Anna Deveare Smith's award-winning one-woman shows were borne of her uniquely brilliant ability to listen. In Talk to Me she applies her rare talent to the language of political power in America.
Believing that character and language are inextricably bound, Smith sets out to discern the essence of America by listening to its people and trying to capture its politics. To that end she travels to some of America's most conspicuous places, like the presidential conventions of 1996, and some of its darkest corners, like a women's prison in Maryland. And along the way she interviews everyone from janitors to murderers to Bill Clinton himself. Memoir, social commentary, meditation on language, this book is as vastly ambitious as it is compellingly unique.
Anna Deavere Smith (born September 18, 1950) is an American actress, playwright, and professor. She is currently the artist in residence at the Center for American Progress. Smith is widely known for her roles as National Security Advisor Nancy McNally in The West Wing and as Hospital Administrator Gloria Akalitus in the Showtime series Nurse Jackie. She is a recipient of The Dorothy and Lillian Gish Prize (2013), one of the richest prizes in the American arts with a remuneration of $300,000.
In 2009 Smith published her first book, Talk to Me: Travels in Media and Politics. In 2006 she released another, Letters to a Young Artist: Straight-up Advice on Making a Life in the Arts-For Actors, Performers, Writers, and Artists of Every Kind.
As a dramatist Smith was nominated for the Pulitzer Prize for Drama in 1993 for Fires in the Mirror which won her a Drama Desk Award for Outstanding One-Person Show. She was nominated for two Tony Awards in 1994 for Twilight: one for Best Actress and another for Best Play. The play won her a Drama Desk Award for Outstanding Solo Performance and a Theatre World Award.
Smith was one of the 1996 recipients of the MacArthur Fellowship, often referred to as the "genius grant." She also won a 2006 Fletcher Foundation Fellowship for her contribution to civil rights issues as well as a 2008 Matrix Award from the New York Women in Communications, Inc. In 2009 she won a Fellow Award in Theater Arts from United States Artists.
She has received honorary degrees from Spelman College, Arcadia University, Bates College, Smith College, Skidmore College, Macalester College, Occidental College, Pratt Institute, Holy Cross College,[disambiguation needed] Haverford College, Wesleyan University, School of Visual Arts, Northwestern University, Colgate University, California State University Sacramento, University of North Carolina at Chapel Hill, Wheelock College, Williams College, and the Cooper Union.
The United Solo Theatre Festival board awarded her with uAward for outstanding solo performer during the inaugural edition in November 2010.
In 2013, she received the 2012 National Humanities Medal from President Barack Obama.
She's amazing; where I read her explanation of trochees (accent on the second beat), and how to listen for truth in people's stories. Transcripts of her interviews, she's a superstar. 2nd time I read it; first time was before grad school.
about the media, about the presidency, about authority, about d.c. about our conversations, communication, and connection...or lack thereof. about theater, about listening, about education, about race.
she weaves her personal story, her opinions, and directly transcribed interviews. the timeline jumps back and forth, and some of her opinions seem to have more weight than others, more evidence, more backing.
good food for thought, even if some of it's unsettling.
A 'documentary' on listening beyond the language being spoken. A must read for anyone interested in learning to hear what is really being said. This is one of a very few books I will read again. Highly recommend.
Excellent! She tracks her experience traveling with President Clinton on his campaign trail. She is brilliant (and has received one of those Genus Grants). She interviews well and I learned so much from this book about the process of interviewing. There are three questions that will ensure someone's syntax will chang ein the course of an hour interview: 1-Have you ever come close to death? 2-Do you know the circumstances of your birth? 3-Have you ever been accused of something that you did not do? Also, asking people about their first day of school is a good question but not in her top three. What happens is people go into their natural language, the Trochee happens and the iamb pentameter goes upside down. They are in their original language and you are getting the story. This struck me powerfully, her insight, her skill as an interviewer. She is a performer who presents voices of the people, she did her show "Twilight: Los Angeles" after the 1992 riots and her show "Fires in the Mirror" after the Crown Heights riots in Washington. For each of these she interviewed the people of these communities. I went to a production of Twilight in Seattle put on by the students at Univ of WA, they used several actors to do what Anna Deavere Smith did herself. The play is amazing in itself, and again shows her skills. When she came and spoke at the UW she did a series of voices, what an amazing actor and artist she is.
I read this some years ago. Anna Deavere Smith is far more than the actress who plays Rainbow's mother on *Black-ish*. Smith is a thinker who travels and writes just to listen to people and learn from their stories. Everyone has a story. Listen...
So fascinating! And still relevant, even though she uses her experiences from the late 1990's. Smith is a national treasure. I hope she keeps on doing what she does and saves it all for us to ponder for years to come.
Particularly interesting for her interviews with politicians and the press around the election of 1996 and the lead-up to 2000. (The book was published in 2000.)
I really enjoyed this book. Having graduated from the same college the same year and now living in DC. It is like reading about the events swirling around me as I grew up.
It's so interesting thinking about how the self lies not only in what we say but how we say it and what we don't say. In the pauses and broken sentences, the ums and uhs. I remember when I read this (it's been a while) I really focused on the idiosyncrasies of the speech patterns of those around me. I love the way Anna Deavere Smith takes the smallest things and shows just how important they are.
It's too diffused, unfocused to get a five but it got me thinking, several times, thus the 4 stars. Theater, truth, lies, the press. Clinton, ejaculation, le petit morte, the death wish, release of or throwing away of energy. Honest talk vs. presentation.