The cover of yesterday’s Sydney Morning Herald carried a half page photo of a kangaroo, trapped in a tiny circle of mud in the centre of a cracked channel on the NSW Menindee Lakes. This week the report came in of hundreds of thousands of fish dead in the Darling River, not far from Menindee. If I needed a reminder that this (2009) book is still brutally current and that the river’s health continues to be of critical importance, there you have it.
“The River” chronicles Australia’s largest river system. It’s a book that deserves to be read, pondered - and enjoyed. Hammer strikes an accessible balance, navigating a route that combines travelogue with historical, geographical, political, cultural and environmental elements. If you read “The River” seeking an in-depth consideration of any one of these elements you’d probably find yourself a little disappointed. However, Hammer has done most of us a favour, painting with accessible, broad brush strokes in a narrative style that keep us “in the current”, giving the reader a solid foundation to understand something of the state of the Murray/Darling system in the early 21st century and how it got to be that way.
That said, Hammer’s travels take place during the crippling 2009 “Millenium” drought. The state of communities along the rivers at the time of writing was generally especially bleak.
Although Hammer is a climate change “believer”, the book doesn’t become a piece of climate change dogma. He speaks to a wide cross-section of locals and is satisfied to let the conflicting opinions sit alongside one another rather than becoming preachy or simplistic. And in writing so much of what he sees and hears, there’s a good chance readers will be turned to consider the matter of climate change and how we need to alter our interaction and management of such a significant yet damaged natural resource. Hammer keep the issue well and truly in the human realm, which makes for a more universally enjoyable and engaging read.
Having read and enjoyed Bill Bryson and Paul Theroux, “The River” confirms the power of travel to bring momentum to a narrative. Hammer never quite matches Bryson’s whimsy or Theroux’s dry misanthropy (they seem to - generally - keep us on their side, making the perfect delivery of personal quirk look oh so simple) but we are very much along for the ride, in the moment, feeling the emptiness and heat and hollowness of the gasping, isolated, parched reaches of forgotten Australia.
I’d like to give 3.5 stars, but Goodreads doesn’t allow halves. So 4 it is, in the hope that perhaps many more Australians will take the satisfying, accessible, insightful and disturbing trip with Hammer along the length and breadth of the Mighty Murray Darling River Basin.
And maybe, like me, you might finish with a prayer for the life - and resurrection - of a precious national treasure. Be you climate change disciple or denier, it’s clear we cannot just take from our forests, rivers and earth without expecting significant consequences.