Joshua Miller has an interesting pedigree. He is the son of actor (The Exorcist) and playwright (That Championship Season) Jason Miller and actress Susan Bernard of Faster, Pussycat! Kill! Kill! In turn, she is the daughter of well-known photographer Bruno Bernard. Joshua was a second-tier teen actor in the 1980s and 1990s, best known for River’s Edge and Halloween III. I bring up this pedigree to discuss Miller’s semi-autobiographical novel about a teen actor growing up in Los Angeles, torn between his mother, an actress, and his dying grandmother. This talented photographer was sexually abused as a young girl in Nazi Germany. The book’s title comes from a card game whose aim is to get rid of all of the cards in hand without breaking certain unspoken rules that vary by venue. In the book teen Jordan Highland moves in with his grandmother when his mother loses him a game of Mao. Miller’s book is a beautifully descriptive journey through Los Angeles as Jordan meets a stripper and develops a heroin addiction. Jordan has severe PTSD due to his sexual abuse at the hands of his father, a Heisman trophy winner. The scenes of abuse are graphically explicit and explain much of Jordan’s behaviors. Miller has beautifully written prose and a sly sense of humor. When his grandmother, while cancer is ending her life, ignores her Meals on Wheels food, she declares, after seeing the contents, “I don’t want to die middle class.” Miller, who has gone on to pen scripts like the delightful The Final Girl, has written a moving story of loss and redemption, featuring the ugly side of Tinseltown, where a boy pawns his dying grandmother’s minks for just a little bit of smack.