I'm going to start with the positive stuff.
1. This reads a lot like a British comedy show. Given that it's set in London/Scotland, and written by a British author, this isn't all that surprising. But if you know what I mean when I say Brit-Com, then you'll get the vibe of this story right away. I personally ADORE this kind of writing. It's silly, but also quick witted and clever. It had me barking out laughter all the way through it.
2. In general, Maggie and Roman were likeable easy-to-read characters. They both have bright moments that made me smile.
2.5. Maggie: She's the eldest child and heir of a family of assassins. Except she's REALLY not equipped for the job. Her blunders are sometimes harrowing and sometimes cringe-worthy, but also sort of amusing.
2.75 Roman was genuinely funny once he and Maggie got on page together. The way he's forced to just roll with some of the most insane stuff was great entertainment.
3. The plot of the story was engaging, too. Especially the bits with Eddie. This story had a way of dragging me into it that made the pages easy to turn.
4. I am glad that Maggie didn't end up changing or compromising herself or her morals. I was thoroughly expecting her to snap and cross that line and she didn't. I also sort of assumed that Roman would, too. So it was good to see them just stay normal people connected to a crime family, but still deeply uncomfortable with it in the end.
5. Coffin the crow. I want a pet crow that brings me shiny things. I loved this bird. Easily the best character in the whole book.
Now the stuff that drags this down for me:
1. Maggie isn't always an easy character to read about. As much as she charmed me, she also irritated me. I think her ineptness in seemingly EVERYTHING is a bit forced in places. It got to the point where it felt more like a running bit than just someone who was genuinely awkward. I sort of had to wonder if we were even expected, as readers, to like her, by the end.
2. Something similar happened with Roman, about halfway through the story. Outside of the kidnapping plot, he's kind of dull.
He's got a podcast???? where he essentially poses as this celibate person who's bitter and doesn't think love/intimacy is worth it - something about his own heart being broken and his parents leaving him/dying - it never really came together for me at the end of the day. Except we see him with 2 separate women before the plot of the book picks up and Maggie kidnaps him.
His identity was supposed to be this big secret but genuinely nobody (except Maggie's ex) seemed to care?
3. The spice happens early, and happens pretty often throughout this story, and in other circumstances, it would have been hot. But it sort of comes out of nowhere and doesn't make sense for where Maggie and Roman are in their relationship.
Because the fact is they don't HAVE a relationship. He feels protective of her a time or two (but there's no real reason why he SHOULD feel like that), and he's sexually attracted to her, clearly - but she's put him in a very strange, very dangerous position by KIDNAPPING him and he's mad about it one second, then fingering her the next. It didn't feel natural or earned at all.
He also has MULTIPLE chances to dip from the wedding celebration and leave Maggie with her family, but talks himself out of it for various reasons that, ultimately, just felt like lame excuses. He owes this woman nothing, barely knows her. Why should he care that her creepy ex is sniffing about? She's a grown almost 30 year old woman. No one could force her to marry against her will.
I dunno the romance arc seemed flimsy at the end of the day.
It was entertaining, but flimsy.
4. Which brings me to the grand gesturing after the wedding is over and the two of them split. Roman admits on his podcast or whatever that he's a fraud. That he's not and has never been celibate, and that now, he's in love.
He sends this to Maggie as a way of saying "see, I love you." And she just...doesn't reply to him, ever. She admits that OF COURSE she loves him back, that of course she wants to be with him and then just...does nothing about it. When he's right across the hall dying, waiting on her answer.
In the end, he bakes her cookies and has to go knock on her door before they resolve things. It was just weird - he lobbed the ball into her court, she was happy about it, and then just...I dunno. Took a nap in the stands? I'm not building a very good metaphor, but you get the idea. Talk about leaving a man hanging.
5. The ending. Listen. First of all, Roman's set on proposing, but it's only been a handful of months they've even been together. That was weird.
And then Maggie's sister calls her and tells her she needs Roman's help moving a chopped up dead body. And he's just...FINE with it. When he wasn't fine with anything before. Man's just accepted that even though Maggie herself isn't involved in her family's...business, he'll sometimes end up involved, because he loves Maggie and - yes - would even KILL for her.
Funny. He wasn't all about killing Eddie, when he promised to "fuck her in [Roman's] blood and breed the next generation of Hamiltons from her." 😒😒
The ending just felt a bit slapdash and weak for me, in general.
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SO, as much as this book amused me. I wanted a bit more out of it, I think. It definitely had potential as a concept! The British humor was charming, the book itself was a very quick, easy read for me. I wasn't ever bored and didn't ever feel like DNFing. But objectively speaking? I don't really think the story's on par with Lights Out or Butcher and Blackbird, like the blurb would have you think. I don't think I'd recommend this to people who enjoyed those books.