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A croquer
"Toutes à croquer, oui ! Quelle idée charmante ! Et quel homme charmant ! Aucune ne lui résiste, car elles sentent qu'il saura les aimer bien mieux qu'un autre. Bien plus complètement ! Voilà un homme qui a le goût des femmes, savent-elles d'instinct, et cet instinct-là ne saurait tromper. C'est donc à lui qu'elles se donnent, à lui qui sait les désirer absolument, qui ne négligera rien de leur moelleuse beauté, de leurs tendres galbes et des ineffables douceurs qu'elles réservent au véritable amateur. Il n'en laissera rien, ce gourmand... Car la vérité, messieurs, mesdames les jurés, c'est que les femmes ne sont qu'une friandise pour ce dangereux, pour ce très redoutable séducteur. Ses crimes, direz-vous, ne sont pas du ressort de ce tribunal ? Certes ! Avec bon sens, vous préférez confier ce cas à l'institution psychiatrique. Soit ! Mais prions pour les infirmières !
Le roman d'un séducteur pas comme les autres : les « belles à croquer », il aime vraiment se les mettre sous la dent. Un érotisme drolatique à base de câlins canins, par l'auteur de La Dentellière.
Le roman d'un séducteur pas comme les autres : les « belles à croquer », il aime vraiment se les mettre sous la dent. Un érotisme drolatique à base de câlins canins, par l'auteur de La Dentellière.
187 pages, Kindle Edition
First published October 4, 2000
About the author
Pascal Lainé
88 books2 followersPascal Lainé (born 10 May 1942 in Anet, Eure-et-Loir) is a French academic, novelist, and writer.
Awarded both the Prix Médicis (1971 for l'Irrévolution) and the Goncourt (1974 for La Dentellière), Pascal Lainé has published over 20 novels and has written for television, theater, and film.
While recovering from childhood illnesses, Lainé discovered novelists Alexandre Dumas, père and Victor Hugo, aspiring to their kind of voluminous writing, but in school he focused on philosophy and history, becoming an avid student of Immanuel Kant, Maurice Merleau-Ponty, and Martin Heidegger. He was also drawn to Marxism (both by conviction and from a desire to rile his parents) and he chose Russian as his second foreign language, permitting him to read Anton Chekhov and Fyodor Dostoyevsky in the original.
Lainé studied philosophy at l'École normale supérieure de Saint-Cloud and began his career as a teacher first at the Lycée technique de Saint-Quentin and later at the Lycée Louis-le-Grand in Paris. He then became a professor in 1974 at the Institut universitaire de technologie in Villetaneuse. He currently serves as an administrator at the Société des auteurs et compositeurs dramatiques (SACD).
With Rimbaud, he discovered the "fireworks" of poetry, and in Mallarmé he discovered the pleasure of deciphering a text and studying its structure. He is also fascinated by Witold Gombrowicz: "I felt with this joker, this aristocratic Rabelais an instant kinship. He taught me that a writer gives up his homeland and is always a foreigner wherever he finds himself."
Awarded both the Prix Médicis (1971 for l'Irrévolution) and the Goncourt (1974 for La Dentellière), Pascal Lainé has published over 20 novels and has written for television, theater, and film.
While recovering from childhood illnesses, Lainé discovered novelists Alexandre Dumas, père and Victor Hugo, aspiring to their kind of voluminous writing, but in school he focused on philosophy and history, becoming an avid student of Immanuel Kant, Maurice Merleau-Ponty, and Martin Heidegger. He was also drawn to Marxism (both by conviction and from a desire to rile his parents) and he chose Russian as his second foreign language, permitting him to read Anton Chekhov and Fyodor Dostoyevsky in the original.
Lainé studied philosophy at l'École normale supérieure de Saint-Cloud and began his career as a teacher first at the Lycée technique de Saint-Quentin and later at the Lycée Louis-le-Grand in Paris. He then became a professor in 1974 at the Institut universitaire de technologie in Villetaneuse. He currently serves as an administrator at the Société des auteurs et compositeurs dramatiques (SACD).
With Rimbaud, he discovered the "fireworks" of poetry, and in Mallarmé he discovered the pleasure of deciphering a text and studying its structure. He is also fascinated by Witold Gombrowicz: "I felt with this joker, this aristocratic Rabelais an instant kinship. He taught me that a writer gives up his homeland and is always a foreigner wherever he finds himself."
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