Overlord - Max Hastings
I quite enjoyed this over 400 page historical piece on the Battle of Normandy. It’s the second book from Max Hastings I have read, the first being The Secret War in 2017. His writing style is what prompted me to pick up Overlord. The Secret War was not a favorite of mine, as can be seen in my review I had rather mixed thoughts but that was, in hindsight, primarily due to the subject matter. Espionage, ciphers and spies interest me far less than the finer points of field combat. Hastings even acknowledges in The Secret War that intelligence and code-breaking efforts are futile without the necessarily field capabilities and response time. Thus, it piques my interest far more to read over the specifics of battle. So to this end, I thoroughly found Overlord to be a compelling retelling and analysis of the famed battle.
The issues I took up with Hastings writing style in his previous book, namely his absolute intensity of analysis and disputes with previously popular notions, became an absolute positive in this edition. The result is a completely new and fresh look at the events so many of us are already so familiar with. The Battle for Normandy has been covered in so many Movies, TV Shows, Video Games and Books that at this point one wonders what is left to cover? In this Hastings thrives, mixing his fresh retelling of the day by day events with enlightening analysis and evaluations of points not previously explored in depth. Tied with his expert use of sources throughout the pages of his book and his trademark essayist style of writing, Max Hastings’ Overlord pushes itself in my own opinion to the best book written on the subject of Normandy since The Longest Day, surpassing perhaps even that.
I’ll no doubt start with my favorite aspect of the book, its composition. Hastings presents an amazing set of content in every Chapter he puts forward. No single chapter is simply a retelling of the events that transpired, each contains expert analysis and evaluations. I honestly believe that it is an impressive feat to include such refreshing insights on a topic that even by 1984 had been one of the most covered Battles/Campaigns in the history of mankind. 1984 marked 40 years since the Battle for Normandy, a point where many mistruths and rumors still persisted about the battle. The more junior elements involved, Officers, NCOs and Soldiers, were still alive and well to debate them.
But where Hastings sets himself apart from other Historians such as Beevor, Schama and Lewis is his distinct refusal to adhere to a narrative writing style. His works are in a methodical essayist style, true to form. His writings rarely, if ever, contain a storyteller’s embellishment and every point he makes is articulated and smooth. I really enjoyed how well he structures his writing, and how tastefully he utilizes quotes and evidence. A lot of History writers effectively let evidence and quotes tell the story, whereas Hastings uses them as a vital ally in what is very clearly his work. In essence, if I was to summarize, Hastings acts like a Lawyer, sometimes prosecuting, sometimes defending, sometimes both. It’s this form that he employs from start to finish and what gives his work its most unique strength. Not to mention, he wins my heart with plenty of well placed maps and diagrams.
Sourcing is a subject I wanted to touch on further. There exists many works so devoid of solid sources that one does begin to poke holes in their legitimacy. David Talbot’s The Devil’s Chessboard bordered on this. While being a supremely entertaining read, its subject matter lent itself more to the side of conjecture and theory than solid fact based evidence. That book was, however, a book supremely based in theory all the way to its conclusion, being about the Kennedy murder after all. Then again, there are books that rely supremely on sources and external work far too much. Beevor falls in this category often in his work, as do many other less popular writers. No great history book lends itself simply to recording evidence and events from primary and secondary sources. How does Hastings exactly avoid either of these categories and establish a style that is uniquely his own? It definitely starts with his sourcing.
Make no mistake, Hastings makes great and numerous use of sources, especially first hand ones. At the back of his book is direct sources, statistics and a glossary extending almost 100 pages, but it is between his chapters that counts the most. His quotes are not cut and spread, they are delivered in paragraph size, with the subject matter rarely straying from the point. I could have learned a lot from this kind of writing in my own exams! Whenever he seeks to make a point of his own, something he does quite often, he’s sure to back up any claim he makes with evidence and commendable theory. He also employs the most important asset a historian has, his own opinion. Anyone can formulate a certain opinion on any historical event, but Hastings does so in the only way I assume he can, with expertise. This isn’t the easiest to explain, so I will take one quote from the book to demonstrate my meaning:
“The principal problem in almost every attack on every battle-field is to maintain momentum. Every instinct, especially among inexperienced soldiers, is to take cover under fire. Instinct is reinforced when the bodies of others who have failed to do so lie all around. It requires a considerable act of will to persuade limbs to act which have suddenly acquired an immobility of their own. Inexperienced troops find it notoriously difficult to assess the extent of resistance and risk. On some occasions this can be to their advantage – or rather, that of their commanders – because it leads them to perform acts that more seasoned soldiers would not be so foolhardy as to attempt. But on Omaha the 29th Division, in its first experience of combat, deprived in the first hours of many of its officers, dismayed by its losses and confused by its predicament, became dangerously paralyzed. The veteran 1st Division, on its left, performed significantly better – indeed, most Americans later agreed that without ‘The Big Red One’ the battle would have been lost.”
Where other Historians may simply explain events and draw simple evaluations of the circumstances, Hastings employs his own unique evaluations and insights, that one’s mind doesn’t immediately come to when reading the raw events. Despite being so honed, Hastings makes pains to avoid burrowing into an emotional narrative structure, and is sure to keep himself straight to the point throughout the book. All this, through my somewhat incoherent structure, you can tell I really enjoyed.
Without spoiling the ‘story’, which is a convoluted concept considering this is human history I’m reviewing, my final points will be on the subject matter itself. As I touched on before the Battle of Normandy, also known as Operation Overlord or slightly incorrectly as ‘D-Day’, has been covered possibly more than any other wartime event in history. It’s associated images and outcomes are iconic, and places itself possibly as the most popularly revered battle in human history. This is as true today as it was in 1984 upon the books writing, with a good majority of influential works on the topic being written in the 1950s and 60s. Hence, the subject matter itself lends to the more overdone topics in history. By the time I was 10 years old, through simply movies and TV, I was already familiar with what the Battle for Normandy was, before any other historical event ever. Spielberg’s Saving Private Ryan is more than likely the most influential war film ever made which, for those who haven’t seen it, touches on the exact same areas. The point I’m making is it is no small task to generate new and interesting discussion on a subject so written, recorded and filmed to death it is unlikely to even be forgotten, even in an apocalypse. Yet somehow, I truly found Max Hastings’ Overlord to excel at just that. It presents viewpoints I had never even considered, even with information I was previously familiar with. Within the Book’s 12 Chapters, nothing makes itself more prominent. I honestly felt as if I was learning about something completely new a majority of the time, which isn’t magic: I honestly believe good history writers can turn familiar topics into wondrous new discourse. The Battle for Normandy is given a new lease on it’s exhilarating months of tension with this book, and it certainly deserves it.
To summarize what has been a rather joyous review for me, I will admit that I find no wrong with this book. It does it’s job quite well. Non-fiction for me is judged very differently to fiction, but Hastings work here is nothing other than beautiful. I think it would be accessible for all levels of History readers, it contains insights and information for everyone to enjoy, as well my classic love: maps and diagrams! I must say, this is certainly going on my favorites list. I think I need to find some bad books to review, or I’ll look to biased! Either way, such a wonderful title. Combines fine-tuned insights and analysis as well as impartial retelling to paint a picture unique from any other work on the subject. The book itself counts over 500 pages, but the content is contained in about 420 of these. I finished in a little under two weeks with light reading. It’s getting a 10/10 for me.