A number of the pieces in Paddy O'Reilly's new collection operate as vignettes rather than stories. Such pieces are vivid evocations of mood and place, in which the underlying drama is implied rather than brought to the fore. The more fleshed-out narratives range from the empowering ("Territory") to the devastating ("One Good Thing"); from the reflective and melancholy ("Deja Vu", "Something To Take Care Of", "Stingers", "The City Circle") to the speculative ("Procession", "Restraints") and the comically off-beat ("The Word"). This last story is not only funny, in a familiarly uncomfortable fashion, but also explores social decay and domestic conflict openly and honestly.
O'Reilly is keenly attuned to both private experience, often glimpsed in childhood ("One Good Thing", "Something To Take Care Of") and the menace and violence that permeates contemporary Australian society ("The Salesman", "Recreation", "Territory"). But I have rarely encountered a writer who so effortlessly combines seriousness with hilarious one-liners. There are several genuine laugh-out-loud moments in this book, but O'Reilly's style and her treatment of her subjects is never glib or flippant.
An excellent, multi-faceted collection that deserves a wide audience.