DONALD F. GLUT has been professionally active in both the entertainment and publishing industries since 1966.
Born in Pecos, Texas, Don grew up in Chicago, IL. At age nine, already bitten by the film-making “bug,” he made Diplodocus at Large, the first of 41 amateur movies featuring dinosaurs, human monsters (Frankenstein’s Monster, Teenage Werewolf, etc.) and superheroes (Spider-Man, Captain Marvel, etc.) Some of these films made during the late 1960s (e.g., Spy Smasher vs. the Purple Monster) were eventually shown in theatres and on TV.
Moving to Los Angeles to attend the University of Southern California, Don professionally entered show business as an “extra” (a POW) in the movie Von Ryan’s Express (1965), the first of several such “roles.” He began his professional writing career in 1966, writing articles for and finally editing the magazine Modern Monsters. In 1967, after graduating from the University of Southern California with a BA degree (for Cinema) in Letters, Arts and Sciences, Don worked as a musician, singer and songwriter in The Penny Arkade, a rock band produced by “Monkee” Michael Nesmith. Shortly after that he briefly furthered his acting career, having a speaking role in a national television commercial starring Dick Clark.
However, most of Don’s professional life has been as a freelance writer. To date he has authored numerous motion picture and television scripts (Shazam!, Land of the Lost, and animation, e.g., Spider-Man & His Amazing Friends, Transformers, G.I.Joe, Duck Tales, Jonny Quest, X-Men, others), comic-book scripts (Captain America, Tarzan, etc., including creating for Gold Key Dagar the Invincible, The Occult Files of Dr. Spektor and Tragg and the Sky Gods), more than 35 novels and nonfiction books, also numerous short stories, articles, songs, album-liner notes, etc. The Dinosaur Dictionary (1972) and Dinosaurs: The Encyclopedia (1997), two of Don’s many non-fiction books about dinosaurs, both were listed by the American Library Association among the best reference books of their years of publication. With The Dinosaur Dictionary Don created the much-imitated book format based upon an alphabetical listing of dinosaur names. Perhaps Don is best known for his novelization of the movie The Empire Strikes Back (1980), the nation’s No. 1 bestseller for almost two months, which to date (still in print) has sold over 3.5 million copies. In 1982 he created characters and back story for Mattel’s “Masters of the Universe” toy line. Among his more recent books is Chomper, an entry in the popular “Dinotopia” series.
Don produced, wrote and directed various videos (including the documentaries Dinosaur Movies and Hollywood Goes Ape! and the music-video compilation Dinosaur Tracks®), theatre and movie projects. He has worked as a consultant on numerous other video, film and TV projects, and was “Dinosaur Consultant” on Roger Corman’s movie Carnosaur (1993).
In 1990, Don and Pete Von Sholly founded Fossil Records, which has already produced a half dozen albums. These include Dinosaur Tracks®, More Dinosaur Tracks® and Dinosaur Tracks® Again, featuring paleontology-related rock music written mostly by Don (Dinodon Music/BMI), performed by Don and Pete (as the Iridium Band).
More recently, Don became president of Frontline Entertainment (www.frontlinefilms.com), for which he wrote, directed and co-produced the comedy/fantasy motion picture Dinosaur Valley Girls™, which has already achieved “cult movie” status, and Before La Brea, a documentary commissioned by the George C. Page Museum of La Brea Discoveries in Los Angeles. In 2000, he was commissioned by Irena Belle Productions to direct the movie The Vampire Hunters Club, featuring an all-star genre cast.
The 70s were quite a decade for pulp horror re-inventions of classic monsters, it would seem. I've reviewed a couple of Lowry's Dracula adventures and Donald F. Glut, the man who wrote the original He-Man comics, wrote 11 novels about a resurrected Frankenstein's monster. This is the 4th in the series, and is dedicated, aptly enough, to Christopher Lee. It's the literary equivalent of Hammer's Dracula series, always heavier on hi-jinks and heaving bosoms than the rather darker and more gruesome Frankenstein films they made. The Monster has been resurrected by a modern scientist, has made friends with a hideously scarred human and made his way to Transylvania, where they naturally stumble into Castle Transylvania. Dracula is resurrected and brought back to Britain to unleash a scheme patterned after Stoker's novel. It's all quite entertaing, and written just a little better than Lowry's Dracula books, although not by much. Still, at 140 pages this is a bit of pulpy entertainment that never outstays its welcome.
I know I know another one in this series and almost as ridiculous as the rest, in this one The Monster ad his friend travel to Transylvania and pick Draculas castle to stay, naturally enough this leads to a conclusion in London where the hero of the first two novels is forced to perform a brain transplant until it all goes tits up for the vampire. In all this the Monster is weakened for no reason other than it stops the ending happening 60 pages earlier.