Charlotte MacLeod, born in New Brunswick, Canada, and a naturalized U.S. citizen, was the multi-award-winning author of over thirty acclaimed novels. Her series featuring detective Professor Peter Shandy, America's homegrown Hercule Poirot, delivers "generous dollops of...warmth, wit, and whimsy" (San Francisco Sunday Examiner and Chronicle). But fully a dozen novels star her popular husband-and-wife team of Sarah Kelling and Max Bittersohn. And her native Canada provides a backdrop for the amusing Grub-and-Stakers cozies written under the pseudonym Alisa Craig and the almost-police procedurals starring Madoc Rhys, RCMP. A cofounder and past president of the American Crime Writers League, she also edited the bestselling anthologies Mistletoe Mysteries and Christmas Stalkings.
Fun historical romance whodunit, expertly plotted and surprisingly fresh considering its 1978 publication date. Lovingly detailed and dead accurate about the 1910 setting, especially class consciousness and women's issues. The heroine's a poor-relation daughter-of-a-black sheep who has to Cinderella it for her much wealthier Boston Brahmin cousin. The only anachronism is the heroine's sassy backtalk aimed at the grumpy, decent-but-misunderstood hero, which is pure 1970s women's magazine fiction dialogue. But, y'know, in a good way.
1978 young adult offering from Charlotte MacLeod. The last of MacLeod's young adult mysteries before starting her better known adult series of humorous cozy mysteries. It's 1908 and Letitia Tabard, "getting on for twenty ...", has finally been removed from boarding school and sent to live with wealthy cousin Zilpha Tabard and her companion, Tetsy Mull. Zilpha is isolated from reality but has very definate ideas of what is proper. Tetsy is devoted to Zilpha and resents the arrival of Letitia. Zilpha is renovating a property purchased from Jonah Jenks, who went missing seven years ago. Her property is also occupied by a two man architectural firm; the firm was owned by Jenks and willed to Ronald and Hayward, but they can't move it until the missing Jenks is pronounced dead. Zilpha finds Ronald is a distant relative and attempts to match him with Letitia, a move to Ronald's liking since it would move him closer to Zilpha's prestige and money. Letitia, however, forms an attachment with Haywood, the socially unacceptable son of a carpenter. Letitia's inquisitiveness creates friction and raises questions about the fate of the missing Jenks. King Devil, the name ascribed to the dandelion-like flower found on the grave of a Jenks ancestor, is a colloquial name for Hieracium caespitosum, also known as Yellow Hawkweed.
Non-series - YA - The last thing Lavinia thinks she will encounter when she goes to live with rich cousin Zilphia in 1908 is mystery and romance.
I was a bigger fan of the author's Sarah Kelling series than her Peter Shandy novels, mostly because of Kelling's blue blood Boston relatives and the complications that caused in her relationship with art detective Max Bittersohn. You can see foreshadows of that relationship in this historical cozy mystery written the year before the first Kelling/Bittersohn novel, Family Vault (1979). The heroine is from a blue blooded and rather odd New England family, her beau is the son of a working man, and things are not quite right at her rich relation's new summer retreat. Set in 1910, the story has all the bright characterization that you expect from MacLeod, a solid mystery with multiple suspects and a missing corpse, and a corker of an ending. While I'm glad she gave us Sarah and Max for multiple novels, I'm sorry that the author never followed up with more adventures of Lavinia and Hal. They make a charming pair of detectives.
Knowing that she was a fan (or at least vested enough to write a biography, which I've yet to read), I sort of see this as MacLeod's homage to Mary Roberts Rinehart. Which I am all about. I super enjoyed the characters and the historical setting was mostly delightful and I didn't figure things out at all, but MacLeod's voice is just as familiar as in her cozies.
It is like a Gothic book: orphan girl goes to live with her aunt, there is a mystery about the death of one older owner of some property; the MC has moments of danger; there is definitely someone trying to get rid of her; there is a tiny bit of a romance (I specially liked that she called the MIL "the ginger cat" XD)
I very much enjoy Charlotte MacLeod's other books. This is a one off and rather on the light side, but it kept my attention and I did enjoy the story. I'm only giving it 4 stars because it really is only a bit of fluff when all is said and done.
It may be where I am just now but it could not hold my interest. I think all the strictures that are applied to women and women have to push against our little too much with me right now.
Not part of any series, this single book is a good read. It has a coherent and well-realized plot, it is easy to like the characters and to understand their motivations, to root for them and hope that things work out as they should. MacLeod is a mystery writer who likes to do her work in miniature. Rather than large canvases and broad brush-strokes, she prefers the intimacy of the small canvas, in which she works with incredible detail. The well-drawn characters and their milieu, portrayed with wit and charm, help to bring to live an interesting and memorable story.
Delightful historical mystery with a no-nonsense heroine who becomes an accidental sleuth trying to escape her exasperating relatives and get down and dirty with a grumpy ginger architect. As a bonus I learned about gravestone rubbing, which apparently is still a thing.