murdered. Four years later, a delegation of women from the murdered queen's kingdom travels to their neighbours in hopes of sueing for peace. Among them is Swan, the daughter of the murdered queen, and the wielder of a powerful Root that hasn't been seen in centuries. In Lurella, the city that Swan's delegation is travelling to, a fierce dueller named Fenne seeks to become Pit Lord in order to be able to stay in Lurella and avoid having to go home to her country to do her duty. She catches the attention of a powerful player in Lurella, who sees potential in her. As war looms and the Mistral loses its power, Swan and Fenne will be thrown into a dark conspiracy that could threaten the tentative peace between the countries under the Mistral.
3.75 stars.
I'm super conflicted about what to rate this one because it has so much potential, but the execution just let me down a little bit. To start with the positives, I really enjoyed the world and magic system that Mosse created in this. The concept of the Mistral is so cool and unique, and the way that power is wielded only in certain forms by different people was really interesting. I was super engrossed with the idea of the Mythic Roots and enjoyed theorising about who could be which one and working out how they fit into everything. These things kept me hooked, as well as enjoying Swan's POV chapters. She was the character I wanted to see the most of and connected with the most; Fenne was fine but I didn't grow to care for her as much as I did for Swan. The rest of the cast of characters were also interesting, however again I didn't really connect with them as much as I did with Swan, even though a few of them are POV characters. The writing was also really lush and lovely to read; there were a few too many large descriptive paragraphs dotted around for my liking, but they really added to the atmosphere of the world that was being created, and at times I could see the environments in my head like a film.
The main thing I didn't enjoy about this one was mostly the info-dumping. There was a lot of it, which I understand that we need a certain amount of when describing the world and magic systems, however it just felt a bit heavy handed here and maybe could have been edited to be a little more seamless. There were conversations with characters explaining things that they already knew to each other so that the reader could hear these things, which isn't my favourite way of doing exposition. It just ended up slowing the pace of the beginning of the book quite a lot. I was considering putting the book down at certain points in the first 30-ish percent of the book because of this, but I'm glad I didn't as once the majority of the exposition was out of the way, the book flowed a lot nicer and I grew to connect to the characters a lot more. As this is a first book in an epic fantasy trilogy, there was a lot of set up and worldbuilding to get through, and while my experience of it wasn't the best in the first section, I did still really enjoy the book and am excited to see where the series goes from here. We had some interesting twists and turns, and while I guessed some of the twists, others took me by surprise.
Overall while I had some issues with the pacing and exposition here, I still really enjoyed The Mistral. If you're looking for a new epic fantasy trilogy to sink your teeth into, I'd definitely recommend giving this one a go. Once you get past a certain point, it becomes more action-packed and has some twists that'll keep you guessing until the end.
The Mistral is set in a world where two magical winds collide to create the Mistral, an aurora of energy that can be transferred to humans as aether, allowing select humans to wield aether in specific abilities, called Roots. However, the Mistral is dying, and war threatens the world after the Queen of a powerful kingdom is murdered. Four years later, a delegation of women from the murdered queen's kingdom travels to their neighbours in hopes of sueing for peace. Among them is Swan, the daughter of the murdered queen, and the wielder of a powerful Root that hasn't been seen in centuries. In Lurella, the city that Swan's delegation is travelling to, a fierce dueller named Fenne seeks to become Pit Lord in order to be able to stay in Lurella and avoid having to go home to her country to do her duty. She catches the attention of a powerful player in Lurella, who sees potential in her. As war looms and the Mistral loses its power, Swan and Fenne will be thrown into a dark conspiracy that could threaten the tentative peace between the countries under the Mistral.
3.75 stars.
I'm super conflicted about what to rate this one because it has so much potential, but the execution just let me down a little bit. To start with the positives, I really enjoyed the world and magic system that Mosse created in this. The concept of the Mistral is so cool and unique, and the way that power is wielded only in certain forms by different people was really interesting. I was super engrossed with the idea of the Mythic Roots and enjoyed theorising about who could be which one and working out how they fit into everything. These things kept me hooked, as well as enjoying Swan's POV chapters. She was the character I wanted to see the most of and connected with the most; Fenne was fine but I didn't grow to care for her as much as I did for Swan. The rest of the cast of characters were also interesting, however again I didn't really connect with them as much as I did with Swan, even though a few of them are POV characters. The writing was also really lush and lovely to read; there were a few too many large descriptive paragraphs dotted around for my liking, but they really added to the atmosphere of the world that was being created, and at times I could see the environments in my head like a film.
The main thing I didn't enjoy about this one was mostly the info-dumping. There was a lot of it, which I understand that we need a certain amount of when describing the world and magic systems, however it just felt a bit heavy handed here and maybe could have been edited to be a little more seamless. There were conversations with characters explaining things that they already knew to each other so that the reader could hear these things, which isn't my favourite way of doing exposition. It just ended up slowing the pace of the beginning of the book quite a lot. I was considering putting the book down at certain points in the first 30-ish percent of the book because of this, but I'm glad I didn't as once the majority of the exposition was out of the way, the book flowed a lot nicer and I grew to connect to the characters a lot more. As this is a first book in an epic fantasy trilogy, there was a lot of set up and worldbuilding to get through, and while my experience of it wasn't the best in the first section, I did still really enjoy the book and am excited to see where the series goes from here. We had some interesting twists and turns, and while I guessed some of the twists, others took me by surprise.
Overall while I had some issues with the pacing and exposition here, I still really enjoyed The Mistral. If you're looking for a new epic fantasy trilogy to sink your teeth into, I'd definitely recommend giving this one a go. Once you get past a certain point, it becomes more action-packed and has some twists that'll keep you guessing until the end.
May 28, 2026
Mistral delivers an epic fantasy that feels both familiar and fresh. The world felt entirely new and the way the author gave us warring countries, politics, clashing ideologies, warnings/ prophesies from a bygone era, scheming, class differences, revenge motives and more kept me turning pages.
The world building was good, I enjoyed learning about the octate alliance, the feud between Eron and Terris and the differing views towards their God. We also get great detail about life in Eron, the tension between factions, Thom’s penitence, the iron circuit, Pit Lords and trade and more. I loved learning about how it all worked and what political machinations were at work and who was bearing the brunt of them. It was delivered well and slowly unveiled throughout the story and full of layers. The various characters’ histories, their mistakes and hopes, their connections and Root magic… it was all important.
Fenne was my favourite character - she’s a champion of the dueling circuit and looking to land a position as Pit Lord to stay in Eron - and we get to spend a lot of time with her as she navigates her way into the upper echelons despite not being Eronese. Her friendship with Thom was also a delight and he brought an interesting perspective as a now shunned noble. The great thing about Fenne (other than being a really compelling character) is that through her we get to see the different sections and classes, the refuges and the leaders. It’s multi pov so I also really like the other Eron characters too we get to know. They all added to the greater picture and we’re all well rounded characters with various motivations and abilities.
On the other side we have Swan and the Terris. They’re a matriarchal and warrior society with a fanatical devotion to their God. They made an interesting contrast to Eron and its technological advancement. However, whilst I liked Swan, I wasn’t a fan of the people around her and I’m also not fond of travelling style plots so I think just on a personal level this was less interesting for me.
The story slowly built towards the inevitable clash of these two peoples and the fallout was thrilling and terrible. The schemes were revealed and questions answered and yet, like any good book, I still have so much I need to know! It set up the sequel really well and I’m really interested to see what the fallout will be from the end of this book and how everything has changed.
Overall a refreshing new epic fantasy. Immersive with great world building and intricately thought out lore and history. Memorable characters and twisty political intrigue. Paced well with good character voice for the POVs and great set up to be built upon in the sequels.
Thank to the publisher for the proof copy. All thoughts are my own.
The world building was good, I enjoyed learning about the octate alliance, the feud between Eron and Terris and the differing views towards their God. We also get great detail about life in Eron, the tension between factions, Thom’s penitence, the iron circuit, Pit Lords and trade and more. I loved learning about how it all worked and what political machinations were at work and who was bearing the brunt of them. It was delivered well and slowly unveiled throughout the story and full of layers. The various characters’ histories, their mistakes and hopes, their connections and Root magic… it was all important.
Fenne was my favourite character - she’s a champion of the dueling circuit and looking to land a position as Pit Lord to stay in Eron - and we get to spend a lot of time with her as she navigates her way into the upper echelons despite not being Eronese. Her friendship with Thom was also a delight and he brought an interesting perspective as a now shunned noble. The great thing about Fenne (other than being a really compelling character) is that through her we get to see the different sections and classes, the refuges and the leaders. It’s multi pov so I also really like the other Eron characters too we get to know. They all added to the greater picture and we’re all well rounded characters with various motivations and abilities.
On the other side we have Swan and the Terris. They’re a matriarchal and warrior society with a fanatical devotion to their God. They made an interesting contrast to Eron and its technological advancement. However, whilst I liked Swan, I wasn’t a fan of the people around her and I’m also not fond of travelling style plots so I think just on a personal level this was less interesting for me.
The story slowly built towards the inevitable clash of these two peoples and the fallout was thrilling and terrible. The schemes were revealed and questions answered and yet, like any good book, I still have so much I need to know! It set up the sequel really well and I’m really interested to see what the fallout will be from the end of this book and how everything has changed.
Overall a refreshing new epic fantasy. Immersive with great world building and intricately thought out lore and history. Memorable characters and twisty political intrigue. Paced well with good character voice for the POVs and great set up to be built upon in the sequels.
Thank to the publisher for the proof copy. All thoughts are my own.
May 25, 2026
The Mistral, a divine, ancient wind migrating across the realms, has long bestowed magical abilities on those within the realm. To some the Mistral is God, to others a natural resource to be mined. But the Mistral is dying. After the Queen of Terrius is assassinated, two powerful members of the Octet Alliance creep into a cold War. 4 years later Terrius send a peace envoy to Eron. Swan, the heir apparent, hopes to avenge her mother. She’s not the only one with her own plan.
Society across the realms is divided, with differing opinions on the Mistral, Faith and Mycenia’s future. Progress, tradition and culture clash. As Terrius’ envoy reaches Eron, tensions reach boiling point.
We follow several characters. Swan, sheltered and grappling with her mythic root. Fenne, a fierce warrior desperate to secure her place in the city who finds herself with friends in high places. Thom, a disgraced member of a legacy family serving penance. Virel, a mysterious Maktar and Hedger a child with sticky fingers and terrifying abilities. These characters collide as the story progresses.
The first part of this book focuses heavily on world building and situating the reader in Mycenia. The world building is sprawling and rich. The plot really picks up as the book progresses and the strings connecting these characters become painfully clear.
There’s complex alliances, political intrigue, and conspiracy. In Eron the hierarchal system of legacy families breeds ostracisation. Resentment and anger from previous battles still festers. It’s atmospheric and tense. Mycenia is divided. The mythic roots have returned, the realm is on the precipice. The Prophecy has been foretold. The world order is changing, the outcome is not yet decided. I really enjoyed this and can’t wait to see where it goes!
Society across the realms is divided, with differing opinions on the Mistral, Faith and Mycenia’s future. Progress, tradition and culture clash. As Terrius’ envoy reaches Eron, tensions reach boiling point.
We follow several characters. Swan, sheltered and grappling with her mythic root. Fenne, a fierce warrior desperate to secure her place in the city who finds herself with friends in high places. Thom, a disgraced member of a legacy family serving penance. Virel, a mysterious Maktar and Hedger a child with sticky fingers and terrifying abilities. These characters collide as the story progresses.
The first part of this book focuses heavily on world building and situating the reader in Mycenia. The world building is sprawling and rich. The plot really picks up as the book progresses and the strings connecting these characters become painfully clear.
There’s complex alliances, political intrigue, and conspiracy. In Eron the hierarchal system of legacy families breeds ostracisation. Resentment and anger from previous battles still festers. It’s atmospheric and tense. Mycenia is divided. The mythic roots have returned, the realm is on the precipice. The Prophecy has been foretold. The world order is changing, the outcome is not yet decided. I really enjoyed this and can’t wait to see where it goes!
May 21, 2026
I was hoping to love the Mistral, especially as it had such an interesting concept and was marketed to fans of Brandon Sanderson. I can see how this would be a 5 star for some, but it just didn't quite work for me.
I may be in the minority that actually really enjoyed the start and then felt more disconnected with the story as it went on. Though the beginning had some big info dumps, we were introduced to a few interesting characters that had the potential to be great, and the world was so interesting and engaging. I loved the magic of roots and all the different ways we saw it manifest.
The pacing didn't quite work for me, and I wanted more development of some of the characters. When going between the storylines of the two different regions, there was a section where I wasn't partially interested in one of them. I think by the time the action really started to ramp up in the last 10-20%, I wasn't invested enough to care as much as I should about what was happening and the consequences on our characters.
This one is still worth checking out to see if it might for you, as I know the characters and story really clicked for some people.
Thank you to the author, publisher and netgalley for an ARC.
I may be in the minority that actually really enjoyed the start and then felt more disconnected with the story as it went on. Though the beginning had some big info dumps, we were introduced to a few interesting characters that had the potential to be great, and the world was so interesting and engaging. I loved the magic of roots and all the different ways we saw it manifest.
The pacing didn't quite work for me, and I wanted more development of some of the characters. When going between the storylines of the two different regions, there was a section where I wasn't partially interested in one of them. I think by the time the action really started to ramp up in the last 10-20%, I wasn't invested enough to care as much as I should about what was happening and the consequences on our characters.
This one is still worth checking out to see if it might for you, as I know the characters and story really clicked for some people.
Thank you to the author, publisher and netgalley for an ARC.
April 30, 2026
The Mistral is an amalgamation of a mixture of well loved fantasy authors.
This book is the first few steps on, what I can tell, is going to be an amazing journey. I loved the world building throughout this book and the different POVs from different characters really helps you connect and actually live in this world
The Mistral is 2 rivers of power that flow throughout the world, each branching a religion where The Mistral gifts certain few with powers or Root. We look to a world of territories on the verge of war, old powers resurfacing, people trying to harness The Mistral to use for technological advancement, a new life and vengeance.
All these stories run along the same track creating a world, where throughout it focus a lot on world and character building, that creatives an addictive read. From the very start we can tell we are leading up to a big plot, and you can feel the tension throughout.
This book is the very beginning of a massive story and I was loving every page.
This book is the first few steps on, what I can tell, is going to be an amazing journey. I loved the world building throughout this book and the different POVs from different characters really helps you connect and actually live in this world
The Mistral is 2 rivers of power that flow throughout the world, each branching a religion where The Mistral gifts certain few with powers or Root. We look to a world of territories on the verge of war, old powers resurfacing, people trying to harness The Mistral to use for technological advancement, a new life and vengeance.
All these stories run along the same track creating a world, where throughout it focus a lot on world and character building, that creatives an addictive read. From the very start we can tell we are leading up to a big plot, and you can feel the tension throughout.
This book is the very beginning of a massive story and I was loving every page.
June 1, 2026
The Mistral offers richly imagined world building paired with a thoughtful, well-paced character journey. The setting feels lived-in and cohesive, with enough depth to draw you in without overwhelming the story. What really stands out, however, is the character work—particularly Swan. Swan’s arc is emotionally satisfying and handled with care, allowing her growth to unfold naturally over the course of the novel. While there were moments where the pacing dipped slightly, the strength of the characters and the immersive atmosphere kept me engaged throughout. A compelling read that shines brightest in its character development and sense of place.
April 9, 2026
High fantasy, unique systems and all characters had a genuine purpose and depth to them. I thought this book was a very easy five star read for me. The author is very descriptive which I found it easy to understand the flow of the book and there’s a good mix of text and speech which makes it flow well.
I would strongly recommend for anyone who is a fan of Brandon Sanderson.
Thank you to NetGalley, the publisher and the author for an eARC in exchange for my honest review!
I would strongly recommend for anyone who is a fan of Brandon Sanderson.
Thank you to NetGalley, the publisher and the author for an eARC in exchange for my honest review!
June 8, 2026
This is a very enjoyable fantasy book. The world-building is great, and the two FMCs are amazing. I love that they are both strong, capable women living in difficult, challenging worlds, yet they are similar. The side characters are also great, especially Thom.
If you love high fantasy books with fantastic FMCs, great world-building, and so much potential moving into the rest of the series, then I think you will love this book.
If you love high fantasy books with fantastic FMCs, great world-building, and so much potential moving into the rest of the series, then I think you will love this book.
March 30, 2026
“No backward step!”
A masterclass in fantasy writing !!!
⭐️⭐️⭐️⭐️⭐️
I don't know where to start, I'm a massive fan of old school fantasy storytelling, Ray Feist and David Eddings are my favourites, this usually means most new fantasy's just don't quite hit the spot for me but The Mistral absolutely delivered, I loved every glorious minute off it. Quite often I find myself rushing through books but with this one I completely immersed myself into the universe @felixcmosse created.
The World building and story setting was amazing, the scenes atmospheric and the characters full of depth, the story builds slowly introducing you to a wide range of characters and the background of the world without feeling "wordy". Like all the best fantasy's you find yourself championing the underdogs, waiting for the prophecy's to unveil themselves and trying to work out who the bad guys are going to be. The last 20% of the book was so fast paced and written in a way that I couldn't put it down, paragraphs interchanged between characters so that you could see the action from everyone's point of view, I've never read writing like that and it worked so well,! felt like I was right there. The ending has left me needing the next book.
This is a book that I'm going to be talking about for a long time !!
📖📖📖📖📖📖📖📖📖📖📖📖📖📖📖📖📖📖
The Mistral - a divine, ancient wind - has long swept over the realm, bestowing magical abilities on those destined to shape the future.
But The Mistral is dying.
As it falters, and fear of all-out war consumes the kingdom, a peace delegation sets out from the land of Terrius to the city of Lurella.
At the delegation’s heart is Swan, daughter of an assassinated queen, who holds a powerful and rare ability. She must seek answers - both to her mother’s murder and her own inability to master her powers. Before it's too late.
Meanwhile, in Lurella's duelling pit - The Iron Circuit - Fenne, a feared fighter, comes to the attention of one city ruler, who sees in her an opportunity . . .
As the Peace Pledge begins, Swan and Fenne are thrown together by a dark conspiracy – one that could forever alter not just their fate, but that of The Mistral.
And the fragile balance holding the realm together . . .
A masterclass in fantasy writing !!!
⭐️⭐️⭐️⭐️⭐️
I don't know where to start, I'm a massive fan of old school fantasy storytelling, Ray Feist and David Eddings are my favourites, this usually means most new fantasy's just don't quite hit the spot for me but The Mistral absolutely delivered, I loved every glorious minute off it. Quite often I find myself rushing through books but with this one I completely immersed myself into the universe @felixcmosse created.
The World building and story setting was amazing, the scenes atmospheric and the characters full of depth, the story builds slowly introducing you to a wide range of characters and the background of the world without feeling "wordy". Like all the best fantasy's you find yourself championing the underdogs, waiting for the prophecy's to unveil themselves and trying to work out who the bad guys are going to be. The last 20% of the book was so fast paced and written in a way that I couldn't put it down, paragraphs interchanged between characters so that you could see the action from everyone's point of view, I've never read writing like that and it worked so well,! felt like I was right there. The ending has left me needing the next book.
This is a book that I'm going to be talking about for a long time !!
📖📖📖📖📖📖📖📖📖📖📖📖📖📖📖📖📖📖
The Mistral - a divine, ancient wind - has long swept over the realm, bestowing magical abilities on those destined to shape the future.
But The Mistral is dying.
As it falters, and fear of all-out war consumes the kingdom, a peace delegation sets out from the land of Terrius to the city of Lurella.
At the delegation’s heart is Swan, daughter of an assassinated queen, who holds a powerful and rare ability. She must seek answers - both to her mother’s murder and her own inability to master her powers. Before it's too late.
Meanwhile, in Lurella's duelling pit - The Iron Circuit - Fenne, a feared fighter, comes to the attention of one city ruler, who sees in her an opportunity . . .
As the Peace Pledge begins, Swan and Fenne are thrown together by a dark conspiracy – one that could forever alter not just their fate, but that of The Mistral.
And the fragile balance holding the realm together . . .
Review of advance copy received from Netgalley
I LOVED this story! It's the first in an epic fantasy trilogy, and I'm definitely invested going forward.
The Mistral itself is a divine ancient wind, the source of all magic and energy in Mycenia.
And it's dying.
As its power is wanes, the world is on the brink of war. Terse relationships between opposing lands Terrius and Eron are to be determined by a potential peace pledge being set forth. While warring kingdoms hang in the balance, you follow a chosen few characters whose actions will influence the fate of the world as they know it.
Right from the outset there's action sequences that have you hooked, and it's easy to already be connected to the characters you're introduced to. The story is written as a third person multi-POV. There's quite a few different character perspectives - not too many, just enough for you to gauge the story from uniquely different angles. The main two protagonists are Fenne & Swan, both women that are in Lurella and Terrius respectively, and both who have major parts to play in the plot. I personally loved the character Fenne "Triumphant", she's so easy to feel affinity for. An immigrant duellist who's real, grounded, and morally sound. She has a strong sense of justice and a loyalty that's genuine. Her ambition and mind throw her into the political machinations of the city's elite without her initially realising the extent of her role. A natural fighter, she will power through regardless, no matter what comes her way.
Swan Fenway was another interesting character. The daughter of an assassinated queen, she has much to live up to in the shadow of her mother's renowned reign. Too young to take the throne yet, she's mentored in a guardianship to help her master her magic. Having inherited her mother's 'Root of Revelation' power, (considered both rare and powerful) she struggles to gain control of it. As part of the peace delegations from Terrius with Eron, she journeys there while also vying to find the assassin that murdered her mother. As one of the younger characters, her voice was a little more difficult to connect with, but slowly grew easier throughout, especially as she started to understand more of the political climate around her.
I thoroughly enjoyed the world-building. The story has been crafted so well with lore drops and creative descriptions that really set the foundation. The immersive depictions of the lands really helped place you in the setting, able to imagine the world being formed. The magic system is unique and clearly explained, allowing for a richer experience in reading the narrative. I'm intrigued by all the different Roots, and how each type works - it's exactly the type of world you want to see an entire encyclopaedia for all the varying categorical powers. The political intrigue works and has you right in the thick of the various conspiracies seeming to be at play. The climate change allegory is a consistent theme without being too heavy-handed. The tension builds constantly in the narrative, with the societies all reacting strongly to the idea of the very force sustaining their power quietly (and possibly irreversibly?) dying. Knowing that the two main lands have such opposing ideologies really strikes up the intensity surrounding their coming together. There's a consistent burgeoning undertone of 'shit is really going to hit the fan' eventually.
The supporting characters and subplots were masterfully interwoven. Fenne had a lovely camaraderie with the tight-knit friendships she has created. It was so refreshing to read a bond like that of her's and Thom, with no underlying romanticism, just clear wholesome friendship that stands strong. Thom, Virel and Luck were all interesting and layered characters that added more rather than took away from the plot. There were characters that definitely felt underhanded from the get-go, and others whose cunning ploys unfurled with time. As the first book in the series, we're very much getting to know the people, the world, and the threat of war in detail. There is action throughout in small bursts, and a world-changing ending with plot twists you may see coming and some you don't. Either way, it's written so well that I know I want to read what happens next!
A strong debut by Felix Mosse and what's promising to be a sweepingly epic saga!
ARC copy received in advance via Netgalley. Opinions are my own.
The Mistral itself is a divine ancient wind, the source of all magic and energy in Mycenia.
And it's dying.
As its power is wanes, the world is on the brink of war. Terse relationships between opposing lands Terrius and Eron are to be determined by a potential peace pledge being set forth. While warring kingdoms hang in the balance, you follow a chosen few characters whose actions will influence the fate of the world as they know it.
Right from the outset there's action sequences that have you hooked, and it's easy to already be connected to the characters you're introduced to. The story is written as a third person multi-POV. There's quite a few different character perspectives - not too many, just enough for you to gauge the story from uniquely different angles. The main two protagonists are Fenne & Swan, both women that are in Lurella and Terrius respectively, and both who have major parts to play in the plot. I personally loved the character Fenne "Triumphant", she's so easy to feel affinity for. An immigrant duellist who's real, grounded, and morally sound. She has a strong sense of justice and a loyalty that's genuine. Her ambition and mind throw her into the political machinations of the city's elite without her initially realising the extent of her role. A natural fighter, she will power through regardless, no matter what comes her way.
Swan Fenway was another interesting character. The daughter of an assassinated queen, she has much to live up to in the shadow of her mother's renowned reign. Too young to take the throne yet, she's mentored in a guardianship to help her master her magic. Having inherited her mother's 'Root of Revelation' power, (considered both rare and powerful) she struggles to gain control of it. As part of the peace delegations from Terrius with Eron, she journeys there while also vying to find the assassin that murdered her mother. As one of the younger characters, her voice was a little more difficult to connect with, but slowly grew easier throughout, especially as she started to understand more of the political climate around her.
I thoroughly enjoyed the world-building. The story has been crafted so well with lore drops and creative descriptions that really set the foundation. The immersive depictions of the lands really helped place you in the setting, able to imagine the world being formed. The magic system is unique and clearly explained, allowing for a richer experience in reading the narrative. I'm intrigued by all the different Roots, and how each type works - it's exactly the type of world you want to see an entire encyclopaedia for all the varying categorical powers. The political intrigue works and has you right in the thick of the various conspiracies seeming to be at play. The climate change allegory is a consistent theme without being too heavy-handed. The tension builds constantly in the narrative, with the societies all reacting strongly to the idea of the very force sustaining their power quietly (and possibly irreversibly?) dying. Knowing that the two main lands have such opposing ideologies really strikes up the intensity surrounding their coming together. There's a consistent burgeoning undertone of 'shit is really going to hit the fan' eventually.
The supporting characters and subplots were masterfully interwoven. Fenne had a lovely camaraderie with the tight-knit friendships she has created. It was so refreshing to read a bond like that of her's and Thom, with no underlying romanticism, just clear wholesome friendship that stands strong. Thom, Virel and Luck were all interesting and layered characters that added more rather than took away from the plot. There were characters that definitely felt underhanded from the get-go, and others whose cunning ploys unfurled with time. As the first book in the series, we're very much getting to know the people, the world, and the threat of war in detail. There is action throughout in small bursts, and a world-changing ending with plot twists you may see coming and some you don't. Either way, it's written so well that I know I want to read what happens next!
A strong debut by Felix Mosse and what's promising to be a sweepingly epic saga!
ARC copy received in advance via Netgalley. Opinions are my own.
Review of advance copy received from Netgalley
ARC received from NetGalley and Penguin Random House in exchange for honest review.
⚡SYNOPSIS⚡
The Mistral has long bestowed 'Roots' - magical abilities to people destined to shape the future.
But as the Mistral falters and fear of war consumes the realms, a peace delegation sets out from Terrius to Eron.
Swan, daughter of an assassinated queen, holds the powerful and rare Root of Revelation. She must seek answers to her mother’s murder.
Meanwhile, Fenne, a feared fighter, comes to the attention of one city ruler who sees in her an opportunity.
As the city prepares to host the Peace Pledge, Swan and Fenne catch glimpses of dark conspiracies – ones in which they may prove expendable pawns.
⚡REVIEW⚡
This incredible epic fantasy novel had me hooked from the very beginning. Focusing on the experiences of two characters, Fenne and Swan, the worldbuilding is exquisite, fed consistently throughout the novel building to a realisation for the reader as they see the explosive end unfold in horror.
The magic system is wonderfully creative, unlike nothing I have read previously. Based over the continent of Mycenia, the Mistral is comprised of two currents of aether in the sky, which gifts abilities to the citizens below it. As the citizens use their abilities, the expulsion of the aether is returned to the Mistral, keeping it refreshed. However, a faction in Eron have created machines that trap aether, and the Mistral is slowly dying out. The opposing factions of Eron and Terrius are looking for peace, in order to prevent the Mistral's continued deterioration.
Fenne "Triumphant" is an immigrant in Eron, one of the two biggest districts of Mycenia. Having taken the eye of Constantine, a religious leader in Eron, she is petitioning to become the Wooden Pit Lord - something that is really way beyond her station - in order to be given leave to remain in Eron. She uses her heritage as an asset to her application. She has a core friendship group, but her relationship with Constantine is strongest. She is incredibly likeable, very strong and is going to be a very key character throughout what promises to be an epic story.
Swan Fenway has been brought up believing that Eron is a heinous country, responsible for the death of her Mother, the ruler of Terrius. But when her Mother is assassinated, Swan is too young to assume her role, and is under the guardianship of Morain, who goes from being as close as family to closed off and disdainful. When it is announced that there is to be a delegation to Eron, Swan is keen to join, hoping it will help to develop her Root (magical ability) and finally be able to visualise who killed her Mother. But she is unprepared for what it means when her Root manifests, and the significance it has on her journey. Her role within the sisterhood of the Terrius citizens significantly alters when she becomes aware of hidden truths, and the events at the end of the book leave her trusting a person who she would never have in normal times. I cannot wait to see how her story plays out.
The supporting cast are all distinct and memorable, without feeling like there are too many characters to wrangle. They each have their roles to play, and although some of those roles are not clear as of yet, it is plain to see that Felix Mosse has everything well plotted out.
The pacing of this novel is steady, beginning with a lot of lore and worldbuilding, and progressing with slight revelations that build up. The reader is aware of what is about to unfurl thanks to excellent foreshadowing, but it doesn't feel like the story is ruined - instead you focus on the reactions of the characters and their resulting moves. The fates of some characters are left in the balance, and that jeopardy has me absolutely desperate to read on.
The Mistral is a devastatingly good epic fantasy, with a unique magic system, the use of prophecy and destiny, plotting and scheming, betrayal and an ending that will have you pulsing with need for the next book. I can't wait to see what lies in store for Fenne, Swan and co!
Thank you for giving me the opportunity to review this book!
⚡SYNOPSIS⚡
The Mistral has long bestowed 'Roots' - magical abilities to people destined to shape the future.
But as the Mistral falters and fear of war consumes the realms, a peace delegation sets out from Terrius to Eron.
Swan, daughter of an assassinated queen, holds the powerful and rare Root of Revelation. She must seek answers to her mother’s murder.
Meanwhile, Fenne, a feared fighter, comes to the attention of one city ruler who sees in her an opportunity.
As the city prepares to host the Peace Pledge, Swan and Fenne catch glimpses of dark conspiracies – ones in which they may prove expendable pawns.
⚡REVIEW⚡
This incredible epic fantasy novel had me hooked from the very beginning. Focusing on the experiences of two characters, Fenne and Swan, the worldbuilding is exquisite, fed consistently throughout the novel building to a realisation for the reader as they see the explosive end unfold in horror.
The magic system is wonderfully creative, unlike nothing I have read previously. Based over the continent of Mycenia, the Mistral is comprised of two currents of aether in the sky, which gifts abilities to the citizens below it. As the citizens use their abilities, the expulsion of the aether is returned to the Mistral, keeping it refreshed. However, a faction in Eron have created machines that trap aether, and the Mistral is slowly dying out. The opposing factions of Eron and Terrius are looking for peace, in order to prevent the Mistral's continued deterioration.
Fenne "Triumphant" is an immigrant in Eron, one of the two biggest districts of Mycenia. Having taken the eye of Constantine, a religious leader in Eron, she is petitioning to become the Wooden Pit Lord - something that is really way beyond her station - in order to be given leave to remain in Eron. She uses her heritage as an asset to her application. She has a core friendship group, but her relationship with Constantine is strongest. She is incredibly likeable, very strong and is going to be a very key character throughout what promises to be an epic story.
Swan Fenway has been brought up believing that Eron is a heinous country, responsible for the death of her Mother, the ruler of Terrius. But when her Mother is assassinated, Swan is too young to assume her role, and is under the guardianship of Morain, who goes from being as close as family to closed off and disdainful. When it is announced that there is to be a delegation to Eron, Swan is keen to join, hoping it will help to develop her Root (magical ability) and finally be able to visualise who killed her Mother. But she is unprepared for what it means when her Root manifests, and the significance it has on her journey. Her role within the sisterhood of the Terrius citizens significantly alters when she becomes aware of hidden truths, and the events at the end of the book leave her trusting a person who she would never have in normal times. I cannot wait to see how her story plays out.
The supporting cast are all distinct and memorable, without feeling like there are too many characters to wrangle. They each have their roles to play, and although some of those roles are not clear as of yet, it is plain to see that Felix Mosse has everything well plotted out.
The pacing of this novel is steady, beginning with a lot of lore and worldbuilding, and progressing with slight revelations that build up. The reader is aware of what is about to unfurl thanks to excellent foreshadowing, but it doesn't feel like the story is ruined - instead you focus on the reactions of the characters and their resulting moves. The fates of some characters are left in the balance, and that jeopardy has me absolutely desperate to read on.
The Mistral is a devastatingly good epic fantasy, with a unique magic system, the use of prophecy and destiny, plotting and scheming, betrayal and an ending that will have you pulsing with need for the next book. I can't wait to see what lies in store for Fenne, Swan and co!
Thank you for giving me the opportunity to review this book!
Review of advance copy received from Netgalley
Born of two coalescing World Winds, the Mistral is an ethereal phenomenon that endows the world of Mycenia with aether. This resulting in a uniquely vibrant world of magic; though one that is far from equally distributed amongst its people. And like all natural resources, issues of supply and demand creates its own tension.
The Mistral is a sprawling epic fantasy reminiscent of Sanderson’s Stormlight Archive , but also distinctly original in its world-building, histories and a very intriguing central plot premise.
Mosse paints striking contrasts between the Terrius and Eronese ideologies; the sharp, austere blacks and reds against the flamboyant cerulean blues and gold. Yet ultimately reveals how fundamentally similar they both are. Both shaped by powers corrupting hand, giving rise to cruelty and subtle subjugation and the expendability of its own people.
This book is a twisting and weaving narrative of hidden motivations, manipulation and betrayals; resulting in an explosive finale. Mosse’s writing style is dynamic and engaging; the fight scenes are nail biting, action packed and very entertaining. In some ways The Mistral reminds me of Tite Kubo’s Bleach , so if you liked Bleach, you’ll definately enjoy this.
I loved all the characters; the good, the nefarious, the morally ambiguous and flawed. The main protagonists Fenne and Swan were likeable and fleshed out, making their motivations and fears feel grounded and relatable. Likewise, supporting characters were also great. Some allowing for moments of levity, whilst others driving the plot forward and deepening the feeling of mystery. Personally, I thoroughly enjoyed Eli, Thom and Virel’s scenes.
Overall, Mosse succeeds in building a mounting anticipation of change throughout the novel, which culminates to a shocking conclusion. The Mistral is a strong and well written opening instalment and I undoubtedly look forward to reading more of Mycenia.
As this is an eARC there were some minor formatting and editing issues which will likely be resolved on release and did not impact the enjoyment of the story itself. Thanks Netgalley and Penguin Random House for the advance copy; I look forward to seeing the finished product in future and definitely recommend it!
The Mistral is a sprawling epic fantasy reminiscent of Sanderson’s Stormlight Archive , but also distinctly original in its world-building, histories and a very intriguing central plot premise.
Mosse paints striking contrasts between the Terrius and Eronese ideologies; the sharp, austere blacks and reds against the flamboyant cerulean blues and gold. Yet ultimately reveals how fundamentally similar they both are. Both shaped by powers corrupting hand, giving rise to cruelty and subtle subjugation and the expendability of its own people.
This book is a twisting and weaving narrative of hidden motivations, manipulation and betrayals; resulting in an explosive finale. Mosse’s writing style is dynamic and engaging; the fight scenes are nail biting, action packed and very entertaining. In some ways The Mistral reminds me of Tite Kubo’s Bleach , so if you liked Bleach, you’ll definately enjoy this.
I loved all the characters; the good, the nefarious, the morally ambiguous and flawed. The main protagonists Fenne and Swan were likeable and fleshed out, making their motivations and fears feel grounded and relatable. Likewise, supporting characters were also great. Some allowing for moments of levity, whilst others driving the plot forward and deepening the feeling of mystery. Personally, I thoroughly enjoyed Eli, Thom and Virel’s scenes.
Overall, Mosse succeeds in building a mounting anticipation of change throughout the novel, which culminates to a shocking conclusion. The Mistral is a strong and well written opening instalment and I undoubtedly look forward to reading more of Mycenia.
As this is an eARC there were some minor formatting and editing issues which will likely be resolved on release and did not impact the enjoyment of the story itself. Thanks Netgalley and Penguin Random House for the advance copy; I look forward to seeing the finished product in future and definitely recommend it!
Review of advance copy received from NetGalley
Thanks to NetGalley and Michael Joseph, Penguin Random House for the ARC in exchange for an honest review.
Rating
⭐️⭐️⭐️⭐️/5
Overall thoughts
The Mistral, the God of this land, is dying. And it’s lashing out as it does so, destroying the land with storms. Yet nobody can agree the best way to heal the Mistral…
This epic fantasy has such an incredibly detailed, well thought out world that’s a brilliant set up for the rest of the trilogy. It builds slowly and steadily, giving you full immersion and teasing you with the character stories. I can already feel this is going to be an incredible series!
Characters and world
First of all, I want to commend Felix for passing the Bechdel test with flying colours. Often with epic fantasy, female characters can take a back seat. But women are absolutely central to this story and it’s beautifully done even from the prologue.
The characters themselves are really interesting, with their back stories slowly teased over the course of the book. I loved Fenne and Thom in particular, who they are, how they ended up where they are, their teasing friendship. Looking forward to seeing where their stories go! It’s a third person multiple PoV book which keeps it fresh and really helps build the stories of all the key players.
World building and pacing
The world building like I said earlier is absolutely immense. I’m only just moving into reading more epic fantasy, and so I did find the world building a little overwhelming at first. The first 30% or so is very strong on the world building and lower on the plot, the next 40% starts to tease the storyline and intrigue, and the final 30% it really takes off and grips you. The slow build is definitely worth the payoff here!
The world itself is so fantastically done with every detail thought out - the religion and politics, the history, the clashing opinions in the Mistral, the overall magic system and the Mythic Roots - once you settle in and start to understand the world it’s truly breathtaking.
Really glad I read this book and looking forward to reading more from Felix 🙌
Rating
⭐️⭐️⭐️⭐️/5
Overall thoughts
The Mistral, the God of this land, is dying. And it’s lashing out as it does so, destroying the land with storms. Yet nobody can agree the best way to heal the Mistral…
This epic fantasy has such an incredibly detailed, well thought out world that’s a brilliant set up for the rest of the trilogy. It builds slowly and steadily, giving you full immersion and teasing you with the character stories. I can already feel this is going to be an incredible series!
Characters and world
First of all, I want to commend Felix for passing the Bechdel test with flying colours. Often with epic fantasy, female characters can take a back seat. But women are absolutely central to this story and it’s beautifully done even from the prologue.
The characters themselves are really interesting, with their back stories slowly teased over the course of the book. I loved Fenne and Thom in particular, who they are, how they ended up where they are, their teasing friendship. Looking forward to seeing where their stories go! It’s a third person multiple PoV book which keeps it fresh and really helps build the stories of all the key players.
World building and pacing
The world building like I said earlier is absolutely immense. I’m only just moving into reading more epic fantasy, and so I did find the world building a little overwhelming at first. The first 30% or so is very strong on the world building and lower on the plot, the next 40% starts to tease the storyline and intrigue, and the final 30% it really takes off and grips you. The slow build is definitely worth the payoff here!
The world itself is so fantastically done with every detail thought out - the religion and politics, the history, the clashing opinions in the Mistral, the overall magic system and the Mythic Roots - once you settle in and start to understand the world it’s truly breathtaking.
Really glad I read this book and looking forward to reading more from Felix 🙌
Review of advance copy received from NetGalley
Thanks to NetGalley, the publisher and Felix Mosse for providing me with an e-ARC of The Mistral.
One thing this book made me realise is that I really wish illustrations were more common in fantasy books. The descriptions of the city of Lurella were so epic and vivid that I kept wishing I could actually see it. The whole setting had this almost “Arcane”-coded feeling to it. The contrast between the grand buildings and poorer districts all threaded through with strange aether technology quietly keeping everything running was incredibly atmospheric. It felt magical and industrial at the same time, which normally does not work for me, but the writing was so beautiful that it completely pulled me in.
Also Fenne and Thom. I am sure there are other great examples of purely platonic male/female friendships in fantasy, but this one hit differently for me because of how grounded it felt. There is no “Will they? Won't they?”, no lingering tension or moments where the narrative feels desperate to force attraction into the gaps. They simply trust each other. Fight beside each other. Care about each other. It reminded me a lot of Malcolm Reynolds and Zoe from Firefly. That rock solid camaraderie where affection exists completely separately from romance.
I have to admit that I was not completely sold on Swan’s perspective at first. Not because it was bad, but because it took me a little while to settle into her voice compared to the others. She has a much younger, naive perspective and it took me some time to adjust to the way she viewed the world. That may honestly be more of a me problem because of the age difference.
Another thing I really appreciated was the pacing. The story constantly felt like it was moving without rushing itself with all the different threads coming together at the end in a way that felt genuinely satisfying. It was a really solid payoff that made the journey feel worthwhile.
I will definitely be picking up a finished copy for my shelves and waiting to hear announcements for a sequel.
One thing this book made me realise is that I really wish illustrations were more common in fantasy books. The descriptions of the city of Lurella were so epic and vivid that I kept wishing I could actually see it. The whole setting had this almost “Arcane”-coded feeling to it. The contrast between the grand buildings and poorer districts all threaded through with strange aether technology quietly keeping everything running was incredibly atmospheric. It felt magical and industrial at the same time, which normally does not work for me, but the writing was so beautiful that it completely pulled me in.
Also Fenne and Thom. I am sure there are other great examples of purely platonic male/female friendships in fantasy, but this one hit differently for me because of how grounded it felt. There is no “Will they? Won't they?”, no lingering tension or moments where the narrative feels desperate to force attraction into the gaps. They simply trust each other. Fight beside each other. Care about each other. It reminded me a lot of Malcolm Reynolds and Zoe from Firefly. That rock solid camaraderie where affection exists completely separately from romance.
I have to admit that I was not completely sold on Swan’s perspective at first. Not because it was bad, but because it took me a little while to settle into her voice compared to the others. She has a much younger, naive perspective and it took me some time to adjust to the way she viewed the world. That may honestly be more of a me problem because of the age difference.
Another thing I really appreciated was the pacing. The story constantly felt like it was moving without rushing itself with all the different threads coming together at the end in a way that felt genuinely satisfying. It was a really solid payoff that made the journey feel worthwhile.
I will definitely be picking up a finished copy for my shelves and waiting to hear announcements for a sequel.
Review of advance copy received from NetGalley
The Mistral is the first book in a new fantasy trilogy set in a world where the divine ancient wind that bestows magical powers is dying. As a peace delegation attempts to halt the battles between two warring nations, a secret third faction has a terrible plan to save the Mistral. The book is mainly told from three points of view: Fenne, a former pit fighter trying to stay in the city of Lurella; Swan, a princess trying to find her mother’s murderer; and Thom, a duellist from an elite family serving penance.
The world-building is rich and it’s clear that an incredible amount of time went into constructing this world and its magic system. The detail is quite dense in the first half of the book, but that wasn’t really a drawback for me as you need to understand the world to understand what happens later. The characters are diverse and flawed, each fighting with their own demons. Swan and Fenne have some great character development, and I really enjoyed Fenne’s story arc.
Unfortunately, there were many errors in the ARC copy: incorrect grammar and punctuation, spelling mistakes and repeated sentences, and continuity errors like Eli’s dress changing colour mid-way through Thom’s pit fight scene. Hopefully these will be corrected in the final proof before the publish date.
The main drawback of the book for me was that it felt more like it was setting up the next two books rather than being an entire book on its own. There was some action but most of it was right at the end and felt like the beginning of the actual story. There is a lot to enjoy in this book, but for me it slightly missed the mark of what I expected. It’s definitely worth a read though, and I’m looking forward to the next book in the series.
Thank you to NetGalley for the ARC.
The world-building is rich and it’s clear that an incredible amount of time went into constructing this world and its magic system. The detail is quite dense in the first half of the book, but that wasn’t really a drawback for me as you need to understand the world to understand what happens later. The characters are diverse and flawed, each fighting with their own demons. Swan and Fenne have some great character development, and I really enjoyed Fenne’s story arc.
Unfortunately, there were many errors in the ARC copy: incorrect grammar and punctuation, spelling mistakes and repeated sentences, and continuity errors like Eli’s dress changing colour mid-way through Thom’s pit fight scene. Hopefully these will be corrected in the final proof before the publish date.
The main drawback of the book for me was that it felt more like it was setting up the next two books rather than being an entire book on its own. There was some action but most of it was right at the end and felt like the beginning of the actual story. There is a lot to enjoy in this book, but for me it slightly missed the mark of what I expected. It’s definitely worth a read though, and I’m looking forward to the next book in the series.
Thank you to NetGalley for the ARC.
June 9, 2026
Characters that feel distinct and that come to life in every chapter. I loved how there’s 3-4 main characters and POV changes with every chapter, but you know who you’re following just from the slight shifts in the writing. And I don’t have a favourite. Fenne, Thom, Swan, Hedge, Lamourney, Constantine, Viryl are all brilliant characters.
The world feels lived in, and otherworldly. It’s rich in history, and politics. It was fascinating whenever you’d come across something new regarding the Mistral or one of the other sections of the world in a new chapter or at the beginning of a new act (book was split in five acts, if I’m remembering correctly.)
I’m feeling a bit more mixed on some of the writing. Like the dialogue. The swearing kind of came naturally to some of the characters, but at the same time I feel like it clashed with the world the story is set in. It took me a long time to get used it where it wasn’t pulling me out of the story every time.
Another negative would be how bad of an introduction the prologue is to do the rest of the novel. It’s completely self-serious, which doesn’t really match the tone of the rest novel, and is filled with a lot of new jargon that you don’t learn the meaning of till later on. I almost dnf-ed it a few pages in, but I’m so glad that I carried on.
Because then there’s other parts of the writing that shine. During some of the revelations and twists I had chills running down my back. That’s how well those pin-drop moments are written.
It’s also so gruesome at times. Some of the fights and events are described in horrific detail. I am not going to be able to get that ending out of my head for a long time.
Overall, I hope it does well financially, so we can see where the characters go next.
Rating - 4.3/5
The world feels lived in, and otherworldly. It’s rich in history, and politics. It was fascinating whenever you’d come across something new regarding the Mistral or one of the other sections of the world in a new chapter or at the beginning of a new act (book was split in five acts, if I’m remembering correctly.)
I’m feeling a bit more mixed on some of the writing. Like the dialogue. The swearing kind of came naturally to some of the characters, but at the same time I feel like it clashed with the world the story is set in. It took me a long time to get used it where it wasn’t pulling me out of the story every time.
Another negative would be how bad of an introduction the prologue is to do the rest of the novel. It’s completely self-serious, which doesn’t really match the tone of the rest novel, and is filled with a lot of new jargon that you don’t learn the meaning of till later on. I almost dnf-ed it a few pages in, but I’m so glad that I carried on.
Because then there’s other parts of the writing that shine. During some of the revelations and twists I had chills running down my back. That’s how well those pin-drop moments are written.
It’s also so gruesome at times. Some of the fights and events are described in horrific detail. I am not going to be able to get that ending out of my head for a long time.
Overall, I hope it does well financially, so we can see where the characters go next.
Rating - 4.3/5
April 6, 2026
Thank you to Penguin Random House, Michael Joseph and NetGalley for this ARC.
Having been disappointed with some new and upcoming fantasy authors, finding that they often revisit the same tropes and popular styles of other brilliant authors, this book has been a delight to discover.
Michael Joseph has created a fantastic world, it feels fresh and original in its world building, which is no easy task, and displays systems of magic and warfare that are original and inventive. Whilst at times, the Roots seemed to be never ending in their creation, it seemed every page had a new style of root and no one seemed to have the same, they all locked into place throughout the course of the book. Any that didn’t, I have no doubt will be brought up in future ones to link to why they’ve been placed so. This felt a world that was exciting yet familiar, not too in the style of anyone else but deeply their own.
It took a few chapters for us to discover which POV we would mainly be settling with, which then led, to when other POVs came through a more intriguing reason as to why. Hedger was a heartbreaking delight, so bittersweet and beautifully written.
For people who are fans of deeply rooted Fantasy, this a sure fire please. Whilst I would comment on some grammar and sentence anomalies, in terms of structure, phrasing and spelling, these are quick fixes that I am sure will have been commented and edited on well before publication.
I look forward to purchasing a physical copy, and to see what else this author brings to life!
Having been disappointed with some new and upcoming fantasy authors, finding that they often revisit the same tropes and popular styles of other brilliant authors, this book has been a delight to discover.
Michael Joseph has created a fantastic world, it feels fresh and original in its world building, which is no easy task, and displays systems of magic and warfare that are original and inventive. Whilst at times, the Roots seemed to be never ending in their creation, it seemed every page had a new style of root and no one seemed to have the same, they all locked into place throughout the course of the book. Any that didn’t, I have no doubt will be brought up in future ones to link to why they’ve been placed so. This felt a world that was exciting yet familiar, not too in the style of anyone else but deeply their own.
It took a few chapters for us to discover which POV we would mainly be settling with, which then led, to when other POVs came through a more intriguing reason as to why. Hedger was a heartbreaking delight, so bittersweet and beautifully written.
For people who are fans of deeply rooted Fantasy, this a sure fire please. Whilst I would comment on some grammar and sentence anomalies, in terms of structure, phrasing and spelling, these are quick fixes that I am sure will have been commented and edited on well before publication.
I look forward to purchasing a physical copy, and to see what else this author brings to life!
Review of advance copy received from NetGalley
Thank you to Penguin Random House and NetGalley for providing this ARC in exchange for an honest review.
Welcome to the world of Mycenia, the setting of Mosse's first instalment in this new High Fantasy trilogy. We are immersed in two realms within Mycenia and discover a host of characters and the looming jeopardy of a waning magic system (the titular, Mistral).
The first chapter is a strong opener, acting as the catalyst for how the events of The Mistral ultimately unfold. As with many High Fantasy series, Mosse's story requires intense world building, which may make the pace of the first half of the book feel slow, but ultimately pay off in the later stages of the story as plot points and characters converge on an action-packed and satisfying conclusion.
I'm very much excited for the official publication of this book, and to see other readers discuss some of the themes that are explored throughout The Mistral, especially aspects that feel like they offer a commentary on real-world issues (for example the impact of technological advancement on the environment - "we have entered a time where commerce is tied into the fabric of society and how we live...changed the world so swiftly with his machines, I worry we act without considering the consequences of discarding so much history behind us").
Recommended for fans of Brandon Sanderson, Mosse delivers sophisticated world building that encompasses politics, religion, geography and history that prepares you to return to the world of Mycenia for whatever comes next.
Welcome to the world of Mycenia, the setting of Mosse's first instalment in this new High Fantasy trilogy. We are immersed in two realms within Mycenia and discover a host of characters and the looming jeopardy of a waning magic system (the titular, Mistral).
The first chapter is a strong opener, acting as the catalyst for how the events of The Mistral ultimately unfold. As with many High Fantasy series, Mosse's story requires intense world building, which may make the pace of the first half of the book feel slow, but ultimately pay off in the later stages of the story as plot points and characters converge on an action-packed and satisfying conclusion.
I'm very much excited for the official publication of this book, and to see other readers discuss some of the themes that are explored throughout The Mistral, especially aspects that feel like they offer a commentary on real-world issues (for example the impact of technological advancement on the environment - "we have entered a time where commerce is tied into the fabric of society and how we live...changed the world so swiftly with his machines, I worry we act without considering the consequences of discarding so much history behind us").
Recommended for fans of Brandon Sanderson, Mosse delivers sophisticated world building that encompasses politics, religion, geography and history that prepares you to return to the world of Mycenia for whatever comes next.
Review of advance copy received from NetGalley
ARC Copy from NetGalley 5 ⭐
Absolutely loved starting this trilogy. What an incredible Story!
I was immediately drawn to this fantasy after seeing it recommended for fans of Brandon Sanderson. While I haven’t yet read his work, several of his books are on my TBR, so I was excited to dive into something with a similar appeal and it did not disappoint.
From the very first pages, I was completely immersed in the world of Mycenia. The exploration of its religions , Constantism and Zephyrism and peoples points of View to what the Mistral means to them, especially as both are tied so closely to the fate of the dying mistral and the fading magic system. What really stood out is how each faction has its own vision for preserving that magic, creating a strong sense of tension throughout the story.
I found myself comparing the overproduction of Machinery in our current world! And what that will mean for us as a whole long term.
The story itself is fantastic, and the magic system is equally engaging and unique.
The world building is exceptional, rich, detailed, and thoughtfully layered. I especially appreciated the multiple points of view, which allowed the story to unfold gradually while deepening my understanding of each character. The slow introduction of the main Characters and Mythic Roots worked! The last 30% of the Book was so fast paced and quite frankly I didn’t want it to stop!
This is a book I’ll be recommending to anyone who loves immersive fantasy, really enjoyed
Absolutely loved starting this trilogy. What an incredible Story!
I was immediately drawn to this fantasy after seeing it recommended for fans of Brandon Sanderson. While I haven’t yet read his work, several of his books are on my TBR, so I was excited to dive into something with a similar appeal and it did not disappoint.
From the very first pages, I was completely immersed in the world of Mycenia. The exploration of its religions , Constantism and Zephyrism and peoples points of View to what the Mistral means to them, especially as both are tied so closely to the fate of the dying mistral and the fading magic system. What really stood out is how each faction has its own vision for preserving that magic, creating a strong sense of tension throughout the story.
I found myself comparing the overproduction of Machinery in our current world! And what that will mean for us as a whole long term.
The story itself is fantastic, and the magic system is equally engaging and unique.
The world building is exceptional, rich, detailed, and thoughtfully layered. I especially appreciated the multiple points of view, which allowed the story to unfold gradually while deepening my understanding of each character. The slow introduction of the main Characters and Mythic Roots worked! The last 30% of the Book was so fast paced and quite frankly I didn’t want it to stop!
This is a book I’ll be recommending to anyone who loves immersive fantasy, really enjoyed
May 2, 2026
Thank you Felix Mosse, Penguin Random House and NetGalley for the opportunity to read and review an early copy of this book, forever grateful.
5⭐️
Wow. Excellent. Give me more!
“Schemes within plots, hidden within ideas, concealed by lies”
The Mistral is dying, the aetherical powers that maintain the balance of life and powers “Roots” within people. It’s dying because someone is choosing to harness the power, trapping it in devices to make it available to everyone, not just the chosen ones.
Sounds great….right?
But with the Mistral weakening, powerful storms are raging, and the danger is serious.
A Queen murdered and old alliances are on the brink of crumbling. A daughter trying to remember the face of the killer.
We have political chess playing, back stabbing, secrets and lies. A recipe for a great book backed up with immersive writing and great characters, all with a great story to tell and an important role in the plot.
There are ancient stories, myths and legends surrounding 4 Mythic Roots, which foretell the coming of change, when the world is at the precipice of ruin.
One of my favourite scenes was a fight pit scene, the writing of that scene was fantastic, with the drums “BOOM BOOM”, building the tension. I felt like I was there.
Some of my favourite quotes of the book-
“But while you live, there is always a chance, while breath fills your lungs, you can keep trying”
“We grow in hardship, to better know serenity in peace”
Fantastic, I can’t wait for the next instalment.
5⭐️
Wow. Excellent. Give me more!
“Schemes within plots, hidden within ideas, concealed by lies”
The Mistral is dying, the aetherical powers that maintain the balance of life and powers “Roots” within people. It’s dying because someone is choosing to harness the power, trapping it in devices to make it available to everyone, not just the chosen ones.
Sounds great….right?
But with the Mistral weakening, powerful storms are raging, and the danger is serious.
A Queen murdered and old alliances are on the brink of crumbling. A daughter trying to remember the face of the killer.
We have political chess playing, back stabbing, secrets and lies. A recipe for a great book backed up with immersive writing and great characters, all with a great story to tell and an important role in the plot.
There are ancient stories, myths and legends surrounding 4 Mythic Roots, which foretell the coming of change, when the world is at the precipice of ruin.
One of my favourite scenes was a fight pit scene, the writing of that scene was fantastic, with the drums “BOOM BOOM”, building the tension. I felt like I was there.
Some of my favourite quotes of the book-
“But while you live, there is always a chance, while breath fills your lungs, you can keep trying”
“We grow in hardship, to better know serenity in peace”
Fantastic, I can’t wait for the next instalment.
Review of advance copy received from NetGalley
I don’t DNF books lightly, especially ARCs, so I want to acknowledge that I gave The Minstral a fair try, reaching around 55% before deciding to stop.
Unfortunately, this one just didn’t quite work for me. I found the writing style difficult to settle into - it felt a little clunky and, at times, disjointed, which made it hard to stay fully immersed. By the halfway point, I was also hoping to feel more connected to the characters, but I struggled to form that emotional investment.
The plot seemed to shift quite quickly from one idea to another without much transition, which left me feeling a bit lost. At 55%, I still wasn’t sure where the story was heading, and it felt like not a great deal had happened to anchor me. There’s also a strong emphasis on description; while this may work well for some readers, I personally found it a bit overwhelming, particularly when it focused on details that didn’t feel central to the story.
That said, there were elements I did enjoy. The relationships between characters stood out - especially Thom and Fenne. Whenever the narrative focused on them, I found myself more engaged and interested in what was unfolding.
Overall, I do think there’s clear potential here, and this may simply be a case of the book not aligning with my personal reading preferences at this time. I’d be open to revisiting it in the future to see if my experience changes.
Thank you to NetGalley and the publisher for providing an early copy in exchange for an honest review.
Unfortunately, this one just didn’t quite work for me. I found the writing style difficult to settle into - it felt a little clunky and, at times, disjointed, which made it hard to stay fully immersed. By the halfway point, I was also hoping to feel more connected to the characters, but I struggled to form that emotional investment.
The plot seemed to shift quite quickly from one idea to another without much transition, which left me feeling a bit lost. At 55%, I still wasn’t sure where the story was heading, and it felt like not a great deal had happened to anchor me. There’s also a strong emphasis on description; while this may work well for some readers, I personally found it a bit overwhelming, particularly when it focused on details that didn’t feel central to the story.
That said, there were elements I did enjoy. The relationships between characters stood out - especially Thom and Fenne. Whenever the narrative focused on them, I found myself more engaged and interested in what was unfolding.
Overall, I do think there’s clear potential here, and this may simply be a case of the book not aligning with my personal reading preferences at this time. I’d be open to revisiting it in the future to see if my experience changes.
Thank you to NetGalley and the publisher for providing an early copy in exchange for an honest review.
May 28, 2026
An epic/high fantasy with a unique magical system, The Mistral. The Mistral is a kind of divine wind that gives certain individuals powers (roots). The Mistral is dying and it's interesting to see the different reactions people have to this and how people feel about The Mistral. There's lots of interesting elements to this book but I did struggle with the pacing.
It's a strong start, the queen is assassinated and straight away I wanted to know why. I really enjoyed the mystery surrounding the assassination.
I especially enjoyed the chapters following Swan, the queen's daughter, she was my favourite character. She is trying to learn more about the assassination whilst mastering her root power.
We also have a couple of other main characters. Fenne is an immigrant pit fighter and is a strong likeable character. Thom is a duellist and is another likeable character. There's also plenty of other interesting supporting characters that I wanted to know more about.
There is a lot of world building which meant that the plot didn't develop that much. I was really interested in finding out about the assassination and Swan but it felt like I had to wade through a lot of information to get to it. It did really pick up at the end though with lots of action and it sets the stage for the next book.
This would be perfect for epic/high fantasy fans who enjoy unique worlds and lots of world building.
Thank you to @netgalley and @michaeljbooks for providing a copy of this book in exchange for my honest review.
It's a strong start, the queen is assassinated and straight away I wanted to know why. I really enjoyed the mystery surrounding the assassination.
I especially enjoyed the chapters following Swan, the queen's daughter, she was my favourite character. She is trying to learn more about the assassination whilst mastering her root power.
We also have a couple of other main characters. Fenne is an immigrant pit fighter and is a strong likeable character. Thom is a duellist and is another likeable character. There's also plenty of other interesting supporting characters that I wanted to know more about.
There is a lot of world building which meant that the plot didn't develop that much. I was really interested in finding out about the assassination and Swan but it felt like I had to wade through a lot of information to get to it. It did really pick up at the end though with lots of action and it sets the stage for the next book.
This would be perfect for epic/high fantasy fans who enjoy unique worlds and lots of world building.
Thank you to @netgalley and @michaeljbooks for providing a copy of this book in exchange for my honest review.
Review of advance copy received from NetGalley
This is a fabulous read, mixing factions, mystery, and fantasy, and it is wrapped up in a world that completely hooked me from the very start.
This is the first book in a planned trilogy, and I really enjoyed how the author laid out the basics and then expanded on the land, history and characters. The Mistral is a force that can be used; it is a magical wind that some have harnessed. It was self-perpetuating, but it is gradually losing its strength. This is leading to severe storms.
There are several characters in this book, and that helps to focus the reader and get to know them and some of their traits. The main ones are Swan and Fenne; they are unknown to each other and live very different lifestyles. Swan is the daughter of the assassinated Queen, and Fenne fights in the duelling pits. What draws them together is a Peace Pledge, which is something that could potentially bring the two factions together and, in doing so, bolster their place against others.
I adored how the author brought the world, characters and history together. This is a brilliant start to a trilogy. I liked how the author finished this one. Adding some essential details to leave you wanting more and setting the seed for the next book. There is the sense that there is going to be a whole lot of trouble, and I cannot wait to see where the author takes this story.
This is one for fans of epic fantasy, trilogies, and I just adored it and would definitely recommend it.
This is the first book in a planned trilogy, and I really enjoyed how the author laid out the basics and then expanded on the land, history and characters. The Mistral is a force that can be used; it is a magical wind that some have harnessed. It was self-perpetuating, but it is gradually losing its strength. This is leading to severe storms.
There are several characters in this book, and that helps to focus the reader and get to know them and some of their traits. The main ones are Swan and Fenne; they are unknown to each other and live very different lifestyles. Swan is the daughter of the assassinated Queen, and Fenne fights in the duelling pits. What draws them together is a Peace Pledge, which is something that could potentially bring the two factions together and, in doing so, bolster their place against others.
I adored how the author brought the world, characters and history together. This is a brilliant start to a trilogy. I liked how the author finished this one. Adding some essential details to leave you wanting more and setting the seed for the next book. There is the sense that there is going to be a whole lot of trouble, and I cannot wait to see where the author takes this story.
This is one for fans of epic fantasy, trilogies, and I just adored it and would definitely recommend it.
Review of advance copy received from Publisher
I have never felt so differently about a book at different stages of the story in my life, and I think this is a perfect example of where you really have to trust the author that what they're setting up is going to have a payoff.
The Mistral opens with an absolute corker of a prologue, heavily evoking The Way of Kings without feeling like that work was a direct inspiration. The following 50% of the main characters' story is filled with vivid worldbuilding, but honestly not much else to hold your attention.
I had to put it down and read some smut to reset my brain.
When I came back, I was absolutely hooked for that last 45%. All the players start to coalesce, the stakes are finally very high and the pieces start to fall into place for a second half full of sucker punches.
I do wish that one or two high-impact scenes had been woven into the first half after the prologue, as it does ask a lot of a reader to wait over 200 pages in a debut with relatively little happening.
I am really glad I stuck with it, and if you're questioning whether to keep going in the first half, I hope you do to.
I can see Felix Mosse finding his groove in the future books and as he becomes a more experienced writer. The worldbuilding is unique and intriguing, and I'd love to be inside his mind for a day to see how he conceptualised it!
Thankyou to Penguin Australia for sending me an advanced copy in return for my honest review.
3.75 stars rounded up
The Mistral opens with an absolute corker of a prologue, heavily evoking The Way of Kings without feeling like that work was a direct inspiration. The following 50% of the main characters' story is filled with vivid worldbuilding, but honestly not much else to hold your attention.
I had to put it down and read some smut to reset my brain.
When I came back, I was absolutely hooked for that last 45%. All the players start to coalesce, the stakes are finally very high and the pieces start to fall into place for a second half full of sucker punches.
I do wish that one or two high-impact scenes had been woven into the first half after the prologue, as it does ask a lot of a reader to wait over 200 pages in a debut with relatively little happening.
I am really glad I stuck with it, and if you're questioning whether to keep going in the first half, I hope you do to.
I can see Felix Mosse finding his groove in the future books and as he becomes a more experienced writer. The worldbuilding is unique and intriguing, and I'd love to be inside his mind for a day to see how he conceptualised it!
Thankyou to Penguin Australia for sending me an advanced copy in return for my honest review.
3.75 stars rounded up
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