Иcтopията за малката лиcичка Чepнишка cpeща младитe читатeли cъc cуpoвия живoт в дивата гopа. Пoвecтта e залeгнала в пpoгpамата на бългаpcкитe училища.
Emilian Stanev Емилиян Станев was the pseudonym Nikola Stoyanov Stanev (Никола Стоянов Станев), a 20th-century Bulgarian prose writer. Also spelled as Emiliian Stanev or Emiliyan Stanev.
Stanev was born in Veliko Tarnovo in 1907 and spent his childhood in Tarnovo and Elena, where he long lived with his family. From an early age, his father would take him to his hunting outings in the open, which influenced Stanev's later work, where nature is often described. In 1928, he finished the Elena high school as a private student and moved to Sofia, where he studied painting under Tseno Todorov. In the 1930s, he enrolled in Finances and Credit in Free University of Political and Economic Sciences, (today University of National end World Economy in Sofia). In 1932–1944, he was an office worker of the Capital Municipality and in 1945 he was the director of the hunting reserve in the village of BukovetsStanev published his first works in 1931. He was active in a number of magazines and newspapers: he headed the fiction department of the
Literary Front newspaper and published in Fate, Testaments, Art and Critic, Goldhorn, Wreath, Bulgarian Speech, etc. Stanev wrote tales involving animals, social and philosophical prose, historical novels and novelettes. During his stay in Sofia he was an acquaintance of the city's leading intellectuals who had a strong influence on his later works. Stanev's first book was a collection of short stories named Tempting Glitters issued in 1938. His next book was the collection Alone from 1940, which set forth a series of works devoted to the relations between man and nature. The books to follow were Wolfish Nights (1943), Workdays and Holidays (1945), Wild Bird (1946), In a Silent Night (1948). One of his last and best-known works, The Peach Thief, was published in 1948 and filmed in 1964. After 1950, he worked for 14 years on his novel Ivan Kondarev describing the events surrounding the September Uprising of 1923. Stanev also authored many books for children and teenagers, such as Through Forests and Waters (1943), The Greedy Bear Cub (1944), Tale of a Forest (1948), When the Frost Melts (1950) and Chernishka (1950).
Не помня на колко години съм била четейки за първи път Чернишка, но четейки я днес си задавам разни въпроси. Защо е насочена тази история към децата? Какво се цели с нея? Може ли да пишеш за деца и да обрисуваш детайлно как се бият животни помежду си, как се раняват и колко жесток и отмъстителен е човекът към тях?!🙄😕 От погледа на възрастен повестта ми е интересна, но и много тъжна!
На места сходна с обсесията Моби Дик, на други - космически отстранена приказка за кръговрата на света, "Чернишка" е една от най-любимите ми български книги, а образът на неуловимата, но твърде смъртна лисица надхвърля възможностите ми да осмисля всичката метафора, която въплъщава.
Любимата ми книжка. Прочетох я преди да започна да чета народни приказки. Може би тогава, като малък, получих субективистичен разрез между двата свята на лукавата Кума Лиса и оцеляващата Чернишка.
This is one of my most favourite books of all time. It touched me, while I was reading it and stayied in my heart forever. And I re-read it every now and then. I think this started my great love for foxes in general, so a few years later, when I discovered "The too-clever fox" by Leigh Bardugo I was able to compare the two and absolutely completely love them. *deep sigh* Now I want to re-read them again... <3 <3 <3 :3
Жизнь течёт сама по себе и нет ей надобности оглядываться назад. Какое имеет значение прошлое? Какой смысл в будущем? Главное — здесь и сейчас, без лишних философских рассуждений. Именно так устроена природа, не придающая значения ничему, кроме краткого мига определённой доли секунды. Человеку данную особенность очень трудно понять — он никогда не смирится, что происходящее с ним от него не зависит и действительность может и не заметить, исчезни с лица Земли представители животного мира, а то и планета вся целиком. Суть мгновения является определяющей для бытия, поэтому можно думать и жить во имя чего-то, обязанного утратить значение в следующую долю секунды.