Read as a whole, this book is EXTREMELY repetitive and makes some very large generalizations, such as dividing video into three basic categories: activist, art, and television. The volume is worth reading for the artists' writings, however, which offer descriptions of difficult-to-find works.
I started with the chapter "The cultural logic of video" by Maureen Turim with excitement since it's my topic. I could see from the beginning that the writer has very good knowledge and their text is full of references. However, it felt a bit structureless, as I couldn't understand what were they talking about, where is this going, and I couldn't really follow. Also there were some terms that I wish I would get more context about since personally I am not very familiar with, such as "psychoanalytic theory", "multinational capital". At the moment I am less tempted to try to read the other authors in the book.